1. “Reading The Speaking Picture”: Hogarth’s Rake’s Progress Five
  2. Alexander Gourlay
  3. pp. 1-4
  4. DOI: 10.1353/scb.2003.0001
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  1. Recent Articles
  2. pp. 5-42
  3. DOI: 10.1353/scb.2003.0007
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  1. Swift as Nemesis: Modernity and Its Satirist by Frank Boyle (review)
  2. Robert M. Philmus
  3. pp. 44-46
  4. DOI: 10.1353/scb.2003.0019
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  1. The Skeptical Sublime: Aesthetic Ideology in Pope and the Tory Satirists by James Noggle (review)
  2. Harry M. Solomon
  3. pp. 49-51
  4. DOI: 10.1353/scb.2003.0030
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  1. Jonathan Swift and Popular Culture: Myth, Media, and the Man by Ann Cline Kelly (review)
  2. Frank Palmeri
  3. pp. 52-53
  4. DOI: 10.1353/scb.2003.0035
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  1. Alexander Pope: The Evolution of a Poet by Netta Murray Goldsmith (review)
  2. Patricia B. Craddock
  3. pp. 53-54
  4. DOI: 10.1353/scb.2003.0005
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  1. Milton to Pope: 1650–1720 by Kay Gilliland Stevenson (review)
  2. Nora F. Crow
  3. pp. 54-55
  4. DOI: 10.1353/scb.2003.0011
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  1. A History of Augustan Fable by Mark Loveridge (review)
  2. Cedric D. Reverand II
  3. pp. 55-56
  4. DOI: 10.1353/scb.2003.0017
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  1. A Companion to Early Modern Women’s Writing ed. by Anita Pacheco (review)
  2. Karina Williamson
  3. pp. 56-58
  4. DOI: 10.1353/scb.2003.0023
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  1. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism by Anne Kelley (review)
  2. Ellen Moody
  3. pp. 58-59
  4. DOI: 10.1353/scb.2003.0028
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  1. Editing Women ed. by Ann M. Hutchinson (review)
  2. Karina Williamson
  3. pp. 59-61
  4. DOI: 10.1353/scb.2003.0033
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  1. Pastoral Tradition and the Female Talent: Studies in Augustan Poetry by Ann Messenger (review)
  2. Karina Williamson
  3. pp. 62-63
  4. DOI: 10.1353/scb.2003.0009
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  1. Men’s Work: Gender, Class, and the Professionalization of Poetry, 1660–1784 by Linda Zionkowski (review)
  2. Rebecca Shapiro
  3. pp. 63-64
  4. DOI: 10.1353/scb.2003.0015
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  1. Enlightenment and Romance: Gender and Agency in Smollett and Scott by Robert P. Irvine (review)
  2. Damian Grant
  3. pp. 65-66
  4. DOI: 10.1353/scb.2003.0026
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  1. Passion and Virtue: Essays on the Novels of Samuel Richardson ed. by David Blewett (review)
  2. Patricia C. Brückmann
  3. pp. 66-67
  4. DOI: 10.1353/scb.2003.0031
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  1. Laurence Sterne by Manfred Pfister (review)
  2. Melvyn New
  3. pp. 67-68
  4. DOI: 10.1353/scb.2003.0000
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  1. Dryden and the World of Neoclassicism ed. by Wolfgang Görtschacher and Holger Klein (review)
  2. Cedric D. Reverand II
  3. pp. 70-71
  4. DOI: 10.1353/scb.2003.0012
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  1. Gulliveriana VII: Visual Imitations of “Gulliver’s Travels” 1726–1830 by Jeanne K. Welcher (review)
  2. W. B. Gerard
  3. pp. 71-73
  4. DOI: 10.1353/scb.2003.0018
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  1. Jonathan Swift: Poems ed. by Derek Mahon (review)
  2. p. 73
  3. DOI: 10.1353/scb.2003.0024
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  1. Character’s Theater: Genre and Identity on the Eighteenth-Century English Stage by Lisa A. Freeman (review)
  2. John A. Vance
  3. pp. 75-76
  4. DOI: 10.1353/scb.2003.0004
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  1. The Grub-Street Journal, 1730–33 ed. by Bertrand A. Goldgar (review)
  2. Melvyn New
  3. pp. 76-77
  4. DOI: 10.1353/scb.2003.0010
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  1. Theory of Garden Art by C. C. L. Hirschfeld (review)
  2. Elizabeth Wanning Harries
  3. pp. 79-80
  4. DOI: 10.1353/scb.2003.0027
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  1. The Apothecaries’ Garden: A New History of Chelsea Physic Garden by Sue Minter (review)
  2. pp. 80-81
  3. DOI: 10.1353/scb.2003.0032
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  1. The Grammar of Empire in Eighteenth-Century British Writing by Janet Sorensen (review)
  2. Betty A. Schellenberg
  3. pp. 81-82
  4. DOI: 10.1353/scb.2003.0002
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  1. Privacy and Print: Reading and Writing in Seventeenth-Century England by Cecile M. Jagodzinski (review)
  2. Paula Loscocco
  3. pp. 82-84
  4. DOI: 10.1353/scb.2003.0008
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  1. Scribleriana Transferred: Printed Matter, 1999–2001, Part 2
  2. James E. May
  3. pp. 84-87
  4. DOI: 10.1353/scb.2003.0014
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  1. Scribleriana
  2. pp. 87-92
  3. DOI: 10.1353/scb.2003.0020
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