1. Editorial
  2. Drake Stutesman
  3. pp. 127-128
  4. DOI: 10.1353/frm.2013.0024
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  1. What Is “Early” Cinema?
  2. Neepa Majumdar
  3. pp. 136-139
  4. DOI: 10.1353/frm.2013.0015
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  1. Early Cinema in South Asia: The Place of Technology in Narratives of Its Emergence
  2. Sudhir Mahadevan
  3. pp. 140-145
  4. DOI: 10.1353/frm.2013.0017
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  1. Melodrama as Method
  2. Anupama Kapse
  3. pp. 146-151
  4. DOI: 10.1353/frm.2013.0019
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  1. On Scavenging and Salvaging: NFAI and Early Indian Cinema
  2. Ramesh Kumar
  3. pp. 152-157
  4. DOI: 10.1353/frm.2013.0021
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  1. Culture Counts
  2. Judith Mara Gutman
  3. pp. 159-160
  4. DOI: 10.1353/frm.2013.0023
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  1. Around The Clock: Museum and Market
  2. Erika Balsom
  3. pp. 177-191
  4. DOI: 10.1353/frm.2013.0028
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  1. Firing at the Clocks: Cinema, Sampling, and the Cultural Logic of the Late Capitalist Artwork
  2. Martine Beugnet
  3. pp. 192-207
  4. DOI: 10.1353/frm.2013.0016
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  1. On The Clock and Christian Marclay’s Instrumental Logic of Appropriation
  2. Eli Horwatt
  3. pp. 208-225
  4. DOI: 10.1353/frm.2013.0018
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  1. The Clock: Gesture and Cinematic Replaying
  2. Catherine Fowler
  3. pp. 226-242
  4. DOI: 10.1353/frm.2013.0020
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  1. Archival Cinephilia in The Clock
  2. Catherine Russell
  3. pp. 243-258
  4. DOI: 10.1353/frm.2013.0022
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  1. Conversations on the Avant-Doc: Scott MacDonald Interviews
  2. Scott MacDonald
  3. pp. 259-330
  4. DOI: 10.1353/frm.2013.0025
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  1. Introduction
  2. Kaveh Askari
  3. pp. 129-135
  4. DOI: 10.1353/frm.2013.0027
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  1. Introduction
  2. Catherine Russell
  3. pp. 161-176
  4. DOI: 10.1353/frm.2013.0026
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