1. From the Social to the Political: 1920s Colonial Saigon as a “Space of Possibilities” in Vietnamese Consciousness
  2. Philippe Peycam
  3. pp. 496-546
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  1. Writing Sǒkkuram: An Archaeology of Inscription around 1911
  2. Robert Oppenheim
  3. pp. 547-577
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  1. I Speak in the Third Person: Women and Language in Colonial Vietnam
  2. Ben Tran
  3. pp. 579-605
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  1. Modernism, Hysteria, and the Colonial Double Bind: Pak T’aewŏn’s One Day in the Life of the Author, Mr. Kubo
  2. Christopher P. Hanscom
  3. pp. 607-636
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  1. Sovereignty, Coinage, and Kinship in Early China
  2. Jack W. Chen
  3. pp. 637-658
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  1. Embodied Visions: Chinese Queer Experimental Documentaries by Shi Tou and Cui Zi’en
  2. Qi Wang
  3. pp. 659-681
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  1. Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries
  2. Guo-Juin Hong
  3. pp. 683-701
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  1. Takahiko Iimura’s Butoh Films: Cine-Dance in Anma (The Masseurs) and Rose Color Dance
  2. Aaron Kerner
  3. pp. 703-723
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  1. Critical Mediations: Haewŏn Chinhon Kut, a Shamanic Ritual for Korean “Comfort Women”
  2. David J. Kim
  3. pp. 725-754
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  1. What Could Have Happened to “Femininity” in Japanese Stagecraft: A Memorial Address to Yamada Isuzu (1917 – 2012)
  2. Maki Isaka
  3. pp. 755-759
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  1. Editor’s Introduction
  2. Tani Barlow
  3. pp. 491-495
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  1. Contributors
  2. pp. 761-762
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