1. Presentación
  2. Beatriz J. Rizk
  3. pp. 5-11
  4. DOI: 10.1353/ltr.2012.0026
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  1. Poéticas del encierro en una sociedad re-democratizada: nuevas miradas sobre viejas heridas
  2. M. Soledad Lagos
  3. pp. 13-20
  4. DOI: 10.1353/ltr.2012.0047
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  1. Isidora Aguirre y la renovación del teatro de tema histórico en Chile
  2. Osvaldo Obregón
  3. pp. 21-28
  4. DOI: 10.1353/ltr.2012.0024
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  1. La violencia en la dramaturgia femenina de la frontera norte de México
  2. Enrique Mijares
  3. pp. 29-36
  4. DOI: 10.1353/ltr.2012.0029
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  1. Chamacos en el sur global
  2. Lillian Manzor
  3. pp. 59-72
  4. DOI: 10.1353/ltr.2012.0033
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  1. Jose Yglesias: el cronista / dramaturgo de Ybor City (Tampa)
  2. Beatriz J. Rizk
  3. pp. 73-90
  4. DOI: 10.1353/ltr.2012.0037
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  1. Para no olvidar: Teatro y guerra sucia en Argentina y Perú
  2. Laurietz Seda
  3. pp. 91-102
  4. DOI: 10.1353/ltr.2012.0041
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  1. La crisis del “teatrista ilustrado” en la escena argentina contemporánea
  2. Jorge Dubatti
  3. pp. 103-128
  4. DOI: 10.1353/ltr.2012.0045
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  1. Las primas. Y sin nostalgia del absoluto
  2. Nieves Olcoz
  3. pp. 129-133
  4. DOI: 10.1353/ltr.2012.0044
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  1. Las primas: Melodrama a la Fassbinder
  2. Marco Antonio de la Parra
  3. pp. 135-178
  4. DOI: 10.1353/ltr.2012.0050
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  1. George and Me – Fifty Years of a Wonderful Life
  2. Eleanor Woodyard
  3. pp. 179-181
  4. DOI: 10.1353/ltr.2012.0049
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  1. George’s Helping Hands
  2. Adam Versényi
  3. pp. 187-188
  4. DOI: 10.1353/ltr.2012.0027
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  1. George Woodyard, ¡PRESENTE!
  2. Jorge A. Huerta
  3. pp. 189-190
  4. DOI: 10.1353/ltr.2012.0031
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  1. Lessons for a Lifetime
  2. Jacqueline E. Bixler
  3. pp. 191-193
  4. DOI: 10.1353/ltr.2012.0032
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  1. Remembering George
  2. Jean Graham-Jones
  3. pp. 195-197
  4. DOI: 10.1353/ltr.2012.0036
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  1. A Few Words about George
  2. Kirsten F. Nigro
  3. pp. 199-200
  4. DOI: 10.1353/ltr.2012.0035
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  1. … And, Above All, Friendship: Thanks, George!
  2. Beatriz J. Rizk
  3. pp. 201-202
  4. DOI: 10.1353/ltr.2012.0039
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  1. George Woodyard and “Kansas International”
  2. Stuart A. Day
  3. pp. 203-206
  4. DOI: 10.1353/ltr.2012.0043
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  1. Romeo and Juliet
  2. Courtney Elkin Mohler
  3. pp. 207-210
  4. DOI: 10.1353/ltr.2012.0048
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  1. Jerzy Grotowski. Miradas desde Latinoamérica ed. by Domingo Adame and Antonio Prieto Stambaugh (review)
  2. María Gabriela Solano-Solano
  3. pp. 211-213
  4. DOI: 10.1353/ltr.2012.0034
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  1. Teatro breve para la clase y el escenario by Eduardo Cabrera (review)
  2. María R. Matz
  3. pp. 213-214
  4. DOI: 10.1353/ltr.2012.0030
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  1. Cien años de teatro argentino: Desde 1910 a nuestros días by Jorge Dubatti (review)
  2. Carlos Fos
  3. pp. 215-216
  4. DOI: 10.1353/ltr.2012.0025
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  1. Las mujeres y la dramaturgia mexicana del siglo XX: Aproximaciones críticas ed. by Claudia Gidi and Jacqueline Bixler (review)
  2. Regan L. Postma
  3. pp. 216-218
  4. DOI: 10.1353/ltr.2012.0046
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  1. Los Negritos de Rabinal y el Juego del Tun by Carroll E. Mace (review)
  2. Elaine M. Miller
  3. pp. 218-219
  4. DOI: 10.1353/ltr.2012.0042
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  1. Apuntes sobre la historia del teatro occidental by Roberto Perinelli (review)
  2. Ezequiel Gusmeroti y Mariana Cerrillo
  3. pp. 220-221
  4. DOI: 10.1353/ltr.2012.0038
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  1. La Voz Latina: Contemporary Plays and Performance Pieces by Latinas ed. by Elizabeth C. Ramírez and Catherine Casiano (review)
  2. Linda Saborío
  3. pp. 221-223
  4. DOI: 10.1353/ltr.2012.0023
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  1. Introduction: George Woodyard, Maestro: Seven Testimonies
  2. Jorge Dubatti
  3. pp. 183-185
  4. DOI: 10.1353/ltr.2012.0028
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