1. Political Anthropology and its Animal Other in Rousseau's Discours sur l'inégalité
  2. Andrew Billing
  3. pp. 1-17
  4. DOI: 10.1353/frf.2013.0016
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  1. Philosemitism and the mission civilisatrice in Gautier's La Juive de Constantine
  2. Maurice Samuels
  3. pp. 19-33
  4. DOI: 10.1353/frf.2013.0020
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  1. Nothing Consumed: The Dangerous Space of Food in Madame Bovary
  2. Anna Igou
  3. pp. 35-50
  4. DOI: 10.1353/frf.2013.0024
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  1. The Scent Trail of "Une Charogne"
  2. Cheryl Krueger
  3. pp. 51-68
  4. DOI: 10.1353/frf.2013.0003
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  1. Mallarmé, Huysmans, and the Poetics of Hothouse Blooms
  2. Suzanne Braswell
  3. pp. 69-87
  4. DOI: 10.1353/frf.2013.0007
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  1. Mallarmé, Technology, and the Poet Engineer
  2. Ellen Wayland-Smith
  3. pp. 89-108
  4. DOI: 10.1353/frf.2013.0011
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  1. Correspondance: Mail Art and Literary Appropriation in the 1920s
  2. Jan Baetens, Michael Kasper
  3. pp. 109-126
  4. DOI: 10.1353/frf.2013.0014
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  1. Lorand Gaspar: Poésie à la rencontre des sciences neurocognitives
  2. Glenn Fetzer
  3. pp. 127-140
  4. DOI: 10.1353/frf.2013.0018
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  1. Dans la couleur immergeante, le toucher du monde chez Nicolas Pesquès
  2. Franck Villain
  3. pp. 141-158
  4. DOI: 10.1353/frf.2013.0022
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  1. Entretien avec Michel Deguy, à propos des Écologiques: Le vendredi 27 juillet 2012, 11h00
  2. Julia Holter
  3. pp. 159-172
  4. DOI: 10.1353/frf.2013.0001
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  1. Marie Cosnay's Roman-fleuve
  2. Warren Motte
  3. pp. 173-188
  4. DOI: 10.1353/frf.2013.0005
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  1. Fiction as Cover Story in Sollers's La Fête à Venise
  2. Armine Kotin Mortimer
  3. pp. 189-203
  4. DOI: 10.1353/frf.2013.0009
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  1. Assimilation, Hospitality, and the Politics of Identity in Albert Memmi
  2. Aimée Israel-Pelletier
  3. pp. 205-219
  4. DOI: 10.1353/frf.2013.0013
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  1. Continents Adrift?: Suturing the Cultural and Political Divide in Assia Djebar's Femmes d'Alger dans leur appartement, L'amour, la fantasia, and Vaste est la prison
  2. Rajeshwari S. Vallury
  3. pp. 221-236
  4. DOI: 10.1353/frf.2013.0017
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  1. Freedom from Oneself: Artistry and the Postcolonial Woman Artist in Nina Bouraoui's La Voyeuse interdite
  2. Anna Kemp
  3. pp. 237-250
  4. DOI: 10.1353/frf.2013.0021
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  1. "Des Arabes, j'en suis sûre!": Rompre le silence dans Entendez-vous dans les montagnes . . . de Maïssa Bey
  2. Etienne Achille
  3. pp. 251-265
  4. DOI: 10.1353/frf.2013.0000
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  1. Skin Deep: Bodies without Limits in Hiroshima mon amour
  2. Christian Martin
  3. pp. 267-282
  4. DOI: 10.1353/frf.2013.0004
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  1. Enfances Narcisse by Claire Nouvet (review)
  2. Karl Pollin
  3. pp. 283-286
  4. DOI: 10.1353/frf.2013.0008
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  1. Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789-1794 by Mark Darlow (review)
  2. Yann Robert
  3. pp. 286-288
  4. DOI: 10.1353/frf.2013.0012
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  1. The Count of Chanteleine: A Tale of the French Revolution by Jules Verne (review)
  2. Marie-Hélène Huet
  3. pp. 288-290
  4. DOI: 10.1353/frf.2013.0015
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  1. The Art and Aesthetics of Boxing by David Scott (review)
  2. Corry Cropper
  3. pp. 291-292
  4. DOI: 10.1353/frf.2013.0019
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  1. Frenchness and the African Diaspora: Identity and Uprising in Contemporary France ed. by Charles Tshimanga, Didier Gondola, and Peter J. Bloom (review)
  2. Hervé Tchumkam
  3. pp. 292-296
  4. DOI: 10.1353/frf.2013.0023
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  1. Interpreting the Republic: Marginalization and Belonging in Contemporary French Novels and Films by Vinay Swamy (review)
  2. Michael Gott
  3. pp. 296-298
  4. DOI: 10.1353/frf.2013.0002
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  1. French Fiction into the Twenty-First Century: The Return to the Story by Simon Kemp (review)
  2. Lucy O'Meara
  3. pp. 298-301
  4. DOI: 10.1353/frf.2013.0006
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  1. Books Received
  3. pp. 303-305
  4. DOI: 10.1353/frf.2013.0010
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