1. Staging Ideology and Love in Good Bye, Lenin!
  2. Crystal Downing
  3. pp. 5-16
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  1. Psychoanalysis and the Scene of Love: Lars and the Real Girl, In the Mood for Love, and Mulholland Drive
  2. Tony Hughes-d'Aeth
  3. pp. 17-33
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  1. Postfeminist Noir: Brutality and Retro Aesthetics in The Black Dahlia
  2. Katherine Farrimond
  3. pp. 34-49
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  1. The Iconography of Violence: Television, Vietnam, and the Soldier Hero
  2. Kathleen McClancy
  3. pp. 50-66
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  1. Emerald Illusions, The Irish in early American Cinema by Gary D. Rhodes (review)
  2. Timothy X. Troy
  3. pp. 72-74
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  1. Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film by Michelle H. Raheja (review)
  2. Cristina Stanciu
  3. pp. 75-78
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  1. They Thought it Was a Marvel: Arthur Melbourne-Cooper (1874-1961), Pioneer of Puppet Animation by Tjitte de Vries and Ati Mul (review)
  2. Esther Leslie
  3. pp. 78-80
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  1. The Maltese Touch of Evil: Film Noir and Potential Criticism by Shannon Scott Clute and Richard L. Edwards (review)
  2. Robert Miklitsch
  3. pp. 80-83
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  1. J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War by John Sbardellati (review)
  2. Tony Osborne
  3. pp. 83-85
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  1. Derek Jarman by Michael Charlesworth (review)
  2. Chloe Benson
  3. pp. 86-87
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  1. Hollywood Incoherent: Narration in Seventies Cinema by Todd Berliner (review)
  2. Peter Lev
  3. pp. 87-89
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  1. Hollywood Cinema and the Real Los Angeles by Mark Shiel (review)
  2. Richard John Ascárate
  3. pp. 89-91
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  1. Landscape Allegory in Cinema: From Wilderness to Wasteland by David Melbye (review)
  2. Kevin M. Flanagan
  3. pp. 92-93
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  1. Hollywood's Copyright Wars: From Edison to the Internet by Peter Decherney (review)
  2. A. Bowdoin Van Riper
  3. pp. 94-95
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  1. Too Bold for the Box Office: The Mockumentary from Big Screen to Small ed. by Cynthia J. Miller (review)
  2. Robert Genter
  3. pp. 95-97
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  1. Reality TV by Misha Kavka (review)
  2. Mike Van Elser
  3. pp. 97-99
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  1. Conjugations: Marriage and Form in New Bollywood Cinema by Sangita Gopal (review)
  2. Ameya Balsekar
  3. pp. 99-101
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  1. Peter Lorre: Face Maker, Constructing Stardom and Performance in Hollywood and Europe by Sarah Thomas (review)
  2. Nicholas Baer
  3. pp. 101-104
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  1. America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures by Jerome Christensen (review)
  2. Zach Saltz
  3. pp. 104-106
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  1. Camera Historica: The Century in Cinema by Antoine de Baecque (review)
  2. D. L. LeMahieu
  3. pp. 106-108
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  1. Editor's Introduction
  2. Loren Baybrook
  3. p. 4
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