In this Issue

Table of Contents

Verdi at 200: Recent Scholarship on the Composer and His Works

Linda B. Fairtile
pp. 9-36
DOI: https://doi.org/10.1353/not.2013.0113
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“A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music

Anna E. Kijas
pp. 37-58
DOI: https://doi.org/10.1353/not.2013.0121
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“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock

Joseph M. Turrini
pp. 59-77
DOI: https://doi.org/10.1353/not.2013.0129
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Notes for Notes

pp. 78-86
DOI: https://doi.org/10.1353/not.2013.0089
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The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)

Kimberly White
pp. 87-89
DOI: https://doi.org/10.1353/not.2013.0096
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The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)

Emma Adlard
pp. 89-91
DOI: https://doi.org/10.1353/not.2013.0103
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From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)

Gregory Camp
pp. 91-93
DOI: https://doi.org/10.1353/not.2013.0110
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An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)

Joseph Sargent
pp. 93-96
DOI: https://doi.org/10.1353/not.2013.0118
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Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley ed. by Bennett Zon (review)

Michelle Meinhart
pp. 96-98
DOI: https://doi.org/10.1353/not.2013.0126
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Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)

Robert L. Kendrick
pp. 98-100
DOI: https://doi.org/10.1353/not.2013.0086
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Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)

Catherine Gauthier-Mercier
pp. 100-102
DOI: https://doi.org/10.1353/not.2013.0093
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Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)

Ruth Mueller
pp. 103-104
DOI: https://doi.org/10.1353/not.2013.0100
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Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)

Enoch Jacobus
pp. 104-107
DOI: https://doi.org/10.1353/not.2013.0107
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Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)

Joseph R. Matson
pp. 107-109
DOI: https://doi.org/10.1353/not.2013.0115
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Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)

John Paul Meyers
pp. 109-111
DOI: https://doi.org/10.1353/not.2013.0123
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The Music of Fantasy Cinema by Janet K. Halfyard (review)

Lisa Scoggin
pp. 111-113
DOI: https://doi.org/10.1353/not.2013.0131
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Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)

Steven D. Mathews
pp. 113-116
DOI: https://doi.org/10.1353/not.2013.0091
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Postmodernism in Music by Kenneth Gloag (review)

Björn Heile
pp. 116-119
DOI: https://doi.org/10.1353/not.2013.0098
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Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)

David Crean
pp. 119-122
DOI: https://doi.org/10.1353/not.2013.0105
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Le style de Claude Debussy. Duplication, répétition et dualité dans les stratégies de composition by Sylveline Bourion (review)

Caroline Potter
pp. 122-124
DOI: https://doi.org/10.1353/not.2013.0112
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George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)

Karrin Ford
pp. 124-126
DOI: https://doi.org/10.1353/not.2013.0120
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Christian Wolff by Michael Hicks and Christian Asplund (review)

Sara Haefeli
pp. 126-128
DOI: https://doi.org/10.1353/not.2013.0128
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Elliott Carter Studies ed. by Marguerite Boland and John Link, and: Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)

Edward Jurkowski
pp. 128-132
DOI: https://doi.org/10.1353/not.2013.0088
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The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 by Gayle Murchison (review)

Paula Musegades
pp. 132-135
DOI: https://doi.org/10.1353/not.2013.0095
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Henry Cowell: A Man Made of Music by Joel Sachs (review)

Iain Quinn
pp. 135-137
DOI: https://doi.org/10.1353/not.2013.0102
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Books Recently Published

James Procell, Matt Ertz
pp. 138-152
DOI: https://doi.org/10.1353/not.2013.0109
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New Periodicals

Lindsay Hansen
pp. 153-155
DOI: https://doi.org/10.1353/not.2013.0117
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medici.tv by MUSEEC (review)

Kenneth Kauffman
pp. 156-159
DOI: https://doi.org/10.1353/not.2013.0125
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Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)

John Holland
pp. 160-161
DOI: https://doi.org/10.1353/not.2013.0132
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Die Liebe der Danae by Richard Strauss (review)

Roderick L. Sharpe
pp. 161-162
DOI: https://doi.org/10.1353/not.2013.0092
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Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)

Alexander Carpenter
pp. 162-163
DOI: https://doi.org/10.1353/not.2013.0099
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Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)

Ryan Ebright
pp. 163-165
DOI: https://doi.org/10.1353/not.2013.0106
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The Curious Case of Benjamin Button by John Eaton (review)

Shelley L. Rogers
p. 165
DOI: https://doi.org/10.1353/not.2013.0114
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Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)

Katherine FitzGibbon
p. 166
DOI: https://doi.org/10.1353/not.2013.0122
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Aaron Copland: Fanfare for America by Andreas Skipis (review)

John Clark
pp. 166-167
DOI: https://doi.org/10.1353/not.2013.0130
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Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)

Sabra Statham
pp. 167-168
DOI: https://doi.org/10.1353/not.2013.0090
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Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)

Lars Helgert
pp. 168-169
DOI: https://doi.org/10.1353/not.2013.0097
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Uniko by Kimmo Pohjonen and Samuli Kosminen (review)

S. Andrew Granade
pp. 169-170
DOI: https://doi.org/10.1353/not.2013.0104
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A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)

Michael Ashenfelder
p. 170
DOI: https://doi.org/10.1353/not.2013.0111
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Kinshasa Symphony directed by Claus Wischmann and Martin Baer, and: Eastern Voices directed by Frank Scheffer and Günter Wallbrecht (review)

Christopher L. Ballengee
pp. 171-172
DOI: https://doi.org/10.1353/not.2013.0119
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Pasquini’s Cantatas

Margaret Murata
pp. 173-176
DOI: https://doi.org/10.1353/not.2013.0127
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Bristow’s Symphony No. 2

Douglas Shadle
pp. 176-180
DOI: https://doi.org/10.1353/not.2013.0087
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German Film Scores from the Silent Era

Daniel Bishop
pp. 180-186
DOI: https://doi.org/10.1353/not.2013.0094
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Piano Music by Marc-André Hamelin

Jory Debenham
pp. 186-189
DOI: https://doi.org/10.1353/not.2013.0101
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Recent Music of Hans Abrahamsen

Matthew Ertz
pp. 190-193
DOI: https://doi.org/10.1353/not.2013.0108
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Index to Advertisers

p. 204
DOI: https://doi.org/10.1353/not.2013.0124
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Music Received

David Knapp
pp. 194-203
DOI: https://doi.org/10.1353/not.2013.0116
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