1. I Hear, Therefore I Know: Post-Dictatorial Traumatic Expression and Death and the Maiden
  2. Paul B. Miller
  3. pp. 121-140
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  1. Stranger in a Strange Land: Self-Creation and Self-Exile in Vanessa Davis’s Make Me a Woman
  2. Tahneer Oksman
  3. pp. 141-166
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  1. Larry David’s “Dark Talmud”; or Kafka in Prime Time
  2. Roberta Rosenberg
  3. pp. 167-185
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  1. Do You Just Love Philip Roth?
  2. Brett Ashley Kaplan
  3. pp. 187-191
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  1. The Philip Roth Bus Tour
  2. Dean Franco
  3. pp. 191-195
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  1. From Mount Meru to Newark: Teaching Philip Roth on the U.S.-Mexico Border
  2. Ezra Cappell
  3. pp. 197-201
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  1. Roth’s Daughters
  2. Rachel Rubinstein
  3. pp. 201-205
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  1. Why It’s Impossible to Teach Portnoy’s Complaint
  2. Benjamin Schreier
  3. pp. 205-207
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  1. “They been full (w)roth(e) al day, as men may see”; or, Contiguous Roth
  2. Adam Zachary Newton
  3. pp. 208-212
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  1. American Hebrew Literature: Writing Jewish National Identity in the United States by Michael Weingrad (review)
  2. Omri Asscher
  3. pp. 218-221
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  1. Collected Writings: Poems, Stories and Essays on the Canadian Jewish Immigrant Experience 1919 by Joseph J. Goodman (review)
  2. Emily Robins Sharpe
  3. pp. 222-224
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  1. Identity Papers: Contemporary Narratives of American Jewishness by Helene Meyers (review)
  2. Giulia Miller
  3. pp. 225-227
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  1. The Major Phases of Philip Roth by David Gooblar (review)
  2. Loren Glass
  3. pp. 228-231
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  1. Contributors
  2. pp. v-vii
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  1. Editor’s Introduction
  2. Benjamin Schreier
  3. pp. 119-120
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  1. Introduction
  2. Benjamin Schreier
  3. pp. 186-187
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  1. Introduction
  2. Dean Franco
  3. p. 196
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  1. Jewish Studies: A Theoretical Introduction by Andrew Bush (review)
  2. Alan F. Benjamin
  3. pp. 213-217
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