From: Music and Letters

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  Volume 94, Number 2, May 2013

Table of Contents

Articles

Some Notes on the Life of Jacob Cervetto

pp. 207-236
Michael Talbot
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Sound and Sensibility in Diderot’s ‘Le Neveu de Rameau'

pp. 237-262
Scott M. Sanders
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Romantic Empowerment at the Paris Opera in the 1770s and 1780s

pp. 263-294
Michael Fend
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Normality and Emplotment: Walter Leigh’s ‘Midsummer Night’s Dream’ in the Third Reich and Britain

pp. 295-323
Thomas Irvine
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Review Article

Soundtracks to the ‘People’s War'

pp. 324-333
Kate Guthrie
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Reviews

Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut by Judith A. Peraino (review)

pp. 334-337
Henry Hope
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Tomás Luis de Victoria y la cultura musical en la España de Filipe III ed. by Alfonso de Vicente and Pilar Tomás (review)

pp. 337-339
Owen Rees
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Pure Gold: Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner ed. by Knighton and Bernadette Nelson (review)

pp. 339-341
Walter Aaron Clark
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Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples by Anthony R. DelDonna (review)

pp. 341-344
Zoey M. Cochran
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‘...über jeden Ausdruck erhaben und schön’: Die Schweizer Reise der Familie Mendelssohn 1822 ed. by Hans-Günter Klein (review)

pp. 344-346
Benedict Taylor
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Le Concours du Prix de Rome de musique (1803–1968) ed. by Julia Lu and Alexandre Dratwicki (review)

pp. 346-349
Richard Langham Smith
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Rethinking Hanslick: Music, Formalism, and Expression ed. by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx (review)

pp. 349-352
Matthew Pritchard
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Jean Sibelius and his World ed. by Daniel M. Grimley (review)

pp. 352-354
Derek B. Scott
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Až k hořkému konci: Pražské německé divadlo 1845–1945 by Jitka Ludvová (review)

pp. 354-357
John Tyrrell
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‘Divadlo nesmí býti lidu komedií’: Leoš Janácek a Národní divadlo v Brne / ‘Theatre music not be comedy for the people’: Leoš Janácek and the National Theatre in Brno by Jiri Zahrádka (review)

pp. 357-358
Nigel Simeone
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Berg’s Wozzeck by Patricia Hall (review)

pp. 358-360
Nick Chadwick
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Charles E. Ives, Symphony No. 4 ed. by William Brooks et al., and: Charles Ives Society Performance Edition, 2011 ed. by Thomas M. Brodhead (review)

pp. 360-362
Peter Dickinson
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Dear Dorothy: Letters from Nicolas Slonimsky to Dorothy Adlow ed. by Electra Slonimsky Yourke (review)

pp. 363-364
Peter Dickinson
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Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores by Peter Franklin (review)

pp. 365-367
Catherine Haworth
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Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)

pp. 367-370
Naomi Graber
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Metal Rules the Globe: Heavy Metal Music around the World ed. by Jeremy Wallach, Harris M. Berger, and Paul D. Greene (review)

pp. 370-372
Gerd Bayer
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Bytes and Backbeats: Repurposing Music in the Digital Age by Steve Savage (review)

pp. 372-375
Roddy Hawkins
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Music and Ethics by Marcel Cobussen and Nanette Nielsen (review)

pp. 375-377
Anthony Gritten
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‘Music & Letters’ Awards

p. 379
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Authors of Articles in This Issue

p. 379
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Books Received

pp. 380-381
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