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In this Issue

Table of Contents

  1. Editors’ Page
  2. Matthew Cooperman
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/col.2012.0082
  5. restricted access
  1. Ghosts
  2. Matthew Shaer
  3. pp. 3-20
  4. DOI: https://doi.org/10.1353/col.2012.0102
  5. restricted access
  1. Hard Things
  2. Elise Juska
  3. pp. 21-38
  4. DOI: https://doi.org/10.1353/col.2012.0122
  5. restricted access
  1. The Art of Knotting and Splicing
  2. Erin Kasdin
  3. pp. 39-54
  4. DOI: https://doi.org/10.1353/col.2012.0014
  5. restricted access
  1. Tough Little Wife
  2. Edward Porter
  3. pp. 55-69
  4. DOI: https://doi.org/10.1353/col.2012.0034
  5. restricted access
  1. The Tree, The Forest
  2. Judith Adkins
  3. pp. 70-84
  4. DOI: https://doi.org/10.1353/col.2012.0054
  5. restricted access
  1. Strange Travelers
  2. Bill Capossere
  3. pp. 85-111
  4. DOI: https://doi.org/10.1353/col.2012.0074
  5. restricted access
  1. Pueblo, Christmas Dance
  2. Peter Balakian
  3. pp. 112-113
  4. DOI: https://doi.org/10.1353/col.2012.0094
  5. restricted access
  1. Portrait Without a Face
  2. Hadara Bar-Nadav
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/col.2012.0114
  5. restricted access
  1. From “The Tranquilized Tongue”
  2. Eric Baus
  3. pp. 116-117
  4. DOI: https://doi.org/10.1353/col.2012.0006
  5. restricted access
  1. Sheer; and: Cheetah
  2. Calvin Bedient
  3. pp. 118-119
  4. DOI: https://doi.org/10.1353/col.2012.0026
  5. restricted access
  1. Passim / An Admonition
  2. Victoria Brockmeier
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/col.2012.0046
  5. restricted access
  1. Description Where It Wasn’t
  2. Logan Burns
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/col.2012.0066
  5. restricted access
  1. [I Used to My Father Used to I Used to Sit in a Living Room with My]
  2. Victoria Chang
  3. p. 125
  4. DOI: https://doi.org/10.1353/col.2012.0086
  5. restricted access
  1. Road, and: Nocturnal
  2. Maxine Chernoff
  3. pp. 126-127
  4. DOI: https://doi.org/10.1353/col.2012.0106
  5. restricted access
  1. Condensation Cube
  2. Adam Day
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/col.2012.0126
  5. restricted access
  1. 402nd Thing I Found, and: 449th Thing I Found, and: 609th Thing I Found
  2. Eric Ellingsen
  3. pp. 130-134
  4. DOI: https://doi.org/10.1353/col.2012.0018
  5. restricted access
  1. The Miracles of Grand Pellum Island, and: A Field Sonata
  2. Sara Gelston
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/col.2012.0038
  5. restricted access
  1. It Was a Church Then, and: The Vowels Feel Like Sunrays …
  2. Endi Bogue Hartigan
  3. pp. 137-139
  4. DOI: https://doi.org/10.1353/col.2012.0058
  5. restricted access
  1. Things Where Things are Not
  2. Alec Hershman
  3. p. 140
  4. DOI: https://doi.org/10.1353/col.2012.0078
  5. restricted access
  1. In the Belly of the Beast
  2. John Fenlon Hogan
  3. p. 141
  4. DOI: https://doi.org/10.1353/col.2012.0098
  5. restricted access
  1. Rete Mirabile
  2. Joan Naviyuk Kane
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/col.2012.0118
  5. restricted access
  1. St. Louis, and: The Spaniards
  2. L. S. Klatt
  3. pp. 144-145
  4. DOI: https://doi.org/10.1353/col.2012.0010
  5. restricted access
  1. Beneath Skin
  2. Matthew Brady Klitsch
  3. p. 146
  4. DOI: https://doi.org/10.1353/col.2012.0030
  5. restricted access
  1. Scutellaria
  2. James Henry Knippen
  3. p. 147
