In this Issue

Table of Contents

Hip Hop and the Black Ratchet Imagination

L. H. Stallings
pp. 135-139
DOI: https://doi.org/10.1353/pal.2013.0026
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Hip Hop Spice Boyz

Richard T. Rodríguez
pp. 140-143
DOI: https://doi.org/10.1353/pal.2013.0020
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Queer Hip Hop and its Dark Precursors

Tavia Nyong’o
pp. 144-146
DOI: https://doi.org/10.1353/pal.2013.0023
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Hip Hop, Pleasure, and its Fulfillment

Jayna Brown
pp. 147-150
DOI: https://doi.org/10.1353/pal.2013.0015
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Holler If You Can Hear Me

Sharon P. Holland
pp. 151-155
DOI: https://doi.org/10.1353/pal.2013.0017
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Trafficking in Monikers: Jay-Z’s “Queer” Flow

Mark Anthony Neal
pp. 156-161
DOI: https://doi.org/10.1353/pal.2013.0012
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Untitled

Imani Perry
pp. 162-167
DOI: https://doi.org/10.1353/pal.2013.0027
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Boyfriends with Clits and Girlfriends with Dicks: Hip Hop’s Queer Future

Rinaldo Walcott
pp. 168-173
DOI: https://doi.org/10.1353/pal.2013.0024
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Referential Sights and Slights

C. Riley Snorton
pp. 175-186
DOI: https://doi.org/10.1353/pal.2013.0021
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Homolatent Masculinity & Hip Hop Culture

Moya Bailey
pp. 187-199
DOI: https://doi.org/10.1353/pal.2013.0018
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Fat Mutha: Hip Hop’s Queer Corpulent Poetics

Mecca Jamilah Sullivan
pp. 200-213
DOI: https://doi.org/10.1353/pal.2013.0016
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“Put Some Bass in Your Walk”: Notes on Queerness, Hip Hop, and the Spectacle of the Undoable

Scott Poulson-Bryant
pp. 214-225
DOI: https://doi.org/10.1353/pal.2013.0025
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Modernity, Freedom, and the African Diaspora: Dublin, New Orleans, Paris by Elisa Joy White (review)

Robert J. Topinka
pp. 227-229
DOI: https://doi.org/10.1353/pal.2013.0028
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Against the Closet: Black Political Longing and the Erotics of Race by Aliyyah I. Abdur-Rahman (review)

Emily A. Owens
pp. 230-232
DOI: https://doi.org/10.1353/pal.2013.0022
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Freedom With Violence: Race, Sexuality, and the US State by Chandan Reddy (review)

Kemi Adeyemi
pp. 233-234
DOI: https://doi.org/10.1353/pal.2013.0013
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Editor’s Introduction

T. Denean Sharpley-Whiting, Tiffany Ruby Patterson-Myers
p. v
DOI: https://doi.org/10.1353/pal.2013.0011
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As Queer as Hip Hop

C. Riley Snorton
pp. vi-x
DOI: https://doi.org/10.1353/pal.2013.0014
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Contributors

pp. 235-238
DOI: https://doi.org/10.1353/pal.2013.0019
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