1. Color Plate
  3. restricted access

Editorials

  1. Art as Adaptation
  2. Harry Rand
  3. pp. 175-176
  4. restricted access
  1. Telenoia: Art in the Age of Artificial Life
  2. Roy Ascott
  3. pp. 176-177
  4. restricted access
  1. To Rediscover the Wheel?: The Dilemma of the Inventive Technologist in the Third World
  2. Yusuf A. Grillo
  3. pp. 177-178
  4. restricted access
  1. A Method for Judging Colors
  2. George A. Agoston
  3. p. 178
  4. restricted access
  1. Virtual Reality and Technological Frontiers
  2. Richard I. Land
  3. p. 179
  4. restricted access
  1. A Personal Electronic Museum
  2. Sonia Landy Sheridanc
  3. pp. 179-180
  4. restricted access
  1. Intuition and Intellect
  2. Herbert W. Franke, Ute McGlan
  3. pp. 180-181
  4. restricted access
  1. Scientists and Artists—Artisans Searching for New Realities
  2. Giorgio Careri
  3. pp. 181-182
  4. restricted access
  1. Art and Science
  2. Anthony Hill
  3. p. 182
  4. restricted access
  1. The Present State of the American Society of Aesthetics
  2. Elmer H. Duncan
  3. pp. 182-183
  4. restricted access
  1. Gateway
  2. David Ray, Annick Bureaud, Roger F. Malina
  3. pp. 185-191
  4. restricted access
  1. Erratum
  3. p. 191
  4. restricted access

Artist's Article

  1. Before Sexual Difference: The Art and Science of Genital Embryogenesis
  2. Jack Butler
  3. pp. 193-200
  4. restricted access

General Articles

  1. Shape and Order in Organic Nature: The Nautilus Pompilius
  2. Rory Fonseca
  3. pp. 201-204
  4. restricted access
  1. Notes on Genetic Art
  2. George Gessert
  3. pp. 205-211
  4. restricted access
  1. Ballones: A Ballet Animation Language
  2. Natalie Louise Hall-Marriott, Don Herbison-Evans
  3. pp. 213-218
  4. restricted access
  1. The Role of Formal Art Training on Perception and Aesthetic Judgment of Art Compositions
  2. C.F. Nodine, P.J. Locher, E.A. Krupinski
  3. pp. 219-227
  4. restricted access

Historical Perspective on the Arts, Sciences and Technology

  1. Memoir: Behind the Scenes at Leonardo 1970–1981
  2. George A. Agoston
  3. pp. 229-234
  4. restricted access

Theoretical Perspective on the Arts, Sciences and Technology

  1. Relations between Preference and Typicality in the Experience of Paintings
  2. A.T. Purcell
  3. pp. 235-241
  4. restricted access

Document

  1. The Wind Industry’s Experience with Aesthetic Criticism
  2. Paul Gipe
  3. pp. 243-248
  4. restricted access

Art/Science Forum

  1. Art and Emotions: International Symposium, Perm, Russia, 17–21 September 1991
  2. Valdimir Petrov, Leonid Dorfman
  3. p. 249
  4. restricted access

Abstracts

  1. The Electronic Mural Project
  2. Judith Mayer
  3. p. 250
  4. restricted access
  1. Painting The Universe
  2. Glynn Gorick
  3. pp. 250-251
  4. restricted access
  1. Computer Imaging in Support of the Space Exploration Initiative (SEI) Mission Planning Process
  2. Jack Frassanito
  3. pp. 251-252
  4. restricted access
  1. Polyhedron Perspective: The Total Picture
  2. Dick A. Termes
  3. pp. 252-254
  4. restricted access
  1. Synergy: A Performance with Laser Light and Dance
  2. Robert Martin
  3. pp. 254-255
  4. restricted access

Words on Works

  1. Hall of Whispers: A Virtual Opera
  2. Brian Andreas
  3. pp. 256-257
  4. restricted access
  1. Mahasukha Halo
  2. Richard Gess
  3. pp. 257-258
  4. restricted access
  1. Quibbling: A Hyperfiction
  2. Carolyn Guyer
  3. p. 258
  4. restricted access
  1. A Certain Uncertainty
  2. Lynn Pocock-Williams
  3. p. 258
  4. restricted access
  1. The Last Garden
  2. Richard Povall
  3. pp. 258-259
  4. restricted access
  1. Palm-Size Plastic Case Series
  2. Joe Rosen
  3. p. 259
  4. restricted access
  1. The Word the Play Attaching at a Wide Interval
  2. Jim Rosenberg
  3. pp. 259-260
  4. restricted access
  1. Think About the People Now/Think About the Media Now
  2. Paul Sermon
  3. p. 260
  4. restricted access
  1. Sound Tracks to Reality
  2. Walter Siegfried
  3. pp. 260-261
  4. restricted access
  1. Deus ex Machina/Closet of Angels
  2. Deborah Whitman
  3. p. 261
  4. restricted access

Reviews

  1. Art and Physics: Parallel Visions in Space, Teme and Light by Leonard Shlain (review)
  2. Rudolf Arnheim
  3. pp. 262-263
  4. restricted access
  1. To the Rescue of Art: Twenty-Six Essays by Rudolf Arnheim (review)
  2. David Carrier
  3. p. 263
  4. restricted access
  1. In Defence of Science: Science, Technology and Politics in Modern Society by J.W. Grove (review)
  2. David Pariser
  3. pp. 263-266
  4. restricted access
  1. Blueprint for Space: Science-Fiction to Science Fact by Frederick I. Ordway III, Randy Lieberman (review)
  2. Roger F. Malina
  3. p. 266
  4. restricted access
  1. MIDI: A Comprehensive Introduction by J. Rothstein (review)
  2. Axel Mulder
  3. pp. 266-267
  4. restricted access
  1. Ars Electronica ’92: Die Welt Von Innen—Endo & Nano/the World From Within—Endo & Nano ed. by Karl Gerbel, Peter Weibel (review)
  2. Klemens Polatschek
  3. p. 267
  4. restricted access
  1. Prisoners of Software: An Art-Science-Technology Review (review)
  2. Mit Mitropoulos
  3. p. 268
  4. restricted access
  1. The Art and Architecture Thesaurus: Authority Reference Tool™ Edition (review)
  3. p. 269
  4. restricted access
  1. Materials Received
  3. pp. 269-270
  4. restricted access