In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 47, Number 3 (T 179), Fall 2003Table of Contents
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View A Performance Community Onstage and on the Street: Castillo Theatre and Heiner Muller's Germania 3
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A Performance Community Onstage and on the Street: Castillo Theatre and Heiner Muller's Germania 3
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Marina Abramovic's The House with the Ocean View: The View of the House from Some Drops in the Ocean
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View Marina Abramovic's The House with the Ocean View: The View of the House from Some Drops in the Ocean
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Marina Abramovic's The House with the Ocean View: The View of the House from Some Drops in the Ocean
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View Carya Nrtya of Nepal: When "Becoming the Character" in Asian Performance Is Nonduality in "Quintessence of Void"
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Carya Nrtya of Nepal: When "Becoming the Character" in Asian Performance Is Nonduality in "Quintessence of Void"
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2003-09-08 |
| Open Access | No |
Copyright
Copyright © 2003 New York University and the Massachusetts Institute of Technology.





