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In this Issue

Table of Contents

  1. Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong, 1927–1933
  2. Michael Slowik
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/cj.2013.0061
  5. restricted access
  1. Jazzing in the Tokyo Slum: Music, Influence, and Censorship in Akira Kurosawa’s Drunken Angel
  2. Michael W. Harris
  3. pp. 52-74
  4. DOI: https://doi.org/10.1353/cj.2013.0067
  5. restricted access
  1. Fast and Bilingual: Fast & Furious and the Latinization of Racelessness
  2. Mary Beltrán
  3. pp. 75-96
  4. DOI: https://doi.org/10.1353/cj.2013.0070
  5. restricted access
  1. Original Copies: How Film and Video Became Art Objects
  2. Erika Balsom
  3. pp. 97-118
  4. DOI: https://doi.org/10.1353/cj.2013.0054
  5. restricted access
  1. In Focus: Gender and Labor in Recession-Era Media and Media Studies
  2. Caetlin Benson-Allott
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/cj.2013.0057
  5. restricted access

Book Reviews: Women's Caucus

  1. Gender Bifurcation in the Recession Economy: Extreme Couponing and Gold Rush Alaska
  2. Diane Negra
  3. pp. 123-129
  4. DOI: https://doi.org/10.1353/cj.2013.0060
  5. restricted access
  1. Demoting Women on the Screen and in the Board Room
  2. Deborah Tudor, Eileen R. Meehan
  3. pp. 130-136
  4. DOI: https://doi.org/10.1353/cj.2013.0063
  5. restricted access
  1. Distribution Is Queen: LGBTQ Media on Demand
  2. Candace Moore
  3. pp. 137-144
  4. DOI: https://doi.org/10.1353/cj.2013.0066
  5. restricted access
  1. Reading between the Lines: Gender and Viral Marketing
  2. Alyxandra Vesey
  3. pp. 144-149
  4. DOI: https://doi.org/10.1353/cj.2013.0069
  5. restricted access
  1. Working in the Holes: A Third-Wave Feminist Filmmaker’s Take on Labor
  2. Kara Herold
  3. pp. 150-156
  4. DOI: https://doi.org/10.1353/cj.2013.0053
  5. restricted access
  1. Contributors
  2. pp. 163-164
  3. DOI: https://doi.org/10.1353/cj.2013.0072
  4. restricted access
  1. Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture by Hilary Radner (review)
  2. Leah Shafer
  3. pp. 165-170
  4. DOI: https://doi.org/10.1353/cj.2013.0059
  5. restricted access
  1. Chinese Women’s Cinema: Transnational Contexts ed. by Lingzhen Wang (review)
  2. Tina Mai Chen
  3. pp. 170-174
  4. DOI: https://doi.org/10.1353/cj.2013.0062
  5. restricted access
  1. The Place of Breath in Cinema by Davina Quinlivan (review)
  2. Nick Davis
  3. pp. 180-184
  4. DOI: https://doi.org/10.1353/cj.2013.0068
  5. restricted access
  1. Contributors
  2. p. 189
  3. DOI: https://doi.org/10.1353/cj.2013.0055
  4. restricted access
  1. Forthcoming
  2. p. 206
  3. DOI: https://doi.org/10.1353/cj.2013.0058
  4. restricted access