1. Color Plate
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  1. A Fuller Bridge
  2. István Hargittai
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  1. Perverting Technological Correctness
  2. Rafael Lozano-Hemmer
  3. pp. 5-15
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  1. Selected Papers from Participants of the International Workshop on Art and Science
  2. Michele Emmer
  3. pp. 17-18
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  1. The Relationship between Art and Science
  2. Eleonora Barbieri Masini
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  1. Theoreticians, Artists and Artisans
  2. Paul Feyerabend
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  1. The Art of Art History: A Professional Allegory
  2. Irving Lavin
  3. pp. 29-34
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  1. Researching Visual Images with Computer Graphics
  2. Marilyn Aronberg Lavin
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  1. Science, Reason and Passion
  2. Ilya Prigogine
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  1. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation
  2. Lillian F. Schwartz
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  1. Paris Réseau: Paris Network
  2. Karen O’Rourke
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  1. Contested Zones: Futurity and Technological Art
  2. Zoë Sofia
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  1. The Solar Crystal: An Energy Autarchic Sun Sculpture
  2. Jürgen Claus
  3. pp. 67-68
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  1. The Sun—The Sun—The Sun
  2. Otto Piene
  3. pp. 68-69
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  1. Celebrate Gaia: Aspects of Solar Art
  2. Theodosia H. Ferguson
  3. pp. 69-71
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  1. Perseus’ Hysteria
  2. Adam Berg
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  1. Portrait of Isabel Goldsmith
  2. Steve Miller
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  1. An Experiment in Art
  2. Robert Emmett Mueller
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  1. Numerical Modeling of Color
  2. S. Eskinazi
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  1. Designing Information Technology in the Postmodern Age: From Method to Metaphor by Richard Coyne (review)
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  1. Visual Literacy: Image, Mind and Reality by Paul Messaris (review)
  2. Rudolf Arnheim
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  1. World Changes: Thomas Kuhn and the Nature of Science ed. Paul Horwich (review)
  2. Roger F. Malina
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  1. Can Man Live Without Wonder? by Varvara Stepanova (review)
  2. Yury Nazarov
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  1. Comment on “Art History and the Criticism of Computer-Generated Images”
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  1. Response to Tomás García Salgado
  2. James Elkins
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  1. Comment on “Theater without Actors—Immersion and Response in Installation”
  2. Sonya Rapoport
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  1. Corrections
  2. p. 85
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  1. Materials Received
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