In this Issue

Table of Contents

Color Insert

pp. Color Insert 1-Color Insert 7
DOI: https://doi.org/10.1353/atj.2013.0032
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From the Editor

Kathy Foley
pp. iii-v
DOI: https://doi.org/10.1353/atj.2013.0035
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In Memoriam

A Kabuki Innovator, Nakamura Kanzaburō XVIII, Dies Too Young: Where Does Kabuki Go from Here?

Laurence Kominz
pp. 267-270
DOI: https://doi.org/10.1353/atj.2013.0039
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Symposium: Founders of the Field II

Founders of the Field II: Introduction

Siyuan Liu, David Jortner
pp. 271-275
DOI: https://doi.org/10.1353/atj.2013.0043
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Richard Schechner

Cobina Gillitt
pp. 276-294
DOI: https://doi.org/10.1353/atj.2013.0047
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Farley Richmond

Arnab Banerji
pp. 295-308
DOI: https://doi.org/10.1353/atj.2013.0025
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Daniel S. P. Yang

Siyuan Liu
pp. 309-322
DOI: https://doi.org/10.1353/atj.2013.0029
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I Made Bandem

Jennifer Goodlander
pp. 323-335
DOI: https://doi.org/10.1353/atj.2013.0033
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David Goodman

David Jortner
pp. 336-348
DOI: https://doi.org/10.1353/atj.2013.0037
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Benito Ortolani

Jonah Salz
pp. 349-357
DOI: https://doi.org/10.1353/atj.2013.0041
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Some Personal Recollections of Benito Ortolani

Samuel L. Leiter
pp. 358-359
DOI: https://doi.org/10.1353/atj.2013.0045
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Articles

The “Broken” and the “Breakthroughs”: Acting in Jingju Model Plays of China’s Cultural Revolution

Xing Fan
pp. 360-389
DOI: https://doi.org/10.1353/atj.2013.0023
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Enchanting the Audience: Dramatic Devices of Sakura Mask Theatre in West Lampung, Sumatra

Karen Kartomi Thomas
pp. 390-414
DOI: https://doi.org/10.1353/atj.2013.0027
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The Silenced Body of The Silent Soprano: The Overseas Filipino Worker as Silent and Erased in a Global City

Sir Anril Pineda Tiatco
pp. 415-444
DOI: https://doi.org/10.1353/atj.2013.0031
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Hakka Female Identity in Postcolonial Taiwan: The Shigang Mama Theatre Group and Images of Hakka Women

Tzu-Yun Hu
pp. 445-465
DOI: https://doi.org/10.1353/atj.2013.0036
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Late Muromachi and Furyū Nō: Two Plays by Kanze Nagatoshi

Quillon Arkenstone
pp. 466-485
DOI: https://doi.org/10.1353/atj.2013.0040
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Interview

An Interview with Mangai

Anita Singh
pp. 486-505
DOI: https://doi.org/10.1353/atj.2013.0044
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Reports

Anthologizing Indonesian Popular Theatre

Matthew Isaac Cohen
pp. 506-519
DOI: https://doi.org/10.1353/atj.2013.0048
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Tibet Performance, Past and Present: Multidisciplinary Avenues of Research

Kathy Foley
pp. 520-525
DOI: https://doi.org/10.1353/atj.2013.0026
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Performance Reviews

The Next by Hands Percussion (review)

Leng Poh Gee
pp. 526-532
DOI: https://doi.org/10.1353/atj.2013.0030
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Lear Dreaming (review)

Sir Anril Pineda Tiatco
pp. 532-538
DOI: https://doi.org/10.1353/atj.2013.0034
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Magic Mirror: The Musical (review)

Loo Fung Ying
pp. 538-544
DOI: https://doi.org/10.1353/atj.2013.0038
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Book Reviews

Théâtre d’Asie à l’oeuvre. Circulation, Expression, Politique ed. by Hélène Bouvier, Gérard Toffin, and Gérard Toffin (review)

Kathy Foley
pp. 545-547
DOI: https://doi.org/10.1353/atj.2013.0042
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Tokyo Theatre Today: Conversations with Eight Emerging Theatre Artists by Iwaki Kyoko (review)

David Jortner
pp. 547-549
DOI: https://doi.org/10.1353/atj.2013.0046
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Japanese Theatre Transcultural: German and Italian Interweavings ed. by Stanca Scholz-Cionca and Andreas Regelsberger (review)

Margaret Coldiron
pp. 549-553
DOI: https://doi.org/10.1353/atj.2013.0024
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Seven Contemporary Plays for the Korean Diaspora in the Americas ed. by Esther Kim Lee (review)

Kathy Foley
pp. 553-556
DOI: https://doi.org/10.1353/atj.2013.0028
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