1. Performing the Aging Self in Hugh Leonard's "Da" and Brian Friel's Dancing at Lughnasa
  2. Valerie Barnes Lipscomb
  3. pp. 285-308
  4. DOI: 10.1353/cdr.2013.0039
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  1. Role and Freedom in Calderón's The Great Theater of the World
  2. Gerhard Poppenberg
  3. pp. 309-342
  4. DOI: 10.1353/cdr.2013.0029
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  1. Reimaginations of "America" and Cultural Identity in the Expatriate Drama of Koffi Kwahulé
  2. Les Essif
  3. pp. 343-366
  4. DOI: 10.1353/cdr.2013.0031
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  1. Conflict, Carnage, and Cats: Toward a Comic Cú Chulainn in Martin McDonagh's The Lieutenant of Inishmore
  2. A. J. Knox
  3. pp. 367-392
  4. DOI: 10.1353/cdr.2013.0033
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  1. "The Farce of the Fart" and Other Ribaldries: Twelve Medieval French Plays in Modern English by Jody Enders (review)
  2. Noah D. Guynn
  3. pp. 393-396
  4. DOI: 10.1353/cdr.2013.0035
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  1. Shakespeare Among the Courtesans: Prostitution, Literature, and Drama, 1500-1650 by Duncan Salkeld (review)
  2. Theresa D. Kemp
  3. pp. 396-399
  4. DOI: 10.1353/cdr.2013.0037
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  1. Drama and the Transfer of Power in Renaissance England by Martin Wiggins (review)
  2. Adam Zucker
  3. pp. 400-402
  4. DOI: 10.1353/cdr.2013.0038
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  1. Faith in Shakespeare by Richard C. McCoy (review)
  2. Jennifer C. Vaught
  3. pp. 403-406
  4. DOI: 10.1353/cdr.2013.0040
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  1. Illustrating Shakespeare by Peter Whitfield (review)
  2. Alan R. Young
  3. pp. 406-409
  4. DOI: 10.1353/cdr.2013.0030
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  1. Shakespeare in Company by Bart Van Es (review)
  2. Tim Fitzpatrick
  3. pp. 410-413
  4. DOI: 10.1353/cdr.2013.0032
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  1. Ludics in Surrealist Theatre and Beyond by Vassiliki Rapti (review)
  2. Pierre Taminiaux
  3. pp. 413-416
  4. DOI: 10.1353/cdr.2013.0034
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  1. Contributors
  3. pp. 417-418
  4. DOI: 10.1353/cdr.2013.0036
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