1. Le Pas de côté de la flanc-garde : La Nouvelle Revue française
  2. Michel Lacroix
  3. pp. 9-25
  4. DOI: 10.1353/esp.2013.0034
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  1. Raymond Roussel, trésors antiques dans un cadre design
  2. Sjef Houppermans
  3. pp. 26-36
  4. DOI: 10.1353/esp.2013.0036
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  1. « Les Regards envoyés dehors » : Roch Grey, une poétique moderniste du déplacement
  2. Anne Reverseau
  3. pp. 37-49
  4. DOI: 10.1353/esp.2013.0038
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  1. L’Avant-gardisme aristocratique de Valentine de Saint-Point
  2. David Martens, Andrea Oberhuber
  3. pp. 50-63
  4. DOI: 10.1353/esp.2013.0028
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  1. A History of Aristocracies: Old and New Avant-Gardisms in Poggioli and Marinetti
  2. Sascha Bru, Bart Van den Bossche
  3. pp. 64-78
  4. DOI: 10.1353/esp.2013.0030
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  1. Dada, Surrealism, Antropofagia: The Consuming Process of the Avant-gardes
  2. Virginie Pouzet-Duzer
  3. pp. 79-90
  4. DOI: 10.1353/esp.2013.0031
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  1. Drame du constructeur : Michaux lecteur de Poe
  2. Thangam Ravindranathan
  3. pp. 91-103
  4. DOI: 10.1353/esp.2013.0033
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  1. Georges Bataille’s Classical Modernism
  2. Michèle Richman
  3. pp. 104-116
  4. DOI: 10.1353/esp.2013.0035
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  1. Artaud, l’hérétique
  2. Maxime Philippe
  3. pp. 117-128
  4. DOI: 10.1353/esp.2013.0037
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  1. Surrealism’s Secret Societies
  2. Jason Earle
  3. pp. 129-142
  4. DOI: 10.1353/esp.2013.0027
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  1. Changing Perspectives: Studies on Racine in Honor of John Campbell ed. by Angus J. Kennedy and Ronald W. Tobin (review)
  2. Roland Racevskis
  3. pp. 143-144
  4. DOI: 10.1353/esp.2013.0029
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  1. Introduction: Beyond the Novelty Effect
  2. Jan Baetens, Éric Trudel
  3. pp. 1-8
  4. DOI: 10.1353/esp.2013.0032
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