1. Proverbs and Structure in Maxims I.A
  2. Susan E. Deskis
  3. pp. 667-689
  4. DOI: 10.1353/sip.2013.0033
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  1. Capgrave's Dedications: Reassessing an English Flunkey
  2. Joni Henry
  3. pp. 731-761
  4. DOI: 10.1353/sip.2013.0029
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  1. On Reading Renaissance Closet Drama: A Reconsideration of the Chorus in Fulke Greville's Alaham and Mustapha
  2. Brett Roscoe
  3. pp. 762-788
  4. DOI: 10.1353/sip.2013.0030
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  1. Making Use of Nothing: The Sovereignties of King Lear
  2. Brian Sheerin
  3. pp. 789-811
  4. DOI: 10.1353/sip.2013.0031
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  1. "Look on Me": Theater, Gender, and Poetic Identity Formation in Milton's Maske
  2. Brendan Prawdzik
  3. pp. 812-850
  4. DOI: 10.1353/sip.2013.0032
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  1. Andrew Marvell's Ovidian Consolations
  2. Kevin Laam
  3. pp. 851-879
  4. DOI: 10.1353/sip.2013.0034
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  1. Pope and the Ends of History: Faction, Atterbury, and Clarendon's History of the Rebellion
  2. Tom Jones
  3. pp. 880-902
  4. DOI: 10.1353/sip.2013.0026
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  1. Henry Fielding at the Bar: A Reappraisal
  2. Frederick G. Ribble
  3. pp. 903-913
  4. DOI: 10.1353/sip.2013.0028
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