In this Issue

Table of Contents

Company: Keynote Speech from the Thirty-second Mid-America Theatre Conference

Bill Rauch
pp. 1-15
DOI: https://doi.org/10.1353/ths.2012.0026
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Cut the Cow, Cut the Queen: Problems of Cultural Translation

Virginia Scott
pp. 16-32
DOI: https://doi.org/10.1353/ths.2012.0031
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Companies to Keep: Air-Raid Dramas and International Ethical Responsibility in America, 1936-1939

Lisa Jackson-Schebetta
pp. 33-52
DOI: https://doi.org/10.1353/ths.2012.0003
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A Failed Attempt at World Domination: "Advanced Vaudeville," Financial Panic, and the Dream of a World Trust

Marlis Schweitzer
pp. 53-79
DOI: https://doi.org/10.1353/ths.2012.0008
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The Company She Kept: The Radical Activism of Actress Kitty Marion from Piccadilly Circus to Times Square

Christine Woodworth
pp. 80-92
DOI: https://doi.org/10.1353/ths.2012.0013
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"The Picture Postcard is a sign of the times": Theatre Postcards and Modernism

Peny Farfan
pp. 93-119
DOI: https://doi.org/10.1353/ths.2012.0018
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A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home

Thomas Robson
pp. 120-140
DOI: https://doi.org/10.1353/ths.2012.0024
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Midwest American Rural Landscapes and the Creation of a Unique Theatre Culture, 1870-1940

Richard L. Poole
pp. 141-164
DOI: https://doi.org/10.1353/ths.2012.0029
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Ibsen's Unexpected Triumph: Peer Gynt at the Seattle Repertory Playhouse

Victor Holtcamp
pp. 165-188
DOI: https://doi.org/10.1353/ths.2012.0001
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Stage Money: The Business of the Professional Theater by Tim Donahue and Jim Patterson (review)

Heather A. Beasley
pp. 189-191
DOI: https://doi.org/10.1353/ths.2012.0006
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New Directions in Renaissance Drama and Performance Studies ed. by Sarah Werner (review)

Shawna Mefferd Carroll
pp. 191-194
DOI: https://doi.org/10.1353/ths.2012.0011
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Reading the Plays of Wendy Wasserstein by Jan Balakian (review)

Miriam Chirico
pp. 194-196
DOI: https://doi.org/10.1353/ths.2012.0016
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Cooperation and Conflict: GDR Theatre Censorship, 1961-1989 by Laura Bradley (review)

Stacey Connelly
pp. 197-199
DOI: https://doi.org/10.1353/ths.2012.0022
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Queer Theatre and the Legacy of Cal Yeomans by Robert A. Schanke (review)

James Fisher
pp. 200-202
DOI: https://doi.org/10.1353/ths.2012.0027
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The Empire Actors: Stars of Australasian Costume Drama, 1890s-1920s by Veronica Kelly (review)

Richard Fotheringham
pp. 202-204
DOI: https://doi.org/10.1353/ths.2012.0032
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Holocaust Drama: The Theater of Atrocity by Gene A. Plunka (review)

Elinor Fuchs
pp. 204-207
DOI: https://doi.org/10.1353/ths.2012.0004
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Women on the Stage in Early Modern France, 1540-1750 by Virginia Scott (review)

Pery Gethner
pp. 208-210
DOI: https://doi.org/10.1353/ths.2012.0009
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New Women Dramatists in America, 1890-1920 by Sherry D. Engle, and: American Women Theatre Critics: Biographies and Selected Writings of Twelve Reviewers, 1753-1919 by Alma J. Bennett (review)

Helen Huf
pp. 210-213
DOI: https://doi.org/10.1353/ths.2012.0014
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Enacting History ed. by Scott Magelssen and Rhona Justice-Malloy (review)

Scott R. Irelan
pp. 213-215
DOI: https://doi.org/10.1353/ths.2012.0019
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Historical Dictionary of French Theater by Edward Forman, and: Medieval Roles for Modern Times: Theater and the Battle for the French Republic by Helen Solterer (review)

Felicia Hardison Londré
pp. 215-218
DOI: https://doi.org/10.1353/ths.2012.0025
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Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance by James F. Wilson (review)

Adriene Macki Braconi
pp. 218-221
DOI: https://doi.org/10.1353/ths.2012.0030
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To Broadway, To Life! The Musical Theater of Bock and Harnick by Philip Lambert (review)

Chris M. McCoy
pp. 221-223
DOI: https://doi.org/10.1353/ths.2012.0002
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Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith by Cherise Smith (review)

Mark Seamon
pp. 226-229
DOI: https://doi.org/10.1353/ths.2012.0012
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Shakesqueer: A Queer Companion to the Complete Works of Shakespeare ed. by Madhavi Menon (review)

Chad Allen Thomas
pp. 229-231
DOI: https://doi.org/10.1353/ths.2012.0017
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The Theatre of Empire: Frontier Performances in America, 1750-1860 by Douglas S. Harvey (review)

Aaron M. Tobiason
pp. 232-234
DOI: https://doi.org/10.1353/ths.2012.0023
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Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater by Felicity Nussbaum (review)

Sophie Tomlinson
pp. 234-237
DOI: https://doi.org/10.1353/ths.2012.0028
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Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists by Marla Carlson (review)

Dan Venning
pp. 237-240
DOI: https://doi.org/10.1353/ths.2012.0000
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Representing the Past: Essays in Performance Historiography ed. by Charlotte M. Canning and Thomas Postlewait, and: Theatre Historiography: Critical Interventions ed. by Henry Bial and Scott Magelssen (review)

Gary Jay Wiliams
pp. 240-244
DOI: https://doi.org/10.1353/ths.2012.0005
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The American Stage: Writing on Theater from Washington Irving to Tony Kushner ed. by Laurence Senelick (review)

Don B. Wilmeth
pp. 244-247
DOI: https://doi.org/10.1353/ths.2012.0010
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Illustrations

pp. ix-x
DOI: https://doi.org/10.1353/ths.2012.0020
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The Universe of Oz: Essays on Baum's Series and Its Progeny ed. by Kevin K. Durand and Mary K. Leigh (review)

Katharine M. Rogers
pp. 224-226
DOI: https://doi.org/10.1353/ths.2012.0007
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Books Received

pp. 249-250
DOI: https://doi.org/10.1353/ths.2012.0015
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Contributors

pp. 251-252
DOI: https://doi.org/10.1353/ths.2012.0021
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