1. Gone, Missing
  2. H. Peter Steeves
  3. pp. 1-26
  4. DOI: 10.1353/mos.2013.0028
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  1. Blindness and Intimacy in Early Twentieth-Century Literature
  2. Maren Linett
  3. pp. 27-42
  4. DOI: 10.1353/mos.2013.0030
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  1. Where Blindness is Not (?) a Disability: Alison Sinclair’s Darkborn Trilogy
  2. Derek Newman-Stille
  3. pp. 43-58
  4. DOI: 10.1353/mos.2013.0032
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  1. Animal’s Eyes: Spectacular Invisibility and the Terms of Recognition in Indra Sinha’s Animal’s People
  2. Andrew Mahlstedt
  3. pp. 59-74
  4. DOI: 10.1353/mos.2013.0034
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  1. Vicariates of the Eye: Blindness, Sense Substitution, and Writing Devices in the Nineteenth Century
  2. Jan Eric Olsén
  3. pp. 75-91
  4. DOI: 10.1353/mos.2013.0023
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  1. Aesthetic Blindness: Symbolism, Realism, and Reality
  2. David Bolt
  3. pp. 93-108
  4. DOI: 10.1353/mos.2013.0025
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  1. Blinding the Screen: Visualizing Disability in Le scaphandre et le papillon
  2. Tess Jewell
  3. pp. 109-124
  4. DOI: 10.1353/mos.2013.0027
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  1. To the Side of the Day: Comparison without Comparison in Pynchon (and. . .)
  2. David Kelman
  3. pp. 125-139
  4. DOI: 10.1353/mos.2013.0029
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  1. The Blind Bard, According to John Milton and His Contemporaries
  2. Angelica Duran
  3. pp. 141-157
  4. DOI: 10.1353/mos.2013.0031
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  1. “Looking on darkness, which the blind do see”: Blindness, Empathy, and Feeling Seeing
  2. Mark Paterson
  3. pp. 159-177
  4. DOI: 10.1353/mos.2013.0033
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  1. Introduction
  2. Dawne McCance
  3. pp. v-x
  4. DOI: 10.1353/mos.2013.0022
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  1. Images
  2. pp. xi-xix
  3. DOI: 10.1353/mos.2013.0024
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  1. Images
  2. Heather Spears
  3. pp. xx-xxvi
  4. DOI: 10.1353/mos.2013.0026
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