In this Issue

Table of Contents

Gone, Missing

H. Peter Steeves
pp. 1-26
DOI: https://doi.org/10.1353/mos.2013.0028
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Blindness and Intimacy in Early Twentieth-Century Literature

Maren Linett
pp. 27-42
DOI: https://doi.org/10.1353/mos.2013.0030
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Where Blindness is Not (?) a Disability: Alison Sinclair’s Darkborn Trilogy

Derek Newman-Stille
pp. 43-58
DOI: https://doi.org/10.1353/mos.2013.0032
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Animal’s Eyes: Spectacular Invisibility and the Terms of Recognition in Indra Sinha’s Animal’s People

Andrew Mahlstedt
pp. 59-74
DOI: https://doi.org/10.1353/mos.2013.0034
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Vicariates of the Eye: Blindness, Sense Substitution, and Writing Devices in the Nineteenth Century

Jan Eric Olsén
pp. 75-91
DOI: https://doi.org/10.1353/mos.2013.0023
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Aesthetic Blindness: Symbolism, Realism, and Reality

David Bolt
pp. 93-108
DOI: https://doi.org/10.1353/mos.2013.0025
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Blinding the Screen: Visualizing Disability in Le scaphandre et le papillon

Tess Jewell
pp. 109-124
DOI: https://doi.org/10.1353/mos.2013.0027
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To the Side of the Day: Comparison without Comparison in Pynchon (and. . .)

David Kelman
pp. 125-139
DOI: https://doi.org/10.1353/mos.2013.0029
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The Blind Bard, According to John Milton and His Contemporaries

Angelica Duran
pp. 141-157
DOI: https://doi.org/10.1353/mos.2013.0031
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“Looking on darkness, which the blind do see”: Blindness, Empathy, and Feeling Seeing

Mark Paterson
pp. 159-177
DOI: https://doi.org/10.1353/mos.2013.0033
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Introduction

Dawne McCance
pp. v-x
DOI: https://doi.org/10.1353/mos.2013.0022
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Images

pp. xi-xix
DOI: https://doi.org/10.1353/mos.2013.0024
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Images

Heather Spears
pp. xx-xxvi
DOI: https://doi.org/10.1353/mos.2013.0026
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