In this Issue

Table of Contents

From Nitrate to Digital Archive: The Davide Turconi Project

Alicia Fletcher, Joshua Yumibe
pp. 1-32
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When Film Went to College: A Brief History of the USC Hugh M. Hefner Moving Image Archive

Dino Everett, Jennifer Peterson
pp. 33-65
DOI: https://doi.org/10.5749/movingimage.13.1.0033
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Imperfect Archives and the Principle of Social Praxis in the History of Film Preservation in Latin America

Janet Ceja Alcalá
pp. 66-97
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The Making of the National Film Archive of India: Notes from the Archive of the Archive

Ramesh Kumar
pp. 98-128
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From Colorization to Orphans: The Evolution of American Public Policy on Film Preservation

Brian Real
pp. 129-150
DOI: https://doi.org/10.5749/movingimage.13.1.0129
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The Education of an Archivist: Keeping Movies at the Library of Congress

Paul C. Spehr
pp. 151-178
DOI: https://doi.org/10.5749/movingimage.13.1.0151
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How Film (and Video) Found Its Way into “Our Nation’s Attic”: A Conversation about the Origins of Audiovisual Collecting and Archiving at the Smithsonian Institution

Kimberly Tarr, Wendy Shay
pp. 178-184
DOI: https://doi.org/10.5749/movingimage.13.1.0178
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Oh, Pioneers! The Academy’s Embrace of Early Film History, 1945–51

Barbara Hall
pp. 185-193
DOI: https://doi.org/10.5749/movingimage.13.1.0185
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Cinema as Artifact and Event: Peter Kubelka as Curator, Archivist, and Media Theorist

Juan Carlos Kase, Kirston Johnson
pp. 193-199
DOI: https://doi.org/10.5749/movingimage.13.1.0193
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“Then Began the Battle Royal”: Marion Michelle and the FIAF Crisis

Sabine Lenk, André Stufkens
pp. 199-217
DOI: https://doi.org/10.5749/movingimage.13.1.0199
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Starting from Nothing: The Art of Creating a Film Archive

Nicolette Bromberg, Hannah Palin
pp. 217-225
DOI: https://doi.org/10.5749/movingimage.13.1.0217
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Les Images d’archives face à l’histoire: de la conservation à la création by Laurent Véray (review)

Janet Bergstrom
pp. 226-230
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The Past Is a Moving Picture: Preserving the Twentieth Century on Film by Janna Jones (review)

Jennifer L. Jenkins
pp. 230-233
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Early Cinema Today: The Art of Programming and Live Performance ed. by Martin Loiperdinger (review)

Daniel Wiegand, Brian Real
pp. 233-236
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Wings (1927) (review)

Rob Byrne
pp. 236-240
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Anatomy of a Murder (1959) (review)

Matthew Connolly
pp. 240-242
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Harold and Maude (1971) (review)

Alyxandra Vesey
pp. 243-244
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2012 Archival Education and Research Institute

Snowden Becker
pp. 245-247
DOI: https://doi.org/10.5749/movingimage.13.1.0245
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Time Networks: Screen Media and Memory—NECS 2012 Conference (review)

Eva Sancho Rodríguez
pp. 247-250
DOI: https://doi.org/10.5749/movingimage.13.1.0247
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Orphans 8: Made to Persuade (Eighth Biennial Orphan Film Symposium) (review)

Rachael Stoeltje, Martha Harsanyi
pp. 250-255
DOI: https://doi.org/10.5749/movingimage.13.1.0250
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Editor’s Foreword

Marsha Gordon
pp. viii-xii
DOI: https://doi.org/10.5749/movingimage.13.1.viii
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