In this Issue

Table of Contents

The Genealogy of Major Barbara: Nietzschean Philosophy and the Shavian Play of Ideas

David Kornhaber
pp. 269-286
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“The Great Imitator”: Staging Syphilis in A Doll House and Ghosts

Alexis Soloski
pp. 287-305
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Things That No One Can Say: The Unspeakable Act in Artaud’s Les Cenci

Robert Vork
pp. 306-326
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“Wall Street Lays an Egg”: Financial Drama and the 1933 Banking Collapse in Archibald MacLeish’s Panic: A Drama of Industrial Crisis (1935)

Susan Currell
pp. 327-351
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The Habit of Art: In the Beginning Was the Word

Irene Morra
pp. 352-373
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“Last in a Long Line of Literary Kleptomaniacs”: Intertextuality in Sarah Kane’s 4.48 Psychosis

Antje Diedrich
pp. 374-398
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Reviews

Self and Space in the Theater of Susan Glaspell by Noelia Hernando-Real (review)

Judith E. Barlow
pp. 399-400
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The Problem of the Color[blind] by Brandi Wilkins Catanese (review)

Soyica Colbert
pp. 401-403
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Live Art in LA: Performance in Southern California, 1970–1983 by Peggy Phelan (review)

Anna Watkins Fisher
pp. 403-405
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Darkening Mirrors: Imperial Representation in Depression-Era African American Performance by Stephanie Batiste (review)

Uri McMillan
pp. 406-408
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Modernism’s Mythic Pose: Gender, Genre, and Solo Performance by Carrie J. Preston (review)

Megan Quigley
pp. 408-411
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Paul Robeson and the Cold War Performance Complex: Race, Madness, Activism by Tony Perucci (review)

Michelle Stephens
pp. 411-413
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Pioneer Performances: Staging the Frontier by Matthew Rebhorn (review)

Jason Shaffer
pp. 413-415
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Liverpool Playhouse: A Theatre and Its City ed. by Ros Merkin (review)

Joanne Tompkins
pp. 416-417
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