1. Plate
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  1. Art Is Long.…
  2. Ernst Gombrich
  3. p. 237
  4. restricted access
  1. Explorers
  2. Anna Campbell Bliss
  3. pp. 239-242
  4. restricted access
  1. Here is Where You Heard the Ocean: An Interactive Sound Installation
  2. Laura L. Clemons
  3. p. 243
  4. restricted access
  1. North Water World
  2. Ann Powers
  3. pp. 243-244
  4. restricted access
  1. Six Right of 7 South
  2. Martina M. Shenal
  3. pp. 244-245
  4. restricted access
  1. What did Jackie Say?
  2. Joseph Wilson
  3. p. 245
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  1. Reflections Behind the Mirror: Copier Art as Metaphor
  2. Sarah Jackson
  3. pp. 245-246
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  1. Sangre Boliviana
  2. Lucia Grossberger-Morales
  3. pp. 246-247
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  1. Artist-Sorceress: Photography and Digital Metamorphosis
  2. Marilyn Waligore
  3. pp. 249-256
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  1. A Simultaneous View of History: The Creation of a Hypermedia Database
  2. Lily Díaz
  3. pp. 257-264
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  1. Reading/Writing Hyperfictions: The Psychodrama of Interactivity
  2. Christiane Paul
  3. pp. 265-272
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  1. Dutch Holographic Laboratory
  2. Walter Spierings, Ana Barreto
  3. pp. 273-280
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  1. Color-Music Fountains and Installations of the Erebuni Group
  2. Abram Alexandrovich Abramyan
  3. pp. 281-284
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  1. Fourth International Symposium on Electronic Art: The Art Factor
  2. Roman Verostko
  3. pp. 285-287
  4. restricted access
  1. Aesthetics of a Virtual World
  2. Carol Gigliotti
  3. pp. 289-295
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  1. Granular Synthesis of Sounds by Means of a Cellular Automaton
  2. Eduardo Reck Miranda
  3. pp. 297-300
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  1. Interactive Journeys: Making Room to Move in the Cultural Territories of Interactivity
  2. Norie Neumark
  3. pp. 301-306
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  1. Brain Wave Rider: A Human-Machine Interface
  2. Keisuke Oki
  3. pp. 307-310
  4. restricted access
  1. The Semiotics of the Digital Image
  2. Patricia Search
  3. pp. 311-317
  4. restricted access
  1. Qualitative, Dialectical and Experiential Domains of Electronic Art
  2. Rejane Spitz
  3. pp. 319-323
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  1. The Future of Solar Energy
  2. Cesare Silvi
  3. pp. 325-326
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  1. Architectonic Studies for Post-Fossil Fuels Culture(s)
  2. Joel H. Goodman
  3. pp. 326-327
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  1. Rainbow Man: An Interactive Light and Dance Performance
  2. Seth Riskin
  3. pp. 327-328
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  1. Homage to Dale Eldred
  2. Jürgen Claus
  3. pp. 328-329
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  1. Volumes: Holograms of Books
  2. Susan Gamble, Michael Wenyon
  3. pp. 331-332
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  1. Anubis Studies Genetic Engineering
  2. Flash Light
  3. p. 333
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  1. Fractal Milkshakes and Infinite Archery
  2. Clifford Pickover
  3. pp. 333-334
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  1. Projections from Actuality
  2. Quentin Williams
  3. pp. 334-335
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  1. Veni Redemptor: The Metallic Masks of God
  2. Carmen Hermosillo
  3. p. 336
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  1. Embodied Mind: Cognitive Science and Human Experience by Francisco J. Varela, Evan Thompson, Eleanor Rosch (review)
  2. Simon Penny
  3. pp. 337-338
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  1. Digital Mantras: The Languages of Abstract and Virtual Worlds by Steven R. Holtzman (review)
  2. Paul Hertz
  3. pp. 338-339
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  1. Engineering and the Mind’s Eye by Eugene S. Ferguson (review)
  2. Stephen Wilson
  3. pp. 339-340
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  1. Building in the Garden: the Architecture of Joseph Allen Stein in India and California by Stephen White (review)
  2. Frank Davidson
  3. pp. 340-341
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  1. New Voices, New Visions (review)
  2. Sonya Rapoport
  3. pp. 341-342
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  1. Virtual Realities and the Future of the Arts
  2. Ivan Dryer
  3. pp. 346-347
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  1. ISEA: An Introduction
  2. Wim Van Der Plas
  3. p. 288
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  1. Materials Received
  2. pp. 342-345
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