1. “We proudly present … the picture they didn’t want you to see!”: Black Film Advertisements, 1946–1960
  2. Ellen C. Scott
  3. pp. 5-33
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  1. Haiti: Witnessing as Revolutionary Praxis in Raoul Peck’s Films
  2. Toni Pressley-Sanon
  3. pp. 34-55
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  1. The Paraphernalia of Suffering: Chris Rock’s Good Hair, Still Playing in the Dark
  2. Joi Carr
  3. pp. 56-71
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  1. Madeline Anderson in Conversation: Pioneering an African American Documentary Tradition
  2. Michael T. Martin
  3. pp. 72-93
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  1. Meditation
  2. Terri Francis
  3. p. 94
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  1. Afrosurreal Manifesto: Black Is the New black—a 21st-Century Manifesto
  2. D. Scot Miller
  3. pp. 113-117
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  1. After the End of the World: Sun Ra and the Grammar of Utopia
  2. Anthony Reed
  3. pp. 118-139
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  1. The Art of Storytelling in Kara Walker’s Film and Video
  2. Rebecca Peabody
  3. pp. 140-163
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  1. “Just Another Word for Jazz”: The Signifying Auteur in William Greaves’s Symbiopsychotaxiplasm: Take One
  2. Akiva Gottlieb
  3. pp. 164-183
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  1. Of the Ludic, the Blues, and the Counterfeit: An Interview with Kevin Jerome Everson, Experimental Filmmaker
  2. Terri Francis
  3. pp. 184-208
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  1. Close-Up Gallery: The Afrosurrealist Film Society
  2. Terri Francis
  3. pp. 209-219
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  1. Filmmaker’s Journal: resonanz.01 (2008−2013) notes / fragments on a case of sonic hauntology
  2. Tony Cokes
  3. pp. 220-225
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  1. Filmmaker’s Journal: Notes on The Lincoln Film Conspiracy
  2. Ina Diane Archer
  3. pp. 226-231
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  1. Commentary: Haunting in Akosua Adoma Owusu’s Short Experimental Films
  2. Nzingha Kendall
  3. pp. 232-236
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  1. A Name Is More Than the Tyranny of Taste
  2. Wole Soyinka
  3. pp. 237-250
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  1. Africultures Dossier: Report from FESPACO 2013: Renewal or Demise(?)
  2. Olivier Barlet, Melissa Thackway
  3. pp. 251-262
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  1. Tey / Today by Alain Gomis (review)
  2. Olivier Barlet, Melissa Thackway
  3. pp. 263-264
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  1. Yema by Djamila Sahraoui (review)
  2. Olivier Barlet, Melissa Thackway
  3. pp. 265-266
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  1. Making a Promised Land: Harlem in Twentieth-Century Photography and Film by Paula J. Masood (review)
  2. Paul Hansom
  3. pp. 267-269
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  1. African American Actresses: The Struggle for Visibility, 1900−1960 by Charlene Regester (review)
  2. Karen M. Bowdre
  3. pp. 269-273
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  1. Collectors’ Contributions to Archiving Early Black Film
  2. Leah M. Kerr
  3. pp. 274-284
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  1. News from the Black Film Center/Archive
  2. Stacey Doyle, Brian Graney
  3. pp. 285-289
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  1. Professional Notes and Research Resources
  2. pp. 290-291
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  1. Editor’s Notes
  2. pp. 1-2
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  1. Introduction: The No-Theory Chant of Afrosurrealism
  2. Terri Francis
  3. pp. 95-112
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  1. Notes on Contributors
  2. pp. 292-295
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