In this Issue

Table of Contents

Staging Ideology and Love in Good Bye, Lenin!

Crystal Downing
pp. 5-16
DOI: https://doi.org/10.1353/flm.2013.a524254
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Psychoanalysis and the Scene of Love: Lars and the Real Girl, In the Mood for Love, and Mulholland Drive

Tony Hughes-d'Aeth
pp. 17-33
DOI: https://doi.org/10.1353/flm.2013.a524256
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Postfeminist Noir: Brutality and Retro Aesthetics in The Black Dahlia

Katherine Farrimond
pp. 34-49
DOI: https://doi.org/10.1353/flm.2013.a524257
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The Iconography of Violence: Television, Vietnam, and the Soldier Hero

Kathleen McClancy
pp. 50-66
DOI: https://doi.org/10.1353/flm.2013.a524258
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Mass-Market Medieval: Essays on the Middle Ages in Popular Culture ed. by David W. Marshall, and: American Smart Cinema by Claire Perkins, and: Hollywood and the American Historical Film ed. by J. E. Smyth (review)

Laurence Raw
pp. 67-72
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Emerald Illusions, The Irish in early American Cinema by Gary D. Rhodes (review)

Timothy X. Troy
pp. 72-74
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Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film by Michelle H. Raheja (review)

Cristina Stanciu
pp. 75-78
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They Thought it Was a Marvel: Arthur Melbourne-Cooper (1874-1961), Pioneer of Puppet Animation by Tjitte de Vries and Ati Mul (review)

Esther Leslie
pp. 78-80
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The Maltese Touch of Evil: Film Noir and Potential Criticism by Shannon Scott Clute and Richard L. Edwards (review)

Robert Miklitsch
pp. 80-83
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J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War by John Sbardellati (review)

Tony Osborne
pp. 83-85
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Derek Jarman by Michael Charlesworth (review)

Chloe Benson
pp. 86-87
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Hollywood Incoherent: Narration in Seventies Cinema by Todd Berliner (review)

Peter Lev
pp. 87-89
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Hollywood Cinema and the Real Los Angeles by Mark Shiel (review)

Richard John Ascárate
pp. 89-91
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Landscape Allegory in Cinema: From Wilderness to Wasteland by David Melbye (review)

Kevin M. Flanagan
pp. 92-93
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Hollywood's Copyright Wars: From Edison to the Internet by Peter Decherney (review)

A. Bowdoin Van Riper
pp. 94-95
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Too Bold for the Box Office: The Mockumentary from Big Screen to Small ed. by Cynthia J. Miller (review)

Robert Genter
pp. 95-97
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Reality TV by Misha Kavka (review)

Mike Van Elser
pp. 97-99
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Conjugations: Marriage and Form in New Bollywood Cinema by Sangita Gopal (review)

Ameya Balsekar
pp. 99-101
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Peter Lorre: Face Maker, Constructing Stardom and Performance in Hollywood and Europe by Sarah Thomas (review)

Nicholas Baer
pp. 101-104
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America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures by Jerome Christensen (review)

Zach Saltz
pp. 104-106
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Camera Historica: The Century in Cinema by Antoine de Baecque (review)

D. L. LeMahieu
pp. 106-108
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Editor's Introduction

Loren Baybrook
p. 4
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