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Verdi at 200: Recent Scholarship on the Composer and His Works

Linda B. Fairtile

pp. 9-36

DOI: https://doi.org/10.1353/not.2013.0113

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“A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music

Anna E. Kijas

pp. 37-58

DOI: https://doi.org/10.1353/not.2013.0121

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“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock

Joseph M. Turrini

pp. 59-77

DOI: https://doi.org/10.1353/not.2013.0129

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Notes for Notes

pp. 78-86

DOI: https://doi.org/10.1353/not.2013.0089

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The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)

Kimberly White

pp. 87-89

DOI: https://doi.org/10.1353/not.2013.0096

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The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)

Emma Adlard

pp. 89-91

DOI: https://doi.org/10.1353/not.2013.0103

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From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)

Gregory Camp

pp. 91-93

DOI: https://doi.org/10.1353/not.2013.0110

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An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)

Joseph Sargent

pp. 93-96

DOI: https://doi.org/10.1353/not.2013.0118

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Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley ed. by Bennett Zon (review)

Michelle Meinhart

pp. 96-98

DOI: https://doi.org/10.1353/not.2013.0126

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Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)

Robert L. Kendrick

pp. 98-100

DOI: https://doi.org/10.1353/not.2013.0086

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Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)

Catherine Gauthier-Mercier

pp. 100-102

DOI: https://doi.org/10.1353/not.2013.0093

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Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)

Ruth Mueller

pp. 103-104

DOI: https://doi.org/10.1353/not.2013.0100

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Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)

Enoch Jacobus

pp. 104-107

DOI: https://doi.org/10.1353/not.2013.0107

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Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)

Joseph R. Matson

pp. 107-109

DOI: https://doi.org/10.1353/not.2013.0115

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Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)

John Paul Meyers

pp. 109-111

DOI: https://doi.org/10.1353/not.2013.0123

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The Music of Fantasy Cinema by Janet K. Halfyard (review)

Lisa Scoggin

pp. 111-113

DOI: https://doi.org/10.1353/not.2013.0131

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Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)

Steven D. Mathews

pp. 113-116

DOI: https://doi.org/10.1353/not.2013.0091

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Postmodernism in Music by Kenneth Gloag (review)

Björn Heile

pp. 116-119

DOI: https://doi.org/10.1353/not.2013.0098

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Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)

David Crean

pp. 119-122

DOI: https://doi.org/10.1353/not.2013.0105

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Le style de Claude Debussy. Duplication, répétition et dualité dans les stratégies de composition by Sylveline Bourion (review)

Caroline Potter

pp. 122-124

DOI: https://doi.org/10.1353/not.2013.0112

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George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)

Karrin Ford

pp. 124-126

DOI: https://doi.org/10.1353/not.2013.0120

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Christian Wolff by Michael Hicks and Christian Asplund (review)

Sara Haefeli

pp. 126-128

DOI: https://doi.org/10.1353/not.2013.0128

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Elliott Carter Studies ed. by Marguerite Boland and John Link, and: Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)

Edward Jurkowski

pp. 128-132

DOI: https://doi.org/10.1353/not.2013.0088

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The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 by Gayle Murchison (review)

Paula Musegades

pp. 132-135

DOI: https://doi.org/10.1353/not.2013.0095

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Henry Cowell: A Man Made of Music by Joel Sachs (review)

Iain Quinn

pp. 135-137

DOI: https://doi.org/10.1353/not.2013.0102

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Books Recently Published

James Procell, Matt Ertz

pp. 138-152

DOI: https://doi.org/10.1353/not.2013.0109

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New Periodicals

Lindsay Hansen

pp. 153-155

DOI: https://doi.org/10.1353/not.2013.0117

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medici.tv by MUSEEC (review)

Kenneth Kauffman

pp. 156-159

DOI: https://doi.org/10.1353/not.2013.0125

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Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)

John Holland

pp. 160-161

DOI: https://doi.org/10.1353/not.2013.0132

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Die Liebe der Danae by Richard Strauss (review)

Roderick L. Sharpe

pp. 161-162

DOI: https://doi.org/10.1353/not.2013.0092

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Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)

Alexander Carpenter

pp. 162-163

DOI: https://doi.org/10.1353/not.2013.0099

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Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)

Ryan Ebright

pp. 163-165

DOI: https://doi.org/10.1353/not.2013.0106

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The Curious Case of Benjamin Button by John Eaton (review)

Shelley L. Rogers

p. 165

DOI: https://doi.org/10.1353/not.2013.0114

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Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)

Katherine FitzGibbon

p. 166

DOI: https://doi.org/10.1353/not.2013.0122

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Aaron Copland: Fanfare for America by Andreas Skipis (review)

John Clark

pp. 166-167

DOI: https://doi.org/10.1353/not.2013.0130

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Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)

Sabra Statham

pp. 167-168

DOI: https://doi.org/10.1353/not.2013.0090

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Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)

Lars Helgert

pp. 168-169

DOI: https://doi.org/10.1353/not.2013.0097

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Uniko by Kimmo Pohjonen and Samuli Kosminen (review)

S. Andrew Granade

pp. 169-170

DOI: https://doi.org/10.1353/not.2013.0104

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A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)

Michael Ashenfelder

p. 170

DOI: https://doi.org/10.1353/not.2013.0111

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Kinshasa Symphony directed by Claus Wischmann and Martin Baer, and: Eastern Voices directed by Frank Scheffer and Günter Wallbrecht (review)

Christopher L. Ballengee

pp. 171-172

DOI: https://doi.org/10.1353/not.2013.0119

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Pasquini’s Cantatas

Margaret Murata

pp. 173-176

DOI: https://doi.org/10.1353/not.2013.0127

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Bristow’s Symphony No. 2

Douglas Shadle

pp. 176-180

DOI: https://doi.org/10.1353/not.2013.0087

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German Film Scores from the Silent Era

Daniel Bishop

pp. 180-186

DOI: https://doi.org/10.1353/not.2013.0094

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Piano Music by Marc-André Hamelin

Jory Debenham

pp. 186-189

DOI: https://doi.org/10.1353/not.2013.0101

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Recent Music of Hans Abrahamsen

Matthew Ertz

pp. 190-193

DOI: https://doi.org/10.1353/not.2013.0108

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Index to Advertisers

p. 204

DOI: https://doi.org/10.1353/not.2013.0124

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Music Received

David Knapp

pp. 194-203

DOI: https://doi.org/10.1353/not.2013.0116

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Volume 69, Number 4, June 2013

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Volume 70, Number 2, December 2013

Additional Information
ISSN	1534-150X
Print ISSN	0027-4380
Launched on MUSE	2013-08-19
Open Access	No

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Copyright © The Music Library Association, Inc.

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