In this Issue
Formerly Cinema Journal, through volume 57, no.4, Summer 2018 (E-ISSN: 1527-2087, Print ISSN: 0009-7101).
JCMS: Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). JCMS's basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. We are committed to the aesthetic, political, and cultural interpretation of these media and their production, circulation, and reception.
To that end, JCMS is dedicated to intellectual diversity of all kinds. We publish critical inquiry into the global, national, and local circulation of a wide variety of media. We seek to promote a range of approaches to film and media studies and attendant fields, including (but not limited to) digital media, sound studies, visual culture, video game studies, fan studies, and avant-garde and experimental film and media practices. We do not adhere to any methodological approach to media studies, nor do we focus on particular emphases in the field. The journal is open to all areas of humanities-oriented scholarship in media studies, including digital humanities.
In addition to feature articles, each issue of JCMS includes an “In Focus” dossier examining a topic of timely concern to SCMS members and book reviews of recently published texts in the field.
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University of Texas Pressviewing issue
Volume 53, Number 1, Fall 2013Table of Contents
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View Uruguay Disappears: Small Cinemas, Control Z Films, and the Aesthetics and Politics of Auto-Erasure
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Uruguay Disappears: Small Cinemas, Control Z Films, and the Aesthetics and Politics of Auto-Erasure
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View Jazzing in the Tokyo Slum: Music, Influence, and Censorship in Akira Kurosawa’s Drunken Angel
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Jazzing in the Tokyo Slum: Music, Influence, and Censorship in Akira Kurosawa’s Drunken Angel
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Book Reviews: Women's Caucus
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View Toward Networked Feminist Scholarship: Mindful Media, Participatory Learning, and Distributed Authorship in the Digital Economy
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Toward Networked Feminist Scholarship: Mindful Media, Participatory Learning, and Distributed Authorship in the Digital Economy
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View Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture by Hilary Radner (review)
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Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture by Hilary Radner (review)
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View Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan by Gabriella Lukács (review)
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Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan by Gabriella Lukács (review)
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View Performing American Masculinities: The 21st-Century Man in Popular Culture ed. by Elwood Watson and Marc E. Shaw (review)
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Performing American Masculinities: The 21st-Century Man in Popular Culture ed. by Elwood Watson and Marc E. Shaw (review)
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| ISSN | 1527-2087 |
|---|---|
| Print ISSN | 0009-7101 |
| Launched on MUSE | 2013-10-18 |
| Open Access | No |
Copyright
Copyright © University of Texas Press.
