+ MUSE Alert

In this Issue

Table of Contents

  1. Verdi at 200: Recent Scholarship on the Composer and His Works
  2. Linda B. Fairtile
  3. pp. 9-36
  4. DOI: https://doi.org/10.1353/not.2013.0113
  5. restricted access
  1. “A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music
  2. Anna E. Kijas
  3. pp. 37-58
  4. DOI: https://doi.org/10.1353/not.2013.0121
  5. restricted access
  1. “Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock
  2. Joseph M. Turrini
  3. pp. 59-77
  4. DOI: https://doi.org/10.1353/not.2013.0129
  5. restricted access
  1. Notes for Notes
  3. pp. 78-86
  4. DOI: https://doi.org/10.1353/not.2013.0089
  5. restricted access

Book Reviews

Stage

  1. The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)
  2. Kimberly White
  3. pp. 87-89
  4. DOI: https://doi.org/10.1353/not.2013.0096
  5. restricted access
  1. The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)
  2. Emma Adlard
  3. pp. 89-91
  4. DOI: https://doi.org/10.1353/not.2013.0103
  5. restricted access
  1. From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)
  2. Gregory Camp
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/not.2013.0110
  5. restricted access

Musica Britannica

  1. An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)
  2. Joseph Sargent
  3. pp. 93-96
  4. DOI: https://doi.org/10.1353/not.2013.0118
  5. restricted access
  1. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley ed. by Bennett Zon (review)
  2. Michelle Meinhart
  3. pp. 96-98
  4. DOI: https://doi.org/10.1353/not.2013.0126
  5. restricted access

Latin America and Asia

  1. Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)
  2. Robert L. Kendrick
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/not.2013.0086
  5. restricted access
  1. Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)
  2. Catherine Gauthier-Mercier
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/not.2013.0093
  5. restricted access
  1. Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)
  2. Ruth Mueller
  3. pp. 103-104
  4. DOI: https://doi.org/10.1353/not.2013.0100
  5. restricted access

Man and Media

  1. Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)
  2. Enoch Jacobus
  3. pp. 104-107
  4. DOI: https://doi.org/10.1353/not.2013.0107
  5. restricted access
  1. Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)
  2. Joseph R. Matson
  3. pp. 107-109
  4. DOI: https://doi.org/10.1353/not.2013.0115
  5. restricted access
  1. Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)
  2. John Paul Meyers
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/not.2013.0123
  5. restricted access
  1. The Music of Fantasy Cinema by Janet K. Halfyard (review)
  2. Lisa Scoggin
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/not.2013.0131
  5. restricted access

Theories

  1. Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)
  2. Steven D. Mathews
  3. pp. 113-116
  4. DOI: https://doi.org/10.1353/not.2013.0091
  5. restricted access
  1. Postmodernism in Music by Kenneth Gloag (review)
  2. Björn Heile
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/not.2013.0098
  5. restricted access

Composers

  1. Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)
  2. David Crean
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/not.2013.0105
  5. restricted access
  1. Le style de Claude Debussy. Duplication, répétition et dualité dans les stratégies de composition by Sylveline Bourion (review)
  2. Caroline Potter
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/not.2013.0112
  5. restricted access
  1. George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)
  2. Karrin Ford
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/not.2013.0120
  5. restricted access
  1. Christian Wolff by Michael Hicks and Christian Asplund (review)
  2. Sara Haefeli
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/not.2013.0128
  5. restricted access
  1. Elliott Carter Studies ed. by Marguerite Boland and John Link, and: Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)
  2. Edward Jurkowski
  3. pp. 128-132
  4. DOI: https://doi.org/10.1353/not.2013.0088
  5. restricted access
  1. The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 by Gayle Murchison (review)
  2. Paula Musegades
  3. pp. 132-135
  4. DOI: https://doi.org/10.1353/not.2013.0095
  5. restricted access
  1. Henry Cowell: A Man Made of Music by Joel Sachs (review)
  2. Iain Quinn
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/not.2013.0102
  5. restricted access
  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 138-152
  4. DOI: https://doi.org/10.1353/not.2013.0109
  5. restricted access
  1. New Periodicals
  2. Lindsay Hansen
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/not.2013.0117
  5. restricted access

Digital Media reviews

  1. medici.tv by MUSEEC (review)
  2. Kenneth Kauffman
  3. pp. 156-159
  4. DOI: https://doi.org/10.1353/not.2013.0125
  5. restricted access

Video Reviews

  1. Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)
  2. John Holland
  3. pp. 160-161
  4. DOI: https://doi.org/10.1353/not.2013.0132
  5. restricted access
  1. Die Liebe der Danae by Richard Strauss (review)
  2. Roderick L. Sharpe
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/not.2013.0092
  5. restricted access
  1. Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)
  2. Alexander Carpenter
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/not.2013.0099
  5. restricted access
  1. Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)
  2. Ryan Ebright
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/not.2013.0106
  5. restricted access
  1. The Curious Case of Benjamin Button by John Eaton (review)
  2. Shelley L. Rogers
  3. p. 165
  4. DOI: https://doi.org/10.1353/not.2013.0114
  5. restricted access
  1. Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)
  2. Katherine FitzGibbon
  3. p. 166
  4. DOI: https://doi.org/10.1353/not.2013.0122
  5. restricted access
  1. Aaron Copland: Fanfare for America by Andreas Skipis (review)
  2. John Clark
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/not.2013.0130
  5. restricted access
  1. Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)
  2. Sabra Statham
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/not.2013.0090
  5. restricted access
  1. Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)
  2. Lars Helgert
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/not.2013.0097
  5. restricted access
  1. Uniko by Kimmo Pohjonen and Samuli Kosminen (review)
  2. S. Andrew Granade
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/not.2013.0104
  5. restricted access
  1. A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)
  2. Michael Ashenfelder
  3. p. 170
  4. DOI: https://doi.org/10.1353/not.2013.0111
  5. restricted access
  1. Kinshasa Symphony directed by Claus Wischmann and Martin Baer, and: Eastern Voices directed by Frank Scheffer and Günter Wallbrecht (review)
  2. Christopher L. Ballengee
  3. pp. 171-172
  4. DOI: https://doi.org/10.1353/not.2013.0119
  5. restricted access

Music Reviews

  1. Pasquini’s Cantatas
  2. Margaret Murata
  3. pp. 173-176
  4. DOI: https://doi.org/10.1353/not.2013.0127
  5. restricted access
  1. Bristow’s Symphony No. 2
  2. Douglas Shadle
  3. pp. 176-180
  4. DOI: https://doi.org/10.1353/not.2013.0087
  5. restricted access
  1. German Film Scores from the Silent Era
  2. Daniel Bishop
  3. pp. 180-186
  4. DOI: https://doi.org/10.1353/not.2013.0094
  5. restricted access
  1. Piano Music by Marc-André Hamelin
  2. Jory Debenham
  3. pp. 186-189
  4. DOI: https://doi.org/10.1353/not.2013.0101
  5. restricted access
  1. Recent Music of Hans Abrahamsen
  2. Matthew Ertz
  3. pp. 190-193
  4. DOI: https://doi.org/10.1353/not.2013.0108
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 194-203
  4. DOI: https://doi.org/10.1353/not.2013.0116
  5. restricted access
  1. Index to Advertisers
  3. p. 204
  4. DOI: https://doi.org/10.1353/not.2013.0124
  5. restricted access