Project MUSE - Music and Letters-Volume 94, Number 2, May 2013

Some Notes on the Life of Jacob Cervetto

pp. 207-236

Michael Talbot

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Sound and Sensibility in Diderot’s ‘Le Neveu de Rameau'

pp. 237-262

Scott M. Sanders

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Romantic Empowerment at the Paris Opera in the 1770s and 1780s

pp. 263-294

Michael Fend

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Normality and Emplotment: Walter Leigh’s ‘Midsummer Night’s Dream’ in the Third Reich and Britain

pp. 295-323

Thomas Irvine

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Soundtracks to the ‘People’s War'

pp. 324-333

Kate Guthrie

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Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut by Judith A. Peraino (review)

pp. 334-337

Henry Hope

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Tomás Luis de Victoria y la cultura musical en la España de Filipe III ed. by Alfonso de Vicente and Pilar Tomás (review)

pp. 337-339

Owen Rees

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Pure Gold: Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner ed. by Knighton and Bernadette Nelson (review)

pp. 339-341

Walter Aaron Clark

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Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples by Anthony R. DelDonna (review)

pp. 341-344

Zoey M. Cochran

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‘...über jeden Ausdruck erhaben und schön’: Die Schweizer Reise der Familie Mendelssohn 1822 ed. by Hans-Günter Klein (review)

pp. 344-346

Benedict Taylor

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Le Concours du Prix de Rome de musique (1803–1968) ed. by Julia Lu and Alexandre Dratwicki (review)

pp. 346-349

Richard Langham Smith

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Rethinking Hanslick: Music, Formalism, and Expression ed. by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx (review)

pp. 349-352

Matthew Pritchard

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Jean Sibelius and his World ed. by Daniel M. Grimley (review)

pp. 352-354

Derek B. Scott

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Až k hořkému konci: Pražské německé divadlo 1845–1945 by Jitka Ludvová (review)

pp. 354-357

John Tyrrell

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‘Divadlo nesmí býti lidu komedií’: Leoš Janácek a Národní divadlo v Brne / ‘Theatre music not be comedy for the people’: Leoš Janácek and the National Theatre in Brno by Jiri Zahrádka (review)

pp. 357-358

Nigel Simeone

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Berg’s Wozzeck by Patricia Hall (review)

pp. 358-360

Nick Chadwick

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Charles E. Ives, Symphony No. 4 ed. by William Brooks et al., and: Charles Ives Society Performance Edition, 2011 ed. by Thomas M. Brodhead (review)

pp. 360-362

Peter Dickinson

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Dear Dorothy: Letters from Nicolas Slonimsky to Dorothy Adlow ed. by Electra Slonimsky Yourke (review)

pp. 363-364

Peter Dickinson

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Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores by Peter Franklin (review)

pp. 365-367

Catherine Haworth

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Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)

pp. 367-370

Naomi Graber

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Metal Rules the Globe: Heavy Metal Music around the World ed. by Jeremy Wallach, Harris M. Berger, and Paul D. Greene (review)

pp. 370-372

Gerd Bayer

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Bytes and Backbeats: Repurposing Music in the Digital Age by Steve Savage (review)

pp. 372-375

Roddy Hawkins

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Music and Ethics by Marcel Cobussen and Nanette Nielsen (review)

pp. 375-377

Anthony Gritten

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‘Music & Letters’ Awards

p. 379

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Authors of Articles in This Issue

p. 379

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Books Received

pp. 380-381

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Volume 94, Number 2, May 2013

Table of Contents

Articles

Some Notes on the Life of Jacob Cervetto

Sound and Sensibility in Diderot’s ‘Le Neveu de Rameau'

Romantic Empowerment at the Paris Opera in the 1770s and 1780s

Normality and Emplotment: Walter Leigh’s ‘Midsummer Night’s Dream’ in the Third Reich and Britain

Review Article

Soundtracks to the ‘People’s War'

Reviews

Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut by Judith A. Peraino (review)

Tomás Luis de Victoria y la cultura musical en la España de Filipe III ed. by Alfonso de Vicente and Pilar Tomás (review)

Pure Gold: Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner ed. by Knighton and Bernadette Nelson (review)

Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples by Anthony R. DelDonna (review)

‘...über jeden Ausdruck erhaben und schön’: Die Schweizer Reise der Familie Mendelssohn 1822 ed. by Hans-Günter Klein (review)

Le Concours du Prix de Rome de musique (1803–1968) ed. by Julia Lu and Alexandre Dratwicki (review)

Rethinking Hanslick: Music, Formalism, and Expression ed. by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx (review)

Jean Sibelius and his World ed. by Daniel M. Grimley (review)

Až k hořkému konci: Pražské německé divadlo 1845–1945 by Jitka Ludvová (review)

‘Divadlo nesmí býti lidu komedií’: Leoš Janácek a Národní divadlo v Brne / ‘Theatre music not be comedy for the people’: Leoš Janácek and the National Theatre in Brno by Jiri Zahrádka (review)

Berg’s Wozzeck by Patricia Hall (review)

Charles E. Ives, Symphony No. 4 ed. by William Brooks et al., and: Charles Ives Society Performance Edition, 2011 ed. by Thomas M. Brodhead (review)

Dear Dorothy: Letters from Nicolas Slonimsky to Dorothy Adlow ed. by Electra Slonimsky Yourke (review)

Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores by Peter Franklin (review)

Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)

Metal Rules the Globe: Heavy Metal Music around the World ed. by Jeremy Wallach, Harris M. Berger, and Paul D. Greene (review)

Bytes and Backbeats: Repurposing Music in the Digital Age by Steve Savage (review)

Music and Ethics by Marcel Cobussen and Nanette Nielsen (review)

‘Music & Letters’ Awards

Authors of Articles in This Issue

Books Received

Research Areas

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