1. Company: Keynote Speech from the Thirty-second Mid-America Theatre Conference
  2. Bill Rauch
  3. pp. 1-15
  4. DOI: 10.1353/ths.2012.0026
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  1. Cut the Cow, Cut the Queen: Problems of Cultural Translation
  2. Virginia Scott
  3. pp. 16-32
  4. DOI: 10.1353/ths.2012.0031
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  1. Companies to Keep: Air-Raid Dramas and International Ethical Responsibility in America, 1936-1939
  2. Lisa Jackson-Schebetta
  3. pp. 33-52
  4. DOI: 10.1353/ths.2012.0003
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  1. A Failed Attempt at World Domination: "Advanced Vaudeville," Financial Panic, and the Dream of a World Trust
  2. Marlis Schweitzer
  3. pp. 53-79
  4. DOI: 10.1353/ths.2012.0008
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  1. The Company She Kept: The Radical Activism of Actress Kitty Marion from Piccadilly Circus to Times Square
  2. Christine Woodworth
  3. pp. 80-92
  4. DOI: 10.1353/ths.2012.0013
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  1. "The Picture Postcard is a sign of the times": Theatre Postcards and Modernism
  2. Peny Farfan
  3. pp. 93-119
  4. DOI: 10.1353/ths.2012.0018
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  1. A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home
  2. Thomas Robson
  3. pp. 120-140
  4. DOI: 10.1353/ths.2012.0024
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  1. Midwest American Rural Landscapes and the Creation of a Unique Theatre Culture, 1870-1940
  2. Richard L. Poole
  3. pp. 141-164
  4. DOI: 10.1353/ths.2012.0029
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  1. Ibsen's Unexpected Triumph: Peer Gynt at the Seattle Repertory Playhouse
  2. Victor Holtcamp
  3. pp. 165-188
  4. DOI: 10.1353/ths.2012.0001
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  1. Stage Money: The Business of the Professional Theater by Tim Donahue and Jim Patterson (review)
  2. Heather A. Beasley
  3. pp. 189-191
  4. DOI: 10.1353/ths.2012.0006
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  1. New Directions in Renaissance Drama and Performance Studies ed. by Sarah Werner (review)
  2. Shawna Mefferd Carroll
  3. pp. 191-194
  4. DOI: 10.1353/ths.2012.0011
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  1. Reading the Plays of Wendy Wasserstein by Jan Balakian (review)
  2. Miriam Chirico
  3. pp. 194-196
  4. DOI: 10.1353/ths.2012.0016
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  1. Cooperation and Conflict: GDR Theatre Censorship, 1961-1989 by Laura Bradley (review)
  2. Stacey Connelly
  3. pp. 197-199
  4. DOI: 10.1353/ths.2012.0022
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  1. Queer Theatre and the Legacy of Cal Yeomans by Robert A. Schanke (review)
  2. James Fisher
  3. pp. 200-202
  4. DOI: 10.1353/ths.2012.0027
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  1. The Empire Actors: Stars of Australasian Costume Drama, 1890s-1920s by Veronica Kelly (review)
  2. Richard Fotheringham
  3. pp. 202-204
  4. DOI: 10.1353/ths.2012.0032
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  1. Holocaust Drama: The Theater of Atrocity by Gene A. Plunka (review)
  2. Elinor Fuchs
  3. pp. 204-207
  4. DOI: 10.1353/ths.2012.0004
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  1. Women on the Stage in Early Modern France, 1540-1750 by Virginia Scott (review)
  2. Pery Gethner
  3. pp. 208-210
  4. DOI: 10.1353/ths.2012.0009
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  1. Enacting History ed. by Scott Magelssen and Rhona Justice-Malloy (review)
  2. Scott R. Irelan
  3. pp. 213-215
  4. DOI: 10.1353/ths.2012.0019
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  1. Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance by James F. Wilson (review)
  2. Adriene Macki Braconi
  3. pp. 218-221
  4. DOI: 10.1353/ths.2012.0030
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  1. To Broadway, To Life! The Musical Theater of Bock and Harnick by Philip Lambert (review)
  2. Chris M. McCoy
  3. pp. 221-223
  4. DOI: 10.1353/ths.2012.0002
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  1. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith by Cherise Smith (review)
  2. Mark Seamon
  3. pp. 226-229
  4. DOI: 10.1353/ths.2012.0012
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  1. Shakesqueer: A Queer Companion to the Complete Works of Shakespeare ed. by Madhavi Menon (review)
  2. Chad Allen Thomas
  3. pp. 229-231
  4. DOI: 10.1353/ths.2012.0017
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  1. The Theatre of Empire: Frontier Performances in America, 1750-1860 by Douglas S. Harvey (review)
  2. Aaron M. Tobiason
  3. pp. 232-234
  4. DOI: 10.1353/ths.2012.0023
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  1. Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater by Felicity Nussbaum (review)
  2. Sophie Tomlinson
  3. pp. 234-237
  4. DOI: 10.1353/ths.2012.0028
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  1. Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists by Marla Carlson (review)
  2. Dan Venning
  3. pp. 237-240
  4. DOI: 10.1353/ths.2012.0000
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  1. The American Stage: Writing on Theater from Washington Irving to Tony Kushner ed. by Laurence Senelick (review)
  2. Don B. Wilmeth
  3. pp. 244-247
  4. DOI: 10.1353/ths.2012.0010
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  1. Illustrations
  2. pp. ix-x
  3. DOI: 10.1353/ths.2012.0020
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  1. The Universe of Oz: Essays on Baum's Series and Its Progeny ed. by Kevin K. Durand and Mary K. Leigh (review)
  2. Katharine M. Rogers
  3. pp. 224-226
  4. DOI: 10.1353/ths.2012.0007
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  1. Books Received
  2. pp. 249-250
  3. DOI: 10.1353/ths.2012.0015
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  1. Contributors
  2. pp. 251-252
  3. DOI: 10.1353/ths.2012.0021
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