1. Color Plates
  2. restricted access

Editorial

  1. The Fourth World: The Promises and Dangers of the World Wide Web
  2. Roger F. Malina
  3. pp. 1-2
  4. restricted access

The Leonardo Gallery

  1. From Drawing to Montage
  2. Michael Dashkin
  3. pp. 3-14
  4. restricted access

Artist's Note

  1. My Love Affair with Art: Video and Installation Work
  2. Steina Vasulka, Judy Malloy
  3. pp. 15-18
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Artist's Article

  1. The Demon’s Face: An Artist’s Discovery of the Metaphors of Child Abuse
  2. Stevens Seaberg
  3. pp. 19-26
  4. restricted access
  1. Facing the Demon, Liberating the Spirit
  2. Gary Solak
  3. pp. 24-25
  4. restricted access
  1. Stevens Seaberg: The Aesthetics of Everyday Life
  2. Kenneth J. Knoespel
  3. p. 26
  4. restricted access

Theoretical Perspective

  1. The Artist and Advanced Technology
  2. Frank Popper, Tim Fox
  3. pp. 27-33
  4. restricted access

Historical Perspective

  1. The Work of Italian Artist Pietro Grossi: From Early Electronic Music to Computer Art
  2. Francesco Giomi, Roger F. Malina
  3. pp. 35-39
  4. restricted access

General Article

  1. Tessellations in Islamic Calligraphy
  2. Mangho Ahuja, A. L. Loeb
  3. pp. 41-45
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Document

  1. A Feasting of Thoughts, A Banqueting of Words: Ideas on the Theater of the Future
  2. Ray Bradbury
  3. pp. 47-50
  4. restricted access

Special Section

  1. Light from an Extinct Star: Music and Technology in the Former Soviet Union
  2. Bulat M. Galeyev
  3. pp. 51-52
  4. restricted access
  1. Polyphony in the Paintings of M.K Čiurlionis
  2. Vladimir M. Fedotov, Bulat M. Galeyev
  3. pp. 53-56
  4. restricted access
  1. Color-Thermal Associations in Music
  2. Levon A. Grigoryan, Bulat M. Galeyev
  3. pp. 57-58
  4. restricted access
  1. The ANS Synthesizer: Composing on a Photoelectronic Instrument
  2. Stanislav Kreichi, Bulat M. Galeyev
  3. pp. 59-62
  4. restricted access
  1. Project FORMUS: Sonoric Space-Time and the Artistic Synthesis of Sound
  2. Victor Ulianich, Bulat M. Galeyev
  3. pp. 63-66
  4. restricted access
  1. Russian Bibliography
  2. p. 67
  3. restricted access

Abstracts

  1. Nuvo Japonica
  2. Laurence M. Gartel
  3. pp. 68-69
  4. restricted access
  1. The Talking Chair: Notes on a Sound Sculpture
  2. Iain Mott
  3. pp. 69-70
  4. restricted access
  1. Artistic Creation and Scientific Discovery: One Practitioner’s Experience
  2. Makepeace Tsao
  3. pp. 70-71
  4. restricted access

Reviews

  1. The Electronic Word: Democracy, Technology and the Arts by Richard A. Lanham (review)
  2. David Carrier
  3. pp. 73-74
  4. restricted access
  1. Art/Cognition, Pratiques Artistiques Et Sciences Cognitives ed. by Marc Partouche (review)
  2. Roger F. Malina
  3. p. 74
  4. restricted access
  1. Art of the Electronic Age by Frank Popper (review)
  2. Stephen Wilson
  3. pp. 74-75
  4. restricted access
  1. Hubert Damisch: The Origin of Perspective by John Goodman (review)
  2. Rudolf Arnheim
  3. p. 75
  4. restricted access
  1. Picture Theory: Essays on Verbal and Visual Representation by W.J.T. Mitchell (review)
  2. Rudolf Arnheim
  3. pp. 75-76
  4. restricted access
  1. George Rickey in Berlin 1967–1992 ed. by Jörn Merkert, Ursula Prinz (review)
  2. Rudolf Arnheim
  3. pp. 76-77
  4. restricted access
  1. Cahiers Art Et Science ed. by Allain Glykos (review)
  2. Roger F. Malina
  3. p. 77
  4. restricted access
  1. Color in the Shadows: Bay Area Cyberart by Oliver Art Center (review)
  2. Sonya Rapoport
  3. pp. 77-78
  4. restricted access
  1. The International “Ost-Ranenie” Festival
  2. Bulat M. Galeyev
  3. pp. 78-79
  4. restricted access
  1. The Modern Technology of Communication (The Humanitarian Aspects of Telecommunication)
  2. Bulat M. Galeyev
  3. p. 79
  4. restricted access

Commentary

  1. Comment on “Data Morphing: Ownership, Copyright and Creation”
  2. John F. Kalben
  3. p. 80
  4. restricted access