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In this Issue

Table of Contents

  1. Who Does Little but Listen: Playing O’Neill’s Hughie
  2. Peter Maloney
  3. pp. 145-166
  4. restricted access
  1. Desire beyond the Château d’If: Eugene O’Neill and the Fortunes of Monte Cristo
  2. Rupendra Guha Majumdar
  3. pp. 167-182
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  1. Memory and Guilt: Parenting in Tracy Letts’s August: Osage County and Eugene O’Neill’s Long Day’s Journey Into Night
  2. Elizabeth Fifer
  3. pp. 183-197
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  1. O’Neill, Cognition, and the Common Core Standards
  2. Jeanine A. DeFalco
  3. pp. 198-226
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  1. My Transformation through the O’Neill Society
  2. Glenda E. Gill
  3. pp. 227-232
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  1. “That goes for Sweeny”: Jamie Tyrone’s Slang Phrase from Act 4 of Long Day’s Journey Into Night
  2. George Monteiro
  3. pp. 233-235
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  1. Tribute: Frederick Charles Wilkins (1935–2013)
  2. William Davies King, Steven F. Bloom, Sheila Hickey Garvey, Judith E. Barlow, Arthur Gelb, Barbara Gelb, Tom Connolly, Normand Berlin, Laurie Porter, Liu Haiping, Zander Brietzke, Bette Mandl
  3. pp. 236-252
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  1. Eugene O'Neill's One-Act Plays: New Critical Perspectives ed. by Michael Y. Bennett and Benjamin D. Carson (review)
  2. Chloé Lucidarme
  3. pp. 253-256
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  1. Critical Insights: Eugene O’Neill ed. by Steven F. Bloom (review)
  2. Kurt Eisen
  3. pp. 257-260
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  1. More Stately Mansions dir. by Eric Fraisher Hayes (review)
  2. Eileen Herrmann
  3. pp. 263-265
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  1. Hughie dir. by Doug Hughes (review)
  2. Nelson Pressley
  3. pp. 266-268
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  1. Long Day’s Journey Into Night dir. by Nathaniel Swift (review)
  2. Joseph Kane
  3. pp. 269-272
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  1. Long Day’s Journey Into Night dir. by Joe Dowling (review)
  2. Michael Y. Bennett
  3. pp. 273-275
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  1. The Emperor Jones dir. by Lois Elswick (review)
  2. Patrick Chura
  3. pp. 276-279
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  1. Editor’s Foreword
  2. William Davies King
  3. pp. v-viii
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  1. Foreword: Performance Reviews
  2. J. Chris Westgate
  3. pp. 261-262
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  1. Notes on Contributors
  3. pp. 280-283
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