1. Color Plates
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  1. Gateway
  2. pp. 81-84
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  1. Art As Signal: Inside The Loop
  2. Kathleen Chmelewski, Nan Goggin, Joseph Squier
  3. pp. 85-92
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  1. Audio Jackets and Other Electroacoustic Clothes
  2. Benoît Maubrey
  3. pp. 93-97
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  1. She Laves It, She Loves It Not: Women and Technology, an Interactive CD-ROM
  2. Christine Tamblyn
  3. pp. 99-104
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  1. Semiotic Variety in Digital Video Imagery: The Case of Maxwell’s Demon
  2. Kevin Cook
  3. pp. 105-111
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  1. Programmed Graphics in Computer Art and Animation
  2. Mike King
  3. pp. 113-121
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  1. Intuitive Three-Dimensional Sketching in Digital Space: The Synthesis of the Genetic Code for Buildings/Organisms
  2. Kas Oosterhuis
  3. pp. 123-127
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  1. Color-Encoded Music Scores: What Visual Communication Can do for Music Reading
  2. Celso Wilmer, Paulo Henriques Britto
  3. pp. 129-136
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  1. Crisscrossing the Interface: The Design, Display and Evaluation of an Interactive Computer Exhibit
  2. Paul Zelevansky
  3. pp. 137-142
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  1. The SolArt Global Network ’95: Artworks for the Solar Age
  2. Jürgen Claus
  3. pp. 143-144
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  1. Perspectives and Prejudices about Some Major Issues
  2. Paul MacCready
  3. pp. 144-145
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  1. Solar Energy is the Energy
  2. Hermann Scheer
  3. pp. 145-146
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  1. Secrets of the Sun in Los Angeles
  2. Peter Erskine
  3. p. 147
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  1. The Performing and Visual Arts and New Technologies Seminars
  2. The New York International Festival of the Arts, Sidney J. Frigand, Martin E. Segal
  3. pp. 149-154
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  1. Wire-Brush Electrographic Art
  2. Máté Gyula
  3. pp. 155-156
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  1. Numerical Relativity: On the Fallibility of Computers
  2. Jean-François Colonna
  3. p. 156
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