1. Twisted Legacies: Politics of Authorship
  2. Mark Franko
  3. pp. 1-2
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  1. Inevitable Designs: Embodied Ideology in Anna Sokolow’s Proletarian Dances
  2. Hannah Kosstrin
  3. pp. 4-24
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  1. Civil Rights Strategies in the United States: Franziska Boas’s Activist Use of Dance, 1933–1965
  2. Allana C. Lindgren
  3. pp. 25-62
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  1. Martha Graham’s Gilded Cage: Blood Memory—An Autobiography (1991)
  2. Victoria Phillips
  3. pp. 63-84
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  1. Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan”
  2. Carrie Noland
  3. pp. 85-122
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  1. Shifting: Worker Culture and Life Reform in the Madzsar School
  2. Tyrus Miller
  3. pp. 124-131
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  1. Screendance: Inscribing the Ephemeral Image by Douglas Rosenberg, and: Dancefilm: Choreography and the Moving Image by Brannigan Erin
  2. Harmony Bench
  3. pp. 132-138
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  1. Sweating Saris: Indian Dance as Transnational Labor by Priya Srinivasan, and: Unfinished Gestures: Devadasis, Memory, and Modernity in South Asia by Davesh Soneji
  2. Prarthana Purkayastha
  3. pp. 140-142
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  1. The Philosophical Aesthetics of Dance: Identity, Performance, and Understanding by Graham McFee (review)
  2. Aili Bresnahan
  3. pp. 142-145
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  1. Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working It Out by Nadine George-Graves (review)
  2. Joanna Dee Das
  3. pp. 145-148
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  1. Society Dancing: Fashionable Bodies in England, 1870–1920 by Theresa Jill Buckland (review)
  2. Clare Parfitt-Brown
  3. pp. 148-150
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  1. The Language of Classical Ballet by Flavia Pappacena (review)
  2. Brandin Barón-Nusbaum
  3. pp. 151-152
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  1. Caribbean and Atlantic Diaspora Dance: Igniting Citizenship by Yvonne Daniel (review)
  2. Ana Paula Höfling
  3. pp. 152-156
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  1. Books Received
  3. pp. 157-158
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