In this Issue
Callaloo, the premier journal of literature, art, and culture of the African Diaspora, publishes original work by and about writers and visual artists of African descent worldwide. Recently ranked 13th in Every Writer's Resource's Top 50 Literary Magazines, Callaloo offers an engaging mixture of fiction, poetry, critical articles, interviews, drama, and visual art. Frequent annotated bibliographies, special issues dedicated to major writers and literary, social, and cultural themes, and full-color, original artwork and photography are some of the features of this highly acclaimed international showcase of arts and letters.
published by
Johns Hopkins University Pressviewing issue
Volume 36, Number 2, Spring 2013Table of Contents

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View Dominance and the Triumph of the White Trickster Over the Black Picaro in Amiri Baraka’s Great Goodness of Life: A Coon Show
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View Frantz Fanon and the Négritude Movement: How Strategic Essentialism Subverts Manichean Binaries
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View “Somos Afro”: Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia
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View A Writing of Nothing: Intercession and the Autobiographical Subject in Olaudah Equiano’s Interesting Narrative
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View Bringing Down the House: The Trickster’s Signifying on Victimization in Harriet E. Wilson’s Our Nig
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View Unexpected Places: Relocating Nineteenth Century African American Literature by Eric Gