In this Issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
published by
University of Illinois Pressviewing issue
Volume 30, Number 4, Winter 2012Table of Contents

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View The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes From Henry Cowell's 1951 Advanced Music Theory Course
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View Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life by Steve Swayne (review)
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View Downhome Gospel: African American Spiritual Activism in Wiregrass Country by Jerrilynn McGregory (review)
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ISSN | 1945-2349 |
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Print ISSN | 0734-4392 |
Launched on MUSE | 2013-08-04 |
Open Access | No |