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In this Issue

Table of Contents

  1. The Last Regionalist? An Interview with Ernest J. Gaines
  2. Ernest J. Gaines, Rose Anne Brister
  3. pp. 549-564
  4. DOI: https://doi.org/10.1353/cal.2003.0087
  5. restricted access
  1. Grease
  2. Kamau Brathwaite
  3. pp. 565-576
  4. DOI: https://doi.org/10.1353/cal.2003.0070
  5. restricted access
  1. Speakeasy
  2. Kevin Young
  3. pp. 577-579
  4. DOI: https://doi.org/10.1353/cal.2003.0108
  5. restricted access
  1. The Chanteuse
  2. Kevin Young
  3. pp. 580-581
  4. DOI: https://doi.org/10.1353/cal.2003.0109
  5. restricted access
  1. The Frame
  2. Kevin Young
  3. pp. 582-583
  4. DOI: https://doi.org/10.1353/cal.2003.0110
  5. restricted access
  1. Stills
  2. Kevin Young
  3. p. 584
  4. DOI: https://doi.org/10.1353/cal.2003.0111
  5. restricted access
  1. The Game
  2. Kevin Young
  3. pp. 585-586
  4. DOI: https://doi.org/10.1353/cal.2003.0112
  5. restricted access
  1. The Gamble
  2. Kevin Young
  3. pp. 587-589
  4. DOI: https://doi.org/10.1353/cal.2003.0113
  5. restricted access
  1. Monticello
  2. Vesper Osborne
  3. pp. 590-592
  4. DOI: https://doi.org/10.1353/cal.2003.0101
  5. restricted access
  1. The Sublime
  2. Anthony Butts
  3. p. 593
  4. DOI: https://doi.org/10.1353/cal.2003.0079
  5. restricted access
  1. Wilderness
  2. Anthony Butts
  3. p. 594
  4. DOI: https://doi.org/10.1353/cal.2003.0080
  5. restricted access
  1. I Got Somebody in Staunton
  2. William Henry Lewis
  3. pp. 595-606
  4. DOI: https://doi.org/10.1353/cal.2003.0097
  5. restricted access
  1. Dub and Difference: A Conversation with Jean "Binta" Breeze
  2. Jean Breeze, Jenny Sharpe
  3. pp. 607-613
  4. DOI: https://doi.org/10.1353/cal.2003.0072
  5. restricted access
  1. Fire and Ink: Toward a Quest for Language, History, and a Moral Imagination
  2. Thomas Glave
  3. pp. 614-621
  4. DOI: https://doi.org/10.1353/cal.2003.0088
  5. restricted access
  1. Margie
  2. Yvonne Latty
  3. pp. 622-628
  4. DOI: https://doi.org/10.1353/cal.2003.0095
  5. restricted access
  1. Tennis Match
  2. Curtis L. Crisler
  3. p. 629
  4. DOI: https://doi.org/10.1353/cal.2003.0084
  5. restricted access
  1. Emmett, I Said Wait
  2. Vievee Francis
  3. pp. 630-634
  4. DOI: https://doi.org/10.1353/cal.2003.0085
  5. restricted access
  1. What Saves Us: An Interview with Wanda Coleman
  2. Wanda Coleman, Priscilla Ann Brown
  3. pp. 635-661
  4. DOI: https://doi.org/10.1353/cal.2003.0082
  5. restricted access
  1. Clay, 1932
  2. Patrick Lohier
  3. pp. 662-669
  4. DOI: https://doi.org/10.1353/cal.2003.0098
  5. restricted access
  1. Howard Arthur Tibbs, 1919-1986: A Tuskegee Airman's Story in Pictures
  2. Mitchell B. Lerner
  3. pp. 670-690
  4. DOI: https://doi.org/10.1353/cal.2003.0096
  5. restricted access
  1. Open
  2. Jericho Brown
  3. p. 691
  4. DOI: https://doi.org/10.1353/cal.2003.0074
  5. restricted access
  1. Grip
  2. Jericho Brown
  3. p. 692
  4. DOI: https://doi.org/10.1353/cal.2003.0075
  5. restricted access
  1. Like Father
  2. Jericho Brown
  3. p. 693
  4. DOI: https://doi.org/10.1353/cal.2003.0076
  5. restricted access
  1. Letter to Kermit from the Swamp
  2. Jericho Brown
  3. p. 694
  4. DOI: https://doi.org/10.1353/cal.2003.0077
  5. restricted access
  1. Reasoning with Professor Robert A. Hill
  2. Robert A. Hill, Lindsey Herbert
  3. pp. 695-706
  4. DOI: https://doi.org/10.1353/cal.2003.0089
  5. restricted access
  1. Revelation
  2. Christopher Abani
  3. p. 707
  4. DOI: https://doi.org/10.1353/cal.2003.0068
  5. restricted access
  1. Strange Fruit
  2. Christopher Abani
  3. p. 708
  4. DOI: https://doi.org/10.1353/cal.2003.0069
