1. Color Plates
  2. restricted access contents
  1. The Fourth World: The Promises and Dangers of the World Wide Web
  2. Roger F. Malina
  3. pp. 1-2
  4. restricted access contents
  1. From Drawing to Montage
  2. Michael Dashkin
  3. pp. 3-14
  4. restricted access contents
  1. My Love Affair with Art: Video and Installation Work
  2. Steina Vasulka, Judy Malloy
  3. pp. 15-18
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  1. The Demon’s Face: An Artist’s Discovery of the Metaphors of Child Abuse
  2. Stevens Seaberg
  3. pp. 19-26
  4. restricted access contents
  1. Facing the Demon, Liberating the Spirit
  2. Gary Solak
  3. pp. 24-25
  4. restricted access contents
  1. Stevens Seaberg: The Aesthetics of Everyday Life
  2. Kenneth J. Knoespel
  3. p. 26
  4. restricted access contents
  1. The Artist and Advanced Technology
  2. Frank Popper, Tim Fox
  3. pp. 27-33
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  1. The Work of Italian Artist Pietro Grossi: From Early Electronic Music to Computer Art
  2. Francesco Giomi, Roger F. Malina
  3. pp. 35-39
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  1. Tessellations in Islamic Calligraphy
  2. Mangho Ahuja, A. L. Loeb
  3. pp. 41-45
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  1. A Feasting of Thoughts, A Banqueting of Words: Ideas on the Theater of the Future
  2. Ray Bradbury
  3. pp. 47-50
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  1. Light from an Extinct Star: Music and Technology in the Former Soviet Union
  2. Bulat M. Galeyev
  3. pp. 51-52
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  1. Polyphony in the Paintings of M.K Čiurlionis
  2. Vladimir M. Fedotov, Bulat M. Galeyev
  3. pp. 53-56
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  1. Color-Thermal Associations in Music
  2. Levon A. Grigoryan, Bulat M. Galeyev
  3. pp. 57-58
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  1. The ANS Synthesizer: Composing on a Photoelectronic Instrument
  2. Stanislav Kreichi, Bulat M. Galeyev
  3. pp. 59-62
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  1. Project FORMUS: Sonoric Space-Time and the Artistic Synthesis of Sound
  2. Victor Ulianich, Bulat M. Galeyev
  3. pp. 63-66
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  1. Russian Bibliography
  2. p. 67
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  1. Nuvo Japonica
  2. Laurence M. Gartel
  3. pp. 68-69
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  1. The Talking Chair: Notes on a Sound Sculpture
  2. Iain Mott
  3. pp. 69-70
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  1. Artistic Creation and Scientific Discovery: One Practitioner’s Experience
  2. Makepeace Tsao
  3. pp. 70-71
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  1. The Electronic Word: Democracy, Technology and the Arts by Richard A. Lanham (review)
  2. David Carrier
  3. pp. 73-74
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  1. Art/Cognition, Pratiques Artistiques Et Sciences Cognitives ed. by Marc Partouche (review)
  2. Roger F. Malina
  3. p. 74
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  1. Art of the Electronic Age by Frank Popper (review)
  2. Stephen Wilson
  3. pp. 74-75
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  1. Hubert Damisch: The Origin of Perspective by John Goodman (review)
  2. Rudolf Arnheim
  3. p. 75
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  1. Picture Theory: Essays on Verbal and Visual Representation by W.J.T. Mitchell (review)
  2. Rudolf Arnheim
  3. pp. 75-76
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  1. George Rickey in Berlin 1967–1992 ed. by Jörn Merkert, Ursula Prinz (review)
  2. Rudolf Arnheim
  3. pp. 76-77
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  1. Cahiers Art Et Science ed. by Allain Glykos (review)
  2. Roger F. Malina
  3. p. 77
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  1. Color in the Shadows: Bay Area Cyberart by Oliver Art Center (review)
  2. Sonya Rapoport
  3. pp. 77-78
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  1. The International “Ost-Ranenie” Festival
  2. Bulat M. Galeyev
  3. pp. 78-79
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  1. The Modern Technology of Communication (The Humanitarian Aspects of Telecommunication)
  2. Bulat M. Galeyev
  3. p. 79
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  1. Comment on “Data Morphing: Ownership, Copyright and Creation”
  2. John F. Kalben
  3. p. 80
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