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In this Issue

Table of Contents

  1. LMJ 23: Sound Art
  2. Nicolas Collins
  3. pp. 1-2
  4. restricted access
  1. A Music out of Doors
  2. Llorenç Barber, Rafael Liñan
  3. pp. 3-5
  4. restricted access
  1. The Intimate and the Immersive in Grids: Multichannel Sound Installations
  2. Peter Batchelor
  3. pp. 6-7
  4. restricted access
  1. Three Environments
  2. Marc Berghaus
  3. pp. 7-8
  4. restricted access
  1. Plasticities and Ghosts: Relationships between Stimulus and Memory in Noisy Networks
  2. Jane Grant, John Matthias
  3. pp. 9-10
  4. restricted access
  1. Solar Work #2: A Solar-Powered Sound Artwork
  2. Mike Blow
  3. pp. 10-11
  4. restricted access
  1. Making Sculptures Audible through Participatory Sound Design
  2. Florian Grond, Adriana Olmos, Jeremy R. Cooperstock
  3. pp. 12-13
  4. restricted access
  1. Presentness in Displaced Sound
  2. Yolande Harris
  3. pp. 13-14
  4. restricted access
  1. Mobile Sound and Locative Practice
  2. Jessica Thompson
  3. pp. 14-15
  4. restricted access
  1. Radioscape: Into Electromagnetic Space
  2. Edwin van der Heide
  3. pp. 15-16
  4. restricted access
  1. Listening to Locative Narratives: Illusion and the Imaginative Experience
  2. Emma Whittaker
  3. pp. 17-18
  4. restricted access
  1. Sound Resources: Environmental Installation
  2. Jos Mulder
  3. pp. 18-19
  4. restricted access
  1. Musical Phonography: Upending Listening Expectations
  2. Colin Wambsgans
  3. pp. 19-20
  4. restricted access
  1. Sound Installation 24/7: Aestheticizing Everyday Sound and Rhythm
  2. Florian Hollerweger
  3. p. 21
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  1. Fragments of Extinction: Acoustic Biodiversity of Primary Rainforest Ecosystems
  2. David Monacchi
  3. pp. 23-25
  4. restricted access
  1. Leonardo Reviews
  3. p. 26
  4. restricted access
  1. Sounds in Your Pocket: Composing Live Soundscapes with an App
  2. Rob van Rijswijk, Jeroen Strijbos
  3. pp. 27-29
  4. restricted access
  1. Leonardo Music Journal Archives Now On-Line!
  3. p. 30
  4. restricted access
  1. Move That Sound There: Exploring Sound in Space with a Markerless Gestural Interface
  2. Yuan-Yi Fan, David Minnen
  3. pp. 31-32
  4. restricted access
  1. Flexible Audio Speakers for Composition and Art Practice
  2. Jess Rowland
  3. pp. 33-36
  4. restricted access
  1. Instruments of Tension: Gramophones, Springs and the Performance of Place
  2. Jay Needham, Eric Leonardson
  3. pp. 37-39
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  1. Rakes, Live Deaths and Modified Cassette Players: Three Contemporary Sound Artists from Colombia
  2. Ricardo Arias
  3. pp. 41-46
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  1. Recomposing the City: A Survey of Recent Sound Art in Belfast
  2. Gascia Ouzounian
  3. pp. 47-54
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  1. (Demolishing) Concrete Music
  2. Simon Polson
  3. pp. 55-57
  4. restricted access
  1. From Ear to Site: On Discreet Sound
  2. Daniele Balit
  3. pp. 59-63
  4. restricted access
  1. Translating Transformations: Object-Based Sound Installations
  2. Ethan Rose
  3. pp. 65-69
  4. restricted access
  1. Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art
  2. Dugal McKinnon
  3. pp. 71-74
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  1. World on a Wire: Sound as Sensual Objects
  2. Chuck Johnson
  3. pp. 75-77
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  1. "Electric Music" on the Victorian Stage: The Forgotten Work of J.B. Schalkenbach
  2. Daniel Wilson
  3. pp. 79-85
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  1. Sound Art Theories Symposium
  2. Lou Mallozzi
  3. p. 87
  4. restricted access
  1. On-Line Supplement: Sound Art Theories Symposium
  3. pp. 88-89
  4. restricted access
  1. sound—or its absence
  2. Seth Cluett
  3. p. 91
  4. restricted access
  1. sound—or its absence
  2. Seth Cluett
  3. p. 92
  4. restricted access
  1. Telephone Voice
  2. James Webb
  3. p. 93
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  1. The Circulation of Fluids I
  2. Catherine Béchard, Sabin Hudon
  3. pp. 93-94
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  1. Meanwhile, in Shanghai. . .
  2. Maia Urstad
  3. pp. 94-95
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  1. Sound Piece from Plataforma Sonora/Torre Reloj
  2. Tania Candiani
  3. p. 95
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  1. Automatic
  2. Mendi Obadike, Keith Obadike
  3. pp. 95-96
  4. restricted access
  1. Spark, Bubble
  2. Tetsuya Umeda
  3. p. 96
  4. restricted access
  1. Espaces injectés
  2. Pascal Broccolichi
  3. pp. 96-97
  4. restricted access
  1. The Broken Orchestra Live in Stockholm
  2. Hong-Kai Wang
  3. p. 97
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  1. Archive Tape from the Suffolk Concrete Music Centre 1972
  2. Benedict Drew
  3. pp. 97-98
  4. restricted access
  1. Telemarketing Indeterminacy
  2. Nina Katchadourian
  3. p. 98
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  1. 2013 Author Index: Leonardo Volume 46 and Leonardo Music Journal Volume 23
  3. pp. 99-103
  4. restricted access
  1. Leonardo Network News
  3. pp. 104-106
  4. restricted access
  1. sound—or its absence: Contributors' Notes
  2. Seth Cluett
  3. pp. 93-98
  4. restricted access

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Volume 22, 2012

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Volume 24, 2014