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Table of Contents

  1. Transcendence
  2. Speer Morgan
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/mis.2013.0070
  5. restricted access
  1. Cartoons
  2. Phil Witte
  3. pp. 9-185
  4. DOI: https://doi.org/10.1353/mis.2013.0059
  5. restricted access
  1. The Blood Old and Strong
  2. Alex Taylor
  3. pp. 10-25
  4. DOI: https://doi.org/10.1353/mis.2013.0061
  5. restricted access
  1. How History Would Have It, and: Redemption, and: Arcadia, and: Watershed
  2. Rose McLarney
  3. pp. 27-33
  4. DOI: https://doi.org/10.1353/mis.2013.0063
  5. restricted access
  1. How History Would Have It
  2. Rose McLarney
  3. pp. 27-33
  4. DOI: https://doi.org/10.1353/mis.2013.0081
  5. restricted access
  1. Redemption
  2. Rose McLarney
  3. pp. 27-33
  4. DOI: https://doi.org/10.1353/mis.2013.0073
  5. restricted access
  1. Arcadia
  2. Rose McLarney
  3. pp. 27-33
  4. DOI: https://doi.org/10.1353/mis.2013.0075
  5. restricted access
  1. Watershed
  2. Rose McLarney
  3. pp. 27-33
  4. DOI: https://doi.org/10.1353/mis.2013.0077
  5. restricted access
  1. The Black Saint and the Best-Selling Writer
  2. Joe Miller
  3. pp. 34-48
  4. DOI: https://doi.org/10.1353/mis.2013.0065
  5. restricted access
  1. City of Mary
  2. Nick Arvin
  3. pp. 50-70
  4. DOI: https://doi.org/10.1353/mis.2013.0067
  5. restricted access
  1. A Lasting Sickness
  2. James Davis May
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/mis.2013.0074
  5. restricted access
  1. A Lasting Sickness, and: Portrait of the Self as Skunk Cabbage, and: Someone Takes a Pine Tree Apart, and: Critique and Rebuttal, and: Smerdyakov with a Guitar
  2. James Davis May
  3. pp. 71-79
  4. DOI: https://doi.org/10.1353/mis.2013.0069
  5. restricted access
  1. Portrait of the Self as Skunk Cabbage
  2. James Davis May
  3. pp. 73-74
  4. DOI: https://doi.org/10.1353/mis.2013.0076
  5. restricted access
  1. Someone Takes a Pine Tree Apart
  2. James Davis May
  3. p. 75
  4. DOI: https://doi.org/10.1353/mis.2013.0078
  5. restricted access
  1. Critique and Rebuttal
  2. James Davis May
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/mis.2013.0079
  5. restricted access
  1. Smerdyakov with a Guitar
  2. James Davis May
  3. pp. 78-79
  4. DOI: https://doi.org/10.1353/mis.2013.0080
  5. restricted access
  1. Facebook of the Dead
  2. Alexander Landfair
  3. pp. 80-97
  4. DOI: https://doi.org/10.1353/mis.2013.0072
  5. restricted access
  1. Visiting
  2. Jane Gillette
  3. pp. 98-107
  4. DOI: https://doi.org/10.1353/mis.2013.0060
  5. restricted access
  1. Infusion Suite
  2. Claudia Emerson
  3. pp. 109-114
  4. DOI: https://doi.org/10.1353/mis.2013.0062
  5. restricted access
  1. Darkroom Alchemy: The Photographic Art of Studio Manassé
  2. Kristine Somerville
  3. pp. 115-130
  4. DOI: https://doi.org/10.1353/mis.2013.0064
  5. restricted access
  1. Unmoving Like a Mighty River Stilled
  2. Alan Rossi
  3. pp. 132-151
  4. DOI: https://doi.org/10.1353/mis.2013.0066
  5. restricted access
  1. A Conversation with Dorothea Lasky
  2. Jason Koo
  3. pp. 152-172
  4. DOI: https://doi.org/10.1353/mis.2013.0068
  5. restricted access
  1. Dissing Academia: From Casuistry to Common Sense
  2. Kristine Somerville
  3. pp. 173-184
  4. DOI: https://doi.org/10.1353/mis.2013.0071
  5. restricted access