1. The Politics of the Artificial
  2. Victor Margolin
  3. pp. 349-356
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  1. Virtual Environments and the Concept of Synergy
  2. Manuel DeLanda
  3. pp. 357-360
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  1. Artifice, Artifact: The Landscape of the Constructed Digital Environment
  2. Annette Weintraub
  3. pp. 361-367
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  1. The Chrome Age: Dawn of Virtual Reality
  2. Sonya Shannon
  3. pp. 369-380
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  1. The Work of Art in the Age of Digital Reproduction: An Evolving Thesis: 1991–1995
  2. Douglas Davis
  3. pp. 381-386
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  1. CD-ROM: Radical Nostalgia?: Cinema History/Cinema Theory, and New Technology
  2. Michael Punt
  3. pp. 387-394
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  1. Towards a Poetics of Knowledge
  2. Richard Wright
  3. pp. 395-398
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  1. OU: Interactivity as Divination as Vending Machine
  2. Ken Feingold
  3. pp. 399-402
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  1. Mastery: Computer Games, Intuitive Interfaces, and Interactive Multimedia
  2. Grahame String Weinbren
  3. pp. 403-408
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  1. Desire Lines and Mercurial Tendencies: Resisting and Embracing the Possibilities for Digital Architecture
  2. Sarah Chaplin
  3. pp. 409-414
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  1. A World Exhilarating and Wrong: Theatrical Improvisation on the Internet
  2. Antoinette LaFarge
  3. pp. 415-422
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  1. Time as Medium: Five Artists’ Video Installations
  2. Barbara London
  3. pp. 423-426
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  1. Transparent Technology: The Swan Song of Electronics
  2. Timothy Binkley
  3. pp. 427-432
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  1. Digital Media and Ephemeralness: Art, Artist, and Viewer
  2. Suzanne M. Marchese, Francis T. Marchese
  3. pp. 433-435
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  1. Beyond the Context: Landscapes, Pictures, and the Epistemology of Image-Making
  2. Stewart Ziff
  3. pp. 437-439
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  1. An Overview of Computer Art and Education in Hong Kong
  2. Wong Wo Bik
  3. pp. 441-446
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  1. Curator’s Statement
  2. Bruce Wands
  3. p. 447
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  1. Gallery Artworks
  2. pp. 448-468
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  1. Computer Animation
  2. pp. 469-477
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  1. Net-Works
  2. pp. 478-481
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  1. Exhibiting Artists
  2. pp. 482-483
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  1. The Jury
  2. p. 484
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  1. Theme and Variations
  2. Timothy Binkley
  3. p. ii
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