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In this Issue

Table of Contents

  1. Questionnaire Responses
  2. Houston A. Baker
  3. pp. 433-435
  4. DOI: https://doi.org/10.1353/mod.2013.0077
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  1. Questionnaire Responses
  2. Emily Bernard
  3. pp. 435-436
  4. DOI: https://doi.org/10.1353/mod.2013.0083
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  1. Questionnaire Responses
  2. Anne E. Carroll
  3. pp. 436-439
  4. DOI: https://doi.org/10.1353/mod.2013.0089
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  1. Questionnaire Responses
  2. Barbara Foley
  3. pp. 439-441
  4. DOI: https://doi.org/10.1353/mod.2013.0056
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  1. Questionnaire Responses
  2. Maureen Honey
  3. pp. 441-443
  4. DOI: https://doi.org/10.1353/mod.2013.0062
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  1. Questionnaire Responses
  2. George Hutchinson
  3. pp. 443-446
  4. DOI: https://doi.org/10.1353/mod.2013.0068
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  1. Questionnaire Responses
  2. William J. Maxwell
  3. pp. 446-449
  4. DOI: https://doi.org/10.1353/mod.2013.0075
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  1. Questionnaire Responses
  2. Venetria K. Patton
  3. pp. 449-452
  4. DOI: https://doi.org/10.1353/mod.2013.0081
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  1. Questionnaire Responses
  2. Kathleen Pfeiffer
  3. pp. 452-454
  4. DOI: https://doi.org/10.1353/mod.2013.0087
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  1. Questionnaire Responses
  2. Cherene Sherrard-Johnson
  3. pp. 454-457
  4. DOI: https://doi.org/10.1353/mod.2013.0093
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  1. Questionnaire Responses
  2. James Smethurst
  3. pp. 457-459
  4. DOI: https://doi.org/10.1353/mod.2013.0060
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  1. Questionnaire Responses
  2. Michael Soto
  3. pp. 459-461
  4. DOI: https://doi.org/10.1353/mod.2013.0066
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  1. Questionnaire Responses
  2. Cary D. Wintz
  3. pp. 462-464
  4. DOI: https://doi.org/10.1353/mod.2013.0073
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  1. Bibliography for Questionnaire Responses
  3. pp. 464-467
  4. DOI: https://doi.org/10.1353/mod.2013.0079
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  1. Provincializing Harlem: The “Negro Metropolis” as Northern Frontier of a Connected Caribbean
  2. Lara Putnam
  3. pp. 469-484
  4. DOI: https://doi.org/10.1353/mod.2013.0085
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  1. The Disinterested and Fine: New Negro Renaissance Poetry and the Racial Formation of Modernist Studies
  2. Michael Bibby
  3. pp. 485-501
  4. DOI: https://doi.org/10.1353/mod.2013.0091
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  1. Race Literature, Modernism, and Normal Literature: James Weldon Johnson’s Groundwork for an African American Literary Renaissance, 1912–20
  2. Michael Nowlin
  3. pp. 503-518
  4. DOI: https://doi.org/10.1353/mod.2013.0058
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  1. “The best people”: The Making of the Black Bourgeoisie in Writings of the Negro Renaissance
  2. Pamela L. Caughie
  3. pp. 519-537
  4. DOI: https://doi.org/10.1353/mod.2013.0064
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  1. “New Negro” v. “Niggeratti”: Defining and Defiling the Black Messiah
  2. Steve Pinkerton
  3. pp. 539-555
  4. DOI: https://doi.org/10.1353/mod.2013.0070
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  1. Amiable with Big Teeth: The Case of Claude McKay’s Last Novel
  2. Jean-Christophe Cloutier
  3. pp. 557-576
  4. DOI: https://doi.org/10.1353/mod.2013.0076
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  1. Italo Calvino: The Last Modernist
  2. Lawrence Rainey
  3. pp. 577-584
  4. DOI: https://doi.org/10.1353/mod.2013.0082
