In this Issue

Table of Contents

Questionnaire Responses

Houston A. Baker
pp. 433-435
DOI: https://doi.org/10.1353/mod.2013.0077
open access

Questionnaire Responses

Emily Bernard
pp. 435-436
DOI: https://doi.org/10.1353/mod.2013.0083
open access

Questionnaire Responses

Anne E. Carroll
pp. 436-439
DOI: https://doi.org/10.1353/mod.2013.0089
open access

Questionnaire Responses

Barbara Foley
pp. 439-441
DOI: https://doi.org/10.1353/mod.2013.0056
open access

Questionnaire Responses

Maureen Honey
pp. 441-443
DOI: https://doi.org/10.1353/mod.2013.0062
open access

Questionnaire Responses

George Hutchinson
pp. 443-446
DOI: https://doi.org/10.1353/mod.2013.0068
open access

Questionnaire Responses

William J. Maxwell
pp. 446-449
DOI: https://doi.org/10.1353/mod.2013.0075
open access

Questionnaire Responses

Venetria K. Patton
pp. 449-452
DOI: https://doi.org/10.1353/mod.2013.0081
open access

Questionnaire Responses

Kathleen Pfeiffer
pp. 452-454
DOI: https://doi.org/10.1353/mod.2013.0087
open access

Questionnaire Responses

Cherene Sherrard-Johnson
pp. 454-457
DOI: https://doi.org/10.1353/mod.2013.0093
open access

Questionnaire Responses

James Smethurst
pp. 457-459
DOI: https://doi.org/10.1353/mod.2013.0060
open access

Questionnaire Responses

Michael Soto
pp. 459-461
DOI: https://doi.org/10.1353/mod.2013.0066
open access

Questionnaire Responses

Cary D. Wintz
pp. 462-464
DOI: https://doi.org/10.1353/mod.2013.0073
open access

Bibliography for Questionnaire Responses

pp. 464-467
DOI: https://doi.org/10.1353/mod.2013.0079
open access

Provincializing Harlem: The “Negro Metropolis” as Northern Frontier of a Connected Caribbean

Lara Putnam
pp. 469-484
DOI: https://doi.org/10.1353/mod.2013.0085
open access

The Disinterested and Fine: New Negro Renaissance Poetry and the Racial Formation of Modernist Studies

Michael Bibby
pp. 485-501
DOI: https://doi.org/10.1353/mod.2013.0091
open access

Race Literature, Modernism, and Normal Literature: James Weldon Johnson’s Groundwork for an African American Literary Renaissance, 1912–20

Michael Nowlin
pp. 503-518
DOI: https://doi.org/10.1353/mod.2013.0058
open access

“The best people”: The Making of the Black Bourgeoisie in Writings of the Negro Renaissance

Pamela L. Caughie
pp. 519-537
DOI: https://doi.org/10.1353/mod.2013.0064
open access

“New Negro” v. “Niggeratti”: Defining and Defiling the Black Messiah

Steve Pinkerton
pp. 539-555
DOI: https://doi.org/10.1353/mod.2013.0070
open access

Amiable with Big Teeth: The Case of Claude McKay’s Last Novel

Jean-Christophe Cloutier
pp. 557-576
DOI: https://doi.org/10.1353/mod.2013.0076
open access

Italo Calvino: The Last Modernist

Lawrence Rainey
pp. 577-584
DOI: https://doi.org/10.1353/mod.2013.0082
open access

When Bodies Met Galleries: How Performance Art Changed the Art World’s View of Painting

Siobhán Garrigan
pp. 585-588
DOI: https://doi.org/10.1353/mod.2013.0088
open access

Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)

Adam Kelly
pp. 589-591
DOI: https://doi.org/10.1353/mod.2013.0055
open access

Victory through Harmony: The BBC and Popular Music in World War II by Christina Baade (review)

Debra Rae Cohen
pp. 592-594
DOI: https://doi.org/10.1353/mod.2013.0061
open access

Terrorist’s Creed by Roger Griffin (review)

Matthew Feldman
pp. 594-597
DOI: https://doi.org/10.1353/mod.2013.0067
open access

The Oxford Handbook of Modern Irish Poetry ed. by Fran Brearton and Alan Gillis (review)

Nicholas Grene
pp. 597-599
DOI: https://doi.org/10.1353/mod.2013.0074
open access

Beckett/Philosophy ed. by Matthew Feldman and Karim Mamdani (review)

Andre Furlani
pp. 599-601
DOI: https://doi.org/10.1353/mod.2013.0080
open access

Holding on Upside Down: The Life and Work of Marianne Moore by Linda Leavell (review)

Cristanne Miller
pp. 602-603
DOI: https://doi.org/10.1353/mod.2013.0086
open access

The New Woman International: Representations in Photography and Film from the 1870s through the 1960s ed. by Elizabeth Otto and Vanessa Rocco (review)

Liz Conor
pp. 604-606
DOI: https://doi.org/10.1353/mod.2013.0092
open access

Envisioning Disease, Gender, and War: Women’s Narratives of the 1918 Influenza Pandemic by Jane Elizabeth Fisher (review)

Cheryl Hindrichs
pp. 606-608
DOI: https://doi.org/10.1353/mod.2013.0059
open access

The Years ed. by Virginia Woolf, Anna Snaith (review)

Elizabeth F. Evans
pp. 608-610
DOI: https://doi.org/10.1353/mod.2013.0065
open access

Constitutional Modernism: Architecture and Civil Society in Cuba, 1933–1959 by Timothy Hyde (review)

Luis M. Castañeda
pp. 610-612
DOI: https://doi.org/10.1353/mod.2013.0072
open access

Capital Fictions: The Literature of Latin America’s Export Age by Ericka Beckman (review)

Michelle Clayton
pp. 612-613
DOI: https://doi.org/10.1353/mod.2013.0078
open access

Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War by Rob Hawkes (review)

Wyatt Bonikowski
pp. 614-615
DOI: https://doi.org/10.1353/mod.2013.0084
open access

Ezra Pound’s Adams Cantos by David Ten Eyck (review)

Sean Pryor
pp. 615-617
DOI: https://doi.org/10.1353/mod.2013.0090
open access

From Kafka to Sebald: Modernism and Narrative Form ed. by Sabine Wilke (review)

Ben Hutchinson
pp. 617-618
DOI: https://doi.org/10.1353/mod.2013.0057
open access

City of Women (La città delle donne) dir. by Federico Fellini (review)

Peter Bondanella
pp. 619-621
DOI: https://doi.org/10.1353/mod.2013.0063
open access

Recent Books of Interest

pp. 623-625
DOI: https://doi.org/10.1353/mod.2013.0069
open access

Introduction: In Conversation: The Harlem Renaissance and the New Modernist Studies

Adam McKible, Suzanne W. Churchill
pp. 427-431
DOI: https://doi.org/10.1353/mod.2013.0071
open access