In this Issue

Table of Contents

Twisted Legacies: Politics of Authorship

Mark Franko
pp. 1-2
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Inevitable Designs: Embodied Ideology in Anna Sokolow’s Proletarian Dances

Hannah Kosstrin
pp. 4-24
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Civil Rights Strategies in the United States: Franziska Boas’s Activist Use of Dance, 1933–1965

Allana C. Lindgren
pp. 25-62
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Martha Graham’s Gilded Cage: Blood Memory—An Autobiography (1991)

Victoria Phillips
pp. 63-84
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Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan”

Carrie Noland
pp. 85-122
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Shifting: Worker Culture and Life Reform in the Madzsar School

Tyrus Miller
pp. 124-131
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Screendance: Inscribing the Ephemeral Image by Douglas Rosenberg, and: Dancefilm: Choreography and the Moving Image by Brannigan Erin

Harmony Bench
pp. 132-138
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Sweating Saris: Indian Dance as Transnational Labor by Priya Srinivasan, and: Unfinished Gestures: Devadasis, Memory, and Modernity in South Asia by Davesh Soneji

Prarthana Purkayastha
pp. 140-142
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The Philosophical Aesthetics of Dance: Identity, Performance, and Understanding by Graham McFee (review)

Aili Bresnahan
pp. 142-145
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Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working It Out by Nadine George-Graves (review)

Joanna Dee Das
pp. 145-148
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Society Dancing: Fashionable Bodies in England, 1870–1920 by Theresa Jill Buckland (review)

Clare Parfitt-Brown
pp. 148-150
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The Language of Classical Ballet by Flavia Pappacena (review)

Brandin Barón-Nusbaum
pp. 151-152
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Caribbean and Atlantic Diaspora Dance: Igniting Citizenship by Yvonne Daniel (review)

Ana Paula Höfling
pp. 152-156
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Books Received

pp. 157-158
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