1. Neil Gaiman’s Lucifer: Reconsidering Milton’s Satan
  2. Adam Porter
  3. pp. 175-185
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  1. Aliens Are Us: Cosmic Liminality, Remixticism, and Alienation in Psytrance
  2. Graham St John
  3. pp. 186-204
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  1. Thou Shalt Get thy Praise On!: Analysis on the Conversion and Community Maintenance Powers of Contemporary Christian Music
  2. Fiona Parascandalo
  3. pp. 205-216
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  1. Martians, Demons, Vampires, and Vicars: The Church of England in Post-War Science Fiction
  2. Marcus Harmes
  3. pp. 217-229
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  1. Shout-Outs to the Creator: The Use of Biblical Themes in Rap Lyrics
  2. Carey Walsh
  3. pp. 230-248
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  1. Can the Veil Be Cool?
  2. Thorsten Botz-Bornstein
  3. pp. 249-263
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  1. Religious Imperatives, Boogaloo Rhythms: Taking another Listen to Albert Ayler’s New Grass
  2. Michael Kaler
  3. pp. 264-272
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  1. Dialogicality and Spiritual Quest in Christian Metal Lyrics
  2. Henna Jousmäki
  3. pp. 273-286
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  1. Dr. Bronner’s “Magic Soaps” Religion: A Tikkun Olam Response to the Holocaust, the Atom Bomb, and the Cold War
  2. Roger Chapman
  3. pp. 287-301
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  1. Screening the Afterlife: Theology, Eschatology and Film
  2. Joshua Farris
  3. pp. 302-303
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  1. Screening the Afterlife: Theology, Eschatology and Film
  2. Tim M. Allen
  3. pp. 304-305
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  1. Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery
  2. Virginia Langum
  3. pp. 306-307
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  1. Secularization and Its Discontents
  2. Joseph O. Baker
  3. pp. 308-309
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  1. Blick über den Tod hinaus: Bilder vom Leben nach dem Tod / Seeing beyond Death: Images of the Afterlife in Theology and Film
  2. Clive Marsh
  3. pp. 310-311
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  1. Gods Behaving Badly: Media, Religion, and Celebrity Culture
  2. Brad Stoddard
  3. pp. 312-313
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