1. Missing Links: Genre, Evolution, and Jack London’s Before Adam
  2. Rachael L. Nichols
  3. pp. 6-20
  4. DOI: 10.1353/san.2013.0006
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  1. American Crossroads: London, McCarthy, and Apocalyptic Naturalism
  2. Michael J. Martin
  3. pp. 21-37
  4. DOI: 10.1353/san.2013.0008
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  1. Cormac McCarthy’s The Road and “a world to come”
  2. Bill Hardwig
  3. pp. 38-51
  4. DOI: 10.1353/san.2013.0010
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  1. Running High on Feeling: Emotional Ecologies in Sister Carrie, Robert Park, and China Miéville
  2. Kevin Modestino
  3. pp. 52-78
  4. DOI: 10.1353/san.2013.0012
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  1. Necessary Interventions in the Face of Very Curious Compulsions: Octavia Butler’s Naturalist Science Fiction
  2. Mary E. Papke
  3. pp. 79-92
  4. DOI: 10.1353/san.2013.0001
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  1. Cyberpunk as Naturalist Science Fiction
  2. Christophe Den Tandt
  3. pp. 93-108
  4. DOI: 10.1353/san.2013.0003
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  1. The Editing of American Literature, 1890–1930: Essays and Reviews by Donald Pizer (review)
  2. Roark Mulligan
  3. pp. 109-112
  4. DOI: 10.1353/san.2013.0005
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  1. Claims and Speculations: Mining and Writing in the Gilded Age by Janet Floyd (review)
  2. Michael Winetsky
  3. pp. 115-117
  4. DOI: 10.1353/san.2013.0009
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  1. American Literature on Stage and Screen: 525 Works and their Adaptations by Thomas S. Hischak (review)
  2. Nicole Richter
  3. pp. 117-119
  4. DOI: 10.1353/san.2013.0011
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  1. The Oxford Book of American Short Stories ed. by Joyce Carol Oates (review)
  2. Carolyn Stoermer
  3. p. 120
  4. DOI: 10.1353/san.2013.0000
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  1. Introduction: Naturalism and Science Fiction
  2. Eric Carl Link
  3. pp. 1-5
  4. DOI: 10.1353/san.2013.0004
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  1. Contributors
  2. pp. 121-123
  3. DOI: 10.1353/san.2013.0002
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