In this Issue

Table of Contents

The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes From Henry Cowell's 1951 Advanced Music Theory Course

John D. Spilker
pp. 405-425
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Funeral Music and the Transformation of Southern Musical and Religious Cultures, 1935-1945

Kristine M. McCusker
pp. 426-452
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Eleanor Kane Neary and the Piano in Irish Traditional Music

Charles Fanning
pp. 453-467
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Marshall Winslow Stearns and the Politics of Jazz Historiography

Mario Dunkel
pp. 468-504
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The Makers of the Sacred Harp David Warren Steel with Richard H. Hulan (review)

Ed Duling
pp. 505-507
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Pick Yourself Up: Dorothy Fields and the American Musical by Charlotte Greenspan (review)

Bruce D. McClung
pp. 507-509
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Showtime: A History of the Broadway Musical Theater by Larry Stempel (review)

Raymond Knapp
pp. 509-513
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Elliott Carter by James Wierzbicki (review)

Jonathan W. Bernard
pp. 514-516
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Louis Armstrong's Hot Five and Hot Seven Recordings by Brian Harker (review)

Joshua Berrett
pp. 517-519
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Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era by Larry Hamberlin (review)

Edward A. Berlin
pp. 519-521
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Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life by Steve Swayne (review)

Drew Massey
pp. 521-523
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Downhome Gospel: African American Spiritual Activism in Wiregrass Country by Jerrilynn McGregory (review)

Stephen Shearon
pp. 523-525
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Forever Doo-Wop: Race, Nostalgia, and Vocal Harmony by John Michael Runowicz (review)

Joshua S. Duchan
pp. 525-527
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The Studio Recordings of the Miles Davis Quintet, 1965-68 by Keith Waters (review)

Jeremy Yudkin
pp. 527-530
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Woody Guthrie, American Radical by Will Kaufman (review)

Ed Cray
pp. 531-532
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