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  1. When Bodies Met Galleries: How Performance Art Changed the Art World’s View of Painting
  2. Siobhán Garrigan
  3. pp. 585-588
  4. DOI: https://doi.org/10.1353/mod.2013.0088
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  1. Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)
  2. Adam Kelly
  3. pp. 589-591
  4. DOI: https://doi.org/10.1353/mod.2013.0055
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  1. Victory through Harmony: The BBC and Popular Music in World War II by Christina Baade (review)
  2. Debra Rae Cohen
  3. pp. 592-594
  4. DOI: https://doi.org/10.1353/mod.2013.0061
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  1. Terrorist’s Creed by Roger Griffin (review)
  2. Matthew Feldman
  3. pp. 594-597
  4. DOI: https://doi.org/10.1353/mod.2013.0067
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  1. The Oxford Handbook of Modern Irish Poetry ed. by Fran Brearton and Alan Gillis (review)
  2. Nicholas Grene
  3. pp. 597-599
  4. DOI: https://doi.org/10.1353/mod.2013.0074
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  1. Beckett/Philosophy ed. by Matthew Feldman and Karim Mamdani (review)
  2. Andre Furlani
  3. pp. 599-601
  4. DOI: https://doi.org/10.1353/mod.2013.0080
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  1. Holding on Upside Down: The Life and Work of Marianne Moore by Linda Leavell (review)
  2. Cristanne Miller
  3. pp. 602-603
  4. DOI: https://doi.org/10.1353/mod.2013.0086
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  1. The New Woman International: Representations in Photography and Film from the 1870s through the 1960s ed. by Elizabeth Otto and Vanessa Rocco (review)
  2. Liz Conor
  3. pp. 604-606
  4. DOI: https://doi.org/10.1353/mod.2013.0092
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  1. Envisioning Disease, Gender, and War: Women’s Narratives of the 1918 Influenza Pandemic by Jane Elizabeth Fisher (review)
  2. Cheryl Hindrichs
  3. pp. 606-608
  4. DOI: https://doi.org/10.1353/mod.2013.0059
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  1. The Years ed. by Virginia Woolf, Anna Snaith (review)
  2. Elizabeth F. Evans
  3. pp. 608-610
  4. DOI: https://doi.org/10.1353/mod.2013.0065
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  1. Constitutional Modernism: Architecture and Civil Society in Cuba, 1933–1959 by Timothy Hyde (review)
  2. Luis M. Castañeda
  3. pp. 610-612
  4. DOI: https://doi.org/10.1353/mod.2013.0072
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  1. Capital Fictions: The Literature of Latin America’s Export Age by Ericka Beckman (review)
  2. Michelle Clayton
  3. pp. 612-613
  4. DOI: https://doi.org/10.1353/mod.2013.0078
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  1. Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War by Rob Hawkes (review)
  2. Wyatt Bonikowski
  3. pp. 614-615
  4. DOI: https://doi.org/10.1353/mod.2013.0084
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  1. Ezra Pound’s Adams Cantos by David Ten Eyck (review)
  2. Sean Pryor
  3. pp. 615-617
  4. DOI: https://doi.org/10.1353/mod.2013.0090
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  1. From Kafka to Sebald: Modernism and Narrative Form ed. by Sabine Wilke (review)
  2. Ben Hutchinson
  3. pp. 617-618
  4. DOI: https://doi.org/10.1353/mod.2013.0057
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  1. City of Women (La città delle donne) dir. by Federico Fellini (review)
  2. Peter Bondanella
  3. pp. 619-621
  4. DOI: https://doi.org/10.1353/mod.2013.0063
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  1. Recent Books of Interest
  3. pp. 623-625
  4. DOI: https://doi.org/10.1353/mod.2013.0069
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  1. Introduction: In Conversation: The Harlem Renaissance and the New Modernist Studies
  2. Adam McKible, Suzanne W. Churchill
  3. pp. 427-431
  4. DOI: https://doi.org/10.1353/mod.2013.0071
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