1. From Nitrate to Digital Archive: The Davide Turconi Project
  2. Alicia Fletcher, Joshua Yumibe
  3. pp. 1-32
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  1. When Film Went to College: A Brief History of the USC Hugh M. Hefner Moving Image Archive
  2. Dino Everett, Jennifer Peterson
  3. pp. 33-65
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  1. Imperfect Archives and the Principle of Social Praxis in the History of Film Preservation in Latin America
  2. Janet Ceja Alcalá
  3. pp. 66-97
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  1. The Making of the National Film Archive of India: Notes from the Archive of the Archive
  2. Ramesh Kumar
  3. pp. 98-128
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  1. From Colorization to Orphans: The Evolution of American Public Policy on Film Preservation
  2. Brian Real
  3. pp. 129-150
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  1. The Education of an Archivist: Keeping Movies at the Library of Congress
  2. Paul C. Spehr
  3. pp. 151-178
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  1. How Film (and Video) Found Its Way into “Our Nation’s Attic”: A Conversation about the Origins of Audiovisual Collecting and Archiving at the Smithsonian Institution
  2. Kimberly Tarr, Wendy Shay
  3. pp. 178-184
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  1. Oh, Pioneers! The Academy’s Embrace of Early Film History, 1945–51
  2. Barbara Hall
  3. pp. 185-193
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  1. Cinema as Artifact and Event: Peter Kubelka as Curator, Archivist, and Media Theorist
  2. Juan Carlos Kase, Kirston Johnson
  3. pp. 193-199
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  1. “Then Began the Battle Royal”: Marion Michelle and the FIAF Crisis
  2. Sabine Lenk, André Stufkens
  3. pp. 199-217
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  1. Starting from Nothing: The Art of Creating a Film Archive
  2. Nicolette Bromberg, Hannah Palin
  3. pp. 217-225
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  1. Les Images d’archives face à l’histoire: de la conservation à la création by Laurent Véray (review)
  2. Janet Bergstrom
  3. pp. 226-230
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  1. The Past Is a Moving Picture: Preserving the Twentieth Century on Film by Janna Jones (review)
  2. Jennifer L. Jenkins
  3. pp. 230-233
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  1. Early Cinema Today: The Art of Programming and Live Performance ed. by Martin Loiperdinger (review)
  2. Daniel Wiegand, Brian Real
  3. pp. 233-236
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  1. Wings (1927) (review)
  2. Rob Byrne
  3. pp. 236-240
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  1. Anatomy of a Murder (1959) (review)
  2. Matthew Connolly
  3. pp. 240-242
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  1. Harold and Maude (1971) (review)
  2. Alyxandra Vesey
  3. pp. 243-244
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  1. 2012 Archival Education and Research Institute
  2. Snowden Becker
  3. pp. 245-247
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  1. Time Networks: Screen Media and Memory—NECS 2012 Conference (review)
  2. Eva Sancho Rodríguez
  3. pp. 247-250
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  1. Orphans 8: Made to Persuade (Eighth Biennial Orphan Film Symposium) (review)
  2. Rachael Stoeltje, Martha Harsanyi
  3. pp. 250-255
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  1. Editor’s Foreword
  2. Marsha Gordon
  3. pp. viii-xii
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