1. Who was Jeanne Flore?: Subversion and Silence in Les contes amoureux par madame Jeanne Flore
  2. Carolyn M. Fay
  3. pp. 7-20
  4. DOI: 10.1353/wfs.1995.0009
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  1. Rethinking the Universal, Reworking the Political: Postmodern Feminism and the French Enlightenment
  2. Natania Meeker
  3. pp. 21-33
  4. DOI: 10.1353/wfs.1995.0011
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  1. Why Write as a Woman?: The Riccoboni-Laclos Correspondence
  2. Antoinette Sol
  3. pp. 34-44
  4. DOI: 10.1353/wfs.1995.0013
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  1. Reconsidering Flora Tristan's Narrative Art
  2. Mary Rice-DeFosse
  3. pp. 45-54
  4. DOI: 10.1353/wfs.1995.0001
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  1. Identity Politics and Confessional Acts: Suzanne Voilquin's Souvenirs d'une fille du peuple
  2. Annie Smart
  3. pp. 55-63
  4. DOI: 10.1353/wfs.1995.0003
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  1. Unica Zürn et un Surréalisme affolant
  2. Martine Delvaux
  3. pp. 64-81
  4. DOI: 10.1353/wfs.1995.0006
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  1. Eurydice et Perséphone: paradigmes revisités par Cixous et Chawaf
  2. Metka Zupančič
  3. pp. 82-89
  4. DOI: 10.1353/wfs.1995.0008
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  1. Breaking the Silence: Michèle Sarde's Histoire d'Eurydice pendant la remontée
  2. Liedeke Plate
  3. pp. 90-99
  4. DOI: 10.1353/wfs.1995.0010
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  1. Revision and Revolution: Writing Women into Myth and History
  2. Patrice J. Proulx
  3. pp. 100-111
  4. DOI: 10.1353/wfs.1995.0012
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  1. Rewriting the Story in Tassadit Imache's Une Fille sans histoire
  2. Susan Ireland
  3. pp. 112-122
  4. DOI: 10.1353/wfs.1995.0000
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  1. Le passé: point focal du présent dans l'oeuvre d'Annie Ernaux
  2. Claire-Lise Tondeur
  3. pp. 123-137
  4. DOI: 10.1353/wfs.1995.0002
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  1. Foreword
  2. Colette T. Hall
  3. p. 1
  4. DOI: 10.1353/wfs.1995.0004
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  1. Introduction
  2. Colette T. Hall
  3. pp. 3-6
  4. DOI: 10.1353/wfs.1995.0007
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