In this Issue

Table of Contents

Performing the Aging Self in Hugh Leonard's "Da" and Brian Friel's Dancing at Lughnasa

Valerie Barnes Lipscomb
pp. 285-308
DOI: https://doi.org/10.1353/cdr.2013.0039
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Role and Freedom in Calderón's The Great Theater of the World

Gerhard Poppenberg
pp. 309-342
DOI: https://doi.org/10.1353/cdr.2013.0029
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Reimaginations of "America" and Cultural Identity in the Expatriate Drama of Koffi Kwahulé

Les Essif
pp. 343-366
DOI: https://doi.org/10.1353/cdr.2013.0031
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Conflict, Carnage, and Cats: Toward a Comic Cú Chulainn in Martin McDonagh's The Lieutenant of Inishmore

A. J. Knox
pp. 367-392
DOI: https://doi.org/10.1353/cdr.2013.0033
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"The Farce of the Fart" and Other Ribaldries: Twelve Medieval French Plays in Modern English by Jody Enders (review)

Noah D. Guynn
pp. 393-396
DOI: https://doi.org/10.1353/cdr.2013.0035
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Shakespeare Among the Courtesans: Prostitution, Literature, and Drama, 1500-1650 by Duncan Salkeld (review)

Theresa D. Kemp
pp. 396-399
DOI: https://doi.org/10.1353/cdr.2013.0037
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Drama and the Transfer of Power in Renaissance England by Martin Wiggins (review)

Adam Zucker
pp. 400-402
DOI: https://doi.org/10.1353/cdr.2013.0038
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Faith in Shakespeare by Richard C. McCoy (review)

Jennifer C. Vaught
pp. 403-406
DOI: https://doi.org/10.1353/cdr.2013.0040
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Illustrating Shakespeare by Peter Whitfield (review)

Alan R. Young
pp. 406-409
DOI: https://doi.org/10.1353/cdr.2013.0030
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Shakespeare in Company by Bart Van Es (review)

Tim Fitzpatrick
pp. 410-413
DOI: https://doi.org/10.1353/cdr.2013.0032
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Ludics in Surrealist Theatre and Beyond by Vassiliki Rapti (review)

Pierre Taminiaux
pp. 413-416
DOI: https://doi.org/10.1353/cdr.2013.0034
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Contributors

pp. 417-418
DOI: https://doi.org/10.1353/cdr.2013.0036
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