1. Color Plate
  2. restricted access
  1. For Some Things, “You Just Had To Be There”: The Net and Art
  2. Harry Rand
  3. pp. 171-172
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  1. Laziza Videodance and Lumia Project: The Intersection of Dance, Technology and Performance Art
  2. Kathleen Laziza
  3. pp. 173-182
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  1. Through the Electronic Labyrinth: The Meanderings of a Visual Artist
  2. Teresa Wennberg
  3. pp. 183-191
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  1. A Common Impulse in Art and Science
  2. Charles R. Garoian, John D. Mathews
  3. pp. 193-196
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  1. Leonardo’s Geology: The Authenticity of the Virgin of the Rocks
  2. Ann Pizzorusso
  3. pp. 197-200
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  1. Quantitative Estimates of Left- and Right-Hemispherical Dominance in Art
  2. Vladimir M. Petrov
  3. pp. 201-205
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  1. Leonardo Honorary Editor Joseph Needham
  2. p. 206
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  1. Virtual Intimacy™ and the Male Gaze Cubed: Interacting with Narratives on CD-ROM
  2. J. Yellowlees Douglas
  3. pp. 207-213
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  1. Beyond the Interface: A Phenomenological View of Computer Systems Design
  2. Ivan Hybs
  3. pp. 215-223
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  1. Video Art: The Brazilian Adventure
  2. Arlindo Machado, Alasdair G. Burman
  3. pp. 225-231
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  1. The Harmonic Nature of Perceptual Color as a Technique of Painting
  2. Stephen Auger
  3. pp. 232-233
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  1. Pigvision
  2. Raymond Rohner
  3. pp. 233-234
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  1. Immersed in Technology: Art and Virtual Environments ed. by Mary Anne Moser, Douglas MacLeod (review)
  2. p. 235
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  1. Hidden Order: How Adaptation Builds Complexity by John H. Holland (review)
  2. Roger F. Malina
  3. pp. 235-236
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  1. The Spirit of Computer Animation: The World of Electronic Images and Levels of Consciousness by Alexey M. Orlov (review)
  2. Tatyana Shulga
  3. p. 236
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  1. Animatography and its Anima by Alexey M. Orlov (review)
  2. Tatyana Shulga
  3. pp. 237-238
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  1. The Byte-Sized Collections of Art Museums
  2. Maxwell L. Anderson
  3. pp. 242-243
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  1. Protecting Intellectual Property: New Technologies—New Paradigms
  2. Ivan G. Seidenberg
  3. pp. 243-245
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  1. Past as Precedent: Some Thoughts on Novel Approaches to the Nexus of Digital Technologies and the Arts
  2. Jeffrey P. Cunard
  3. pp. 245-247
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  1. New Technologies and the Public Interest
  2. Ernest L. Boyer
  3. pp. 248-250
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  1. Protection of Intellectual Property Interests
  2. Joël de Rosnay
  3. pp. 250-251
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  1. Materials Received
  2. p. 238
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  1. Foreword
  2. p. 241
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