1. Remaining a Mystery: Gertrude Stein, Crime Fiction and Popular Modernism
  2. Matthew Levay
  3. pp. 1-22
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  1. Conversation Pieces: Circulating Muriel Draper’s Salon
  2. Cecily Swanson
  3. pp. 23-43
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  1. The Romantic and the Real: James Leslie Mitchell and the Search for a Middle Way
  2. Timothy C. Baker
  3. pp. 44-61
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  1. “The true and stirring stuff of which Romance is born”: Dark Princess and the revolutionary potential of literary form
  2. Sydney Bufkin
  3. pp. 62-76
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  1. Colonial Mimicry and Postcolonial Re-membering in Isidore Okpewho’s Call Me by My Rightful Name
  2. Isidore Diala
  3. pp. 77-95
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  1. “Wandering on the peripheries”: The Turkish novelistic hero as “Beautiful Soul”
  2. F. Meltem Gürle
  3. pp. 96-112
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  1. Documents of Proletarian Fiction: Tillie Olsen’s Yonnondio: From the Thirties
  2. Corinna K. Lee
  3. pp. 113-132
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  1. Wandering Lines: Robert Grenier’s Drawing Poems
  2. Ondrea E. Ackerman
  3. pp. 133-153
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  1. Middlebrow Made Masculine
  2. Nathan Waddell
  3. pp. 154-156
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  1. Celebrity Modernism
  2. Carey James Mickalites
  3. pp. 157-160
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  1. The Burden of Legend: Beat Studies in the Twenty-First Century
  2. Michelle Martin
  3. pp. 161-172
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  1. Post-Prufrock Criticism: Dilettantes into Dialectics
  2. Nicholas B. Mayer
  3. pp. 173-176
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  1. Katherine Mansfield: An Anxious Legacy
  2. Shawna Ross
  3. pp. 177-182
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  1. Critical Impressionism: Max Saunders’s Self-Impression and the Portraiture of Life-Writing
  2. Shannon Finck
  3. pp. 183-186
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  1. Raising Questions: Modernism, Genre, Text
  2. Paula Marantz Cohen
  3. pp. v-vi
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  1. Notes on Contributors
  2. pp. 187-189
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