In this Issue
Founded in 1962 to further the aesthetic study of the poetry of the Victorian period (1830-1914) in Britain, Victorian Poetry today publishes articles from a broad range of theoretical/critical angles, including but not confined to new historicism, feminism, and social/cultural issues. The journal has expanded its purview from the major figures of Victorian England (Tennyson, Browning, the Rossettis, etc.) to a wider compass of poets of all classes and gender indentifications in nineteenth-century Britain and the Commonwealth.
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West Virginia University Pressviewing issue
Volume 51, Number 3, Fall 2013Table of Contents
- Guide to the Year's Work: General Materials
- pp. 331-336
- DOI: 10.1353/vp.2013.0023
- Matthew Arnold
- pp. 337-342
- DOI: 10.1353/vp.2013.0025
- Elizabeth Barrett Browning
- pp. 343-366
- DOI: 10.1353/vp.2013.0027
- Robert Browning
- pp. 365-384
- DOI: 10.1353/vp.2013.0015
- Thomas Hardy
- pp. 384-394
- DOI: 10.1353/vp.2013.0018
- Hopkins
- pp. 394-402
- DOI: 10.1353/vp.2013.0020
- The Pre-Raphaelites
- pp. 402-417
- DOI: 10.1353/vp.2013.0022
- Swinburne
- pp. 418-422
- DOI: 10.1353/vp.2013.0024
- Tennyson
- pp. 422-431
- DOI: 10.1353/vp.2013.0026
- Women Poets
- pp. 431-440
- DOI: 10.1353/vp.2013.0014
- Contributors
- pp. 441-442
- DOI: 10.1353/vp.2013.0017