In this Issue

Table of Contents

Le Tribun, ou le Comédien de l’échafaud, mélodrame révolutionnaire

Julia Przyboś
pp. 16-25
DOI: https://doi.org/10.1353/esp.1989.0014
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A Woman’s Place: La Petite Fadette v. La Voix des Femmes

Margaret Cohen
pp. 26-38
DOI: https://doi.org/10.1353/esp.1989.0022
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Revolutionary Paris and Literary France

Priscilla Parkhurst Ferguson
pp. 39-49
DOI: https://doi.org/10.1353/esp.1989.0030
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Revolution and Aesthetics in Hugo’s Quatrevingt-treize

Timothy Raser
pp. 50-61
DOI: https://doi.org/10.1353/esp.1989.0038
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Mil seizh kant trizek ha pevar ugent (1793), ou la Révolution française en breton

Paol Keineg
pp. 62-73
DOI: https://doi.org/10.1353/esp.1989.0046
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Cantique de Saint-Just

Denis Hollier
pp. 74-83
DOI: https://doi.org/10.1353/esp.1989.0003
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The Myth of the Bastille and Sartre’s French Revolution

Lawrence D. Kritzman
pp. 84-91
DOI: https://doi.org/10.1353/esp.1989.0011
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Rethinking the French Revolution: Marxism and the Revisionist Challenge by George C. Comminel (review)

Sandy Petrey
pp. 92-93
DOI: https://doi.org/10.1353/esp.1989.0019
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Engagement and the Language of the Subject in the Poetry of Aimé Césaire by Ronnie L. Scharfman (review)

J. Michael Dash
pp. 93-94
DOI: https://doi.org/10.1353/esp.1989.0027
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Surrealism and the Book by Renée Riese Hubert (review)

John Anzalone
pp. 94-95
DOI: https://doi.org/10.1353/esp.1989.0035
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French Women Writers and the Book. Myths of Access and Desire by Tilde A. Sankovitch (review)

Anne R. Larsen
pp. 95-96
DOI: https://doi.org/10.1353/esp.1989.0043
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Introduction: Literature, Language, Revolution

Sandy Petrey
pp. 5-15
DOI: https://doi.org/10.1353/esp.1989.0006
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