1. Editor’s Note
  2. Scott Magelssen
  3. pp. 1-3
  4. DOI: 10.1353/dtc.2010.0006
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  1. The Living Theatre: A Brief History of a Bodily Metaphor
  2. Sarah Bay-Cheng, Amy Strahler Holzapfel
  3. pp. 9-27
  4. DOI: 10.1353/dtc.2010.0009
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  1. Parable to Paradigm to Ideology: Thinking through (the Jesuit) Theatre
  2. William Daddario
  3. pp. 29-40
  4. DOI: 10.1353/dtc.2010.0012
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  1. Criticism as a Creative Act
  2. Dean Wilcox
  3. pp. 41-54
  4. DOI: 10.1353/dtc.2010.0014
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  1. Postdramatic Greek Tragedy
  2. Peter A. Campbell
  3. pp. 55-74
  4. DOI: 10.1353/dtc.2010.0017
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  1. Drama and Pornography: Sarah Daniels’s Masterpieces and Anthony Neilson’s The Censor
  2. Luc Gilleman
  3. pp. 75-97
  4. DOI: 10.1353/dtc.2010.0002
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  1. The Elusive Object and the Fading Craft of Theatre Criticism: A Conversation with Gordon Rogoff
  2. Bert Cardullo
  3. pp. 99-108
  4. DOI: 10.1353/dtc.2010.0005
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  1. The “Kane” Mark: A Dual Construct
  2. Yael Zarhy-Levo
  3. pp. 109-127
  4. DOI: 10.1353/dtc.2010.0008
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