1. Verdi at 200: Recent Scholarship on the Composer and His Works
  2. Linda B. Fairtile
  3. pp. 9-36
  4. DOI: 10.1353/not.2013.0113
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  1. “A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music
  2. Anna E. Kijas
  3. pp. 37-58
  4. DOI: 10.1353/not.2013.0121
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  1. “Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock
  2. Joseph M. Turrini
  3. pp. 59-77
  4. DOI: 10.1353/not.2013.0129
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  1. Notes for Notes
  2. pp. 78-86
  3. DOI: 10.1353/not.2013.0089
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Book Reviews

Stage

  1. The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)
  2. Kimberly White
  3. pp. 87-89
  4. DOI: 10.1353/not.2013.0096
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  1. The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)
  2. Emma Adlard
  3. pp. 89-91
  4. DOI: 10.1353/not.2013.0103
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  1. From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)
  2. Gregory Camp
  3. pp. 91-93
  4. DOI: 10.1353/not.2013.0110
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Musica Britannica

  1. An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)
  2. Joseph Sargent
  3. pp. 93-96
  4. DOI: 10.1353/not.2013.0118
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Latin America and Asia

  1. Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)
  2. Robert L. Kendrick
  3. pp. 98-100
  4. DOI: 10.1353/not.2013.0086
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  1. Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)
  2. Catherine Gauthier-Mercier
  3. pp. 100-102
  4. DOI: 10.1353/not.2013.0093
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  1. Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)
  2. Ruth Mueller
  3. pp. 103-104
  4. DOI: 10.1353/not.2013.0100
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Man and Media

  1. Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)
  2. Enoch Jacobus
  3. pp. 104-107
  4. DOI: 10.1353/not.2013.0107
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  1. Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)
  2. Joseph R. Matson
  3. pp. 107-109
  4. DOI: 10.1353/not.2013.0115
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  1. Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)
  2. John Paul Meyers
  3. pp. 109-111
  4. DOI: 10.1353/not.2013.0123
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  1. The Music of Fantasy Cinema by Janet K. Halfyard (review)
  2. Lisa Scoggin
  3. pp. 111-113
  4. DOI: 10.1353/not.2013.0131
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Theories

  1. Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)
  2. Steven D. Mathews
  3. pp. 113-116
  4. DOI: 10.1353/not.2013.0091
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  1. Postmodernism in Music by Kenneth Gloag (review)
  2. Björn Heile
  3. pp. 116-119
  4. DOI: 10.1353/not.2013.0098
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Composers

  1. Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)
  2. David Crean
  3. pp. 119-122
  4. DOI: 10.1353/not.2013.0105
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  1. George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)
  2. Karrin Ford
  3. pp. 124-126
  4. DOI: 10.1353/not.2013.0120
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  1. Christian Wolff by Michael Hicks and Christian Asplund (review)
  2. Sara Haefeli
  3. pp. 126-128
  4. DOI: 10.1353/not.2013.0128
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  1. Henry Cowell: A Man Made of Music by Joel Sachs (review)
  2. Iain Quinn
  3. pp. 135-137
  4. DOI: 10.1353/not.2013.0102
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 138-152
  4. DOI: 10.1353/not.2013.0109
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  1. New Periodicals
  2. Lindsay Hansen
  3. pp. 153-155
  4. DOI: 10.1353/not.2013.0117
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Digital Media reviews

  1. medici.tv by MUSEEC (review)
  2. Kenneth Kauffman
  3. pp. 156-159
  4. DOI: 10.1353/not.2013.0125
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Video Reviews

  1. Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)
  2. John Holland
  3. pp. 160-161
  4. DOI: 10.1353/not.2013.0132
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  1. Die Liebe der Danae by Richard Strauss (review)
  2. Roderick L. Sharpe
  3. pp. 161-162
  4. DOI: 10.1353/not.2013.0092
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  1. Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)
  2. Alexander Carpenter
  3. pp. 162-163
  4. DOI: 10.1353/not.2013.0099
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  1. Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)
  2. Ryan Ebright
  3. pp. 163-165
  4. DOI: 10.1353/not.2013.0106
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  1. The Curious Case of Benjamin Button by John Eaton (review)
  2. Shelley L. Rogers
  3. p. 165
  4. DOI: 10.1353/not.2013.0114
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  1. Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)
  2. Katherine FitzGibbon
  3. p. 166
  4. DOI: 10.1353/not.2013.0122
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  1. Aaron Copland: Fanfare for America by Andreas Skipis (review)
  2. John Clark
  3. pp. 166-167
  4. DOI: 10.1353/not.2013.0130
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  1. Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)
  2. Sabra Statham
  3. pp. 167-168
  4. DOI: 10.1353/not.2013.0090
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  1. Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)
  2. Lars Helgert
  3. pp. 168-169
  4. DOI: 10.1353/not.2013.0097
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  1. Uniko by Kimmo Pohjonen and Samuli Kosminen (review)
  2. S. Andrew Granade
  3. pp. 169-170
  4. DOI: 10.1353/not.2013.0104
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  1. A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)
  2. Michael Ashenfelder
  3. p. 170
  4. DOI: 10.1353/not.2013.0111
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Music Reviews

  1. Pasquini’s Cantatas
  2. Margaret Murata
  3. pp. 173-176
  4. DOI: 10.1353/not.2013.0127
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  1. Bristow’s Symphony No. 2
  2. Douglas Shadle
  3. pp. 176-180
  4. DOI: 10.1353/not.2013.0087
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  1. German Film Scores from the Silent Era
  2. Daniel Bishop
  3. pp. 180-186
  4. DOI: 10.1353/not.2013.0094
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  1. Piano Music by Marc-André Hamelin
  2. Jory Debenham
  3. pp. 186-189
  4. DOI: 10.1353/not.2013.0101
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  1. Recent Music of Hans Abrahamsen
  2. Matthew Ertz
  3. pp. 190-193
  4. DOI: 10.1353/not.2013.0108
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  1. Music Received
  2. David Knapp
  3. pp. 194-203
  4. DOI: 10.1353/not.2013.0116
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  1. Index to Advertisers
  2. p. 204
  3. DOI: 10.1353/not.2013.0124
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