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Table of Contents

  1. Editor’s Note
  2. Iris Smith Fischer
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/dtc.2010.0011
  5. restricted access
  1. The Post-Oedipal Father and The Master Builder
  2. Magdalen Wing-chi Ki
  3. pp. 9-30
  4. DOI: https://doi.org/10.1353/dtc.2010.0016
  5. restricted access
  1. Intermediality and Theatre: Wendy Wasserstein’s The Heidi Chronicles
  2. Scott Pound
  3. pp. 31-48
  4. DOI: https://doi.org/10.1353/dtc.2010.0001
  5. restricted access
  1. Haptic Spectatorship and the Political Life of Cruelty, or, Antonin Artaud “Signaling Through the Flames”
  2. R. D. Crano
  3. pp. 49-68
  4. DOI: https://doi.org/10.1353/dtc.2010.0004
  5. restricted access
  1. Mac Wellman and the Language Poets: Chaos Writing and the General Economy of Language
  2. Keith Appler
  3. pp. 69-90
  4. DOI: https://doi.org/10.1353/dtc.2010.0007
  5. restricted access
  1. Prosthetic Intimacies: Television, Performance Studies, and the Makings of (a) Life
  2. Nick Salvato
  3. pp. 97-116
  4. DOI: https://doi.org/10.1353/dtc.2010.0013
  5. restricted access
  1. At a Loss for Words: Televisual Liveness and Corporeal Interruption
  2. Alla Gadassik
  3. pp. 117-134
  4. DOI: https://doi.org/10.1353/dtc.2010.0015
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  1. Historionics: Neither Here Nor There with Historical Reality TV
  2. Michelle Liu Carriger
  3. pp. 135-149
  4. DOI: https://doi.org/10.1353/dtc.2010.0000
  5. restricted access
  1. The Path to 9/11 vs. Stuff Happens: Media and Political Efficacy in the War on Terror
  2. Jay M. Gipson-King
  3. pp. 151-168
  4. DOI: https://doi.org/10.1353/dtc.2010.0003
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  1. Introduction: “As Seen on TV”
  2. Brian Herrera, Henry Bial
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/dtc.2010.0010
  5. restricted access