  4. DOI: https://doi.org/10.1353/col.2012.0050
  5. restricted access
  1. Misericordia, and: Slow Cloud, and: Peelers
  2. Alex Lemon
  3. pp. 148-150
  4. DOI: https://doi.org/10.1353/col.2012.0070
  5. restricted access
  1. From “The Landscapes Were in My Arms”
  2. Sara Renee Marshall
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/col.2012.0090
  5. restricted access
  1. Another Pastoral A
  2. Aaron McCollough
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/col.2012.0110
  5. restricted access
  1. Youtube: Dog Eating a Human Leg on the Ganges
  2. Emilia Phillips
  3. p. 155
  4. DOI: https://doi.org/10.1353/col.2012.0003
  5. restricted access
  1. Empire
  2. Daniel Poppick
  3. p. 156
  4. DOI: https://doi.org/10.1353/col.2012.0023
  5. restricted access
  1. Afterwards
  2. Matt Reeck
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/col.2012.0043
  5. restricted access
  1. From “We: A Passivity”
  2. Tim Roberts
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/col.2012.0063
  5. restricted access
  1. Alpinist! Are We on Chairs? Do We have Stinging Knees?, and: Diaghilev
  2. Tomaž Šalamun, Michael Thomas Taren
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/col.2012.0083
  5. restricted access
  1. Attempts at Divination, and: North Triptych
  2. Siobhán Scarry
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/col.2012.0103
  5. restricted access
  1. Frozen Tracks, and: Winter
  2. Jonathan Skinner
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/col.2012.0123
  5. restricted access
  1. From “After”
  2. Chad Sweeney
  3. pp. 168-170
  4. DOI: https://doi.org/10.1353/col.2012.0015
  5. restricted access
  1. Rua Do Pardieiro/Monsanto
  2. John Taggart
  3. p. 171
  4. DOI: https://doi.org/10.1353/col.2012.0035
  5. restricted access
  1. Missing
  2. Angela Narciso Torres
  3. p. 172
  4. DOI: https://doi.org/10.1353/col.2012.0055
  5. restricted access
  1. This World is Only Going to Break Your Heart
  2. Corey Van Landingham
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/col.2012.0075
  5. restricted access
  1. From “The Vyvanse Triolets”, and: From “The Vyvanse Triolets”
  2. Joseph Wood
  3. pp. 175-176
  4. DOI: https://doi.org/10.1353/col.2012.0095
  5. restricted access
  1. Moth-Eaten Tapestry with Cigarette Burns
  2. John Yau
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/col.2012.0115
  5. restricted access
  1. The Greatest Show by Michael Downs (review)
  2. Jennifer Wisner Kelly
  3. pp. 179-182
  4. DOI: https://doi.org/10.1353/col.2012.0007
  5. restricted access
  1. Cataclysm Baby by Matt Bell (review)
  2. Peter Kispert
  3. pp. 182-184
  4. DOI: https://doi.org/10.1353/col.2012.0027
  5. restricted access
  1. The Book of What Stays by James Crews (review)
  2. Michael Martin Shea
  3. pp. 184-187
  4. DOI: https://doi.org/10.1353/col.2012.0047
  5. restricted access
  1. Three Novels by Elizabeth Robinson (review)
  2. Jacqueline Lyons
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/col.2012.0067
  5. restricted access
  1. To Be Human is to Be a Conversation by Andrea Rexilius (review)
  2. Adam Day
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/col.2012.0087
  5. restricted access
  1. (T)ravel/Un(T)ravel by Neil Shepard (review)
  2. Nick Ripatrazone
  3. pp. 192-195
  4. DOI: https://doi.org/10.1353/col.2012.0107
  5. restricted access
  1. Contributor Notes
  3. pp. 196-201
  4. DOI: https://doi.org/10.1353/col.2012.0127
  5. restricted access