  5. restricted access
  1. from The Storyteller's Art: A Literary Conversation
  2. Lucille Jones, Gayl Jones
  3. pp. 709-719
  4. DOI: https://doi.org/10.1353/cal.2003.0091
  5. restricted access
  1. from Stop Dat Moda: A Canvas of Colors or Elevating the Culture
  2. Gayl Jones
  3. pp. 720-728
  4. DOI: https://doi.org/10.1353/cal.2003.0090
  5. restricted access
  1. The Glass Eater
  2. Daniel J. Wideman
  3. pp. 729-730
  4. DOI: https://doi.org/10.1353/cal.2003.0107
  5. restricted access
  1. W.E.B. Du Bois and the Dandy as Diasporic Race Man
  2. Monica L. Miller
  3. pp. 738-765
  4. DOI: https://doi.org/10.1353/cal.2003.0099
  5. restricted access
  1. Freudian Knot or Gordian Knot? The Contradictions of Racialized Masculinity in Chester Himes' If He Hollers Let Him Go
  2. Christopher Breu
  3. pp. 766-795
  4. DOI: https://doi.org/10.1353/cal.2003.0073
  5. restricted access
  1. Flaying Dutchman: Masochism, Minstrelsy, and the Gender Politics of Amiri Baraka's Dutchman
  2. Matthew Rebhorn
  3. pp. 796-812
  4. DOI: https://doi.org/10.1353/cal.2003.0102
  5. restricted access
  1. Visuality and Black Masculinity in Ralph Ellison's Invisible Man and Romare Bearden's Photomontages
  2. Kimberly Lamm
  3. pp. 813-835
  4. DOI: https://doi.org/10.1353/cal.2003.0094
  5. restricted access
  1. To Love and Be Loved: Considering Black Masculinity and the Misandric Impulse in Toni Morrison's Beloved
  2. Nancy Kang
  3. pp. 836-854
  4. DOI: https://doi.org/10.1353/cal.2003.0092
  5. restricted access
  1. "Will the big boys finally love you": The Impossibility of Black Male Homoerotic Desire and the Taboo of Black Homosexual Solidarity in Thomas Glave's "Whose Song?"
  2. Eva Tettenborn
  3. pp. 855-866
  4. DOI: https://doi.org/10.1353/cal.2003.0105
  5. restricted access
  1. Trans-American Constructions of Black Masculinity: Dany Laferriere, le Negre, and the Late Capitalist American Racial machine-desirante
  2. Jana Evans Braziel
  3. pp. 867-900
  4. DOI: https://doi.org/10.1353/cal.2003.0071
  5. restricted access
  1. Remembering Jim Crow: African Americans Tell About Life in the Segregated South (review)
  2. Anushiya Sivanarayanan
  3. pp. 901-906
  4. DOI: https://doi.org/10.1353/cal.2003.0103
  5. restricted access
  1. Black Gay Man: Essays (review)
  2. Mark Anthony Neal
  3. pp. 906-908
  4. DOI: https://doi.org/10.1353/cal.2003.0100
  5. restricted access
  1. Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent (review)
  2. Mason Boyd Stokes
  3. pp. 908-913
  4. DOI: https://doi.org/10.1353/cal.2003.0104
  5. restricted access
  1. At the Full and Change of the Moon (review)
  2. Salamishah Tillet
  3. pp. 913-917
  4. DOI: https://doi.org/10.1353/cal.2003.0106
  5. restricted access
  1. Chewed Water (review)
  2. Meredith Gadsby
  3. pp. 917-920
  4. DOI: https://doi.org/10.1353/cal.2003.0086
  5. restricted access
  1. Impossible Witness: Truth, Abolitionism, and Slave Testimony (review)
  2. Sandra A. Zagarell
  3. pp. 920-923
  4. DOI: https://doi.org/10.1353/cal.2003.0114
  5. restricted access
  1. Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949 (review)
  2. Kara Keeling
  3. pp. 923-926
  4. DOI: https://doi.org/10.1353/cal.2003.0093
  5. restricted access
  1. Calls for Papers
  3. pp. 932-934
  4. DOI: https://doi.org/10.1353/cal.2003.0081
  5. restricted access
  1. Melodramas of Beset Black Manhood? Meditations on African-American Masculinity as Scholarly Topos and Social Menace: An Introduction
  2. Stephanie Brown, Keith Clark
  3. pp. 732-737
  4. DOI: https://doi.org/10.1353/cal.2003.0078
  5. restricted access
  1. Contributors
  3. pp. 927-931
  4. DOI: https://doi.org/10.1353/cal.2003.0083
  5. restricted access