1. Le Tribun, ou le Comédien de l’échafaud, mélodrame révolutionnaire
  2. Julia Przyboś
  3. pp. 16-25
  4. DOI: 10.1353/esp.1989.0014
  5. restricted access contents
  1. A Woman’s Place: La Petite Fadette v. La Voix des Femmes
  2. Margaret Cohen
  3. pp. 26-38
  4. DOI: 10.1353/esp.1989.0022
  5. restricted access contents
  1. Revolutionary Paris and Literary France
  2. Priscilla Parkhurst Ferguson
  3. pp. 39-49
  4. DOI: 10.1353/esp.1989.0030
  5. restricted access contents
  1. Revolution and Aesthetics in Hugo’s Quatrevingt-treize
  2. Timothy Raser
  3. pp. 50-61
  4. DOI: 10.1353/esp.1989.0038
  5. restricted access contents
  1. Mil seizh kant trizek ha pevar ugent (1793), ou la Révolution française en breton
  2. Paol Keineg
  3. pp. 62-73
  4. DOI: 10.1353/esp.1989.0046
  5. restricted access contents
  1. Cantique de Saint-Just
  2. Denis Hollier
  3. pp. 74-83
  4. DOI: 10.1353/esp.1989.0003
  5. restricted access contents
  1. The Myth of the Bastille and Sartre’s French Revolution
  2. Lawrence D. Kritzman
  3. pp. 84-91
  4. DOI: 10.1353/esp.1989.0011
  5. restricted access contents
  1. Rethinking the French Revolution: Marxism and the Revisionist Challenge by George C. Comminel (review)
  2. Sandy Petrey
  3. pp. 92-93
  4. DOI: 10.1353/esp.1989.0019
  5. restricted access contents
  1. Engagement and the Language of the Subject in the Poetry of Aimé Césaire by Ronnie L. Scharfman (review)
  2. J. Michael Dash
  3. pp. 93-94
  4. DOI: 10.1353/esp.1989.0027
  5. restricted access contents
  1. Surrealism and the Book by Renée Riese Hubert (review)
  2. John Anzalone
  3. pp. 94-95
  4. DOI: 10.1353/esp.1989.0035
  5. restricted access contents
  1. French Women Writers and the Book. Myths of Access and Desire by Tilde A. Sankovitch (review)
  2. Anne R. Larsen
  3. pp. 95-96
  4. DOI: 10.1353/esp.1989.0043
  5. restricted access contents
  1. Introduction: Literature, Language, Revolution
  2. Sandy Petrey
  3. pp. 5-15
  4. DOI: 10.1353/esp.1989.0006
  5. restricted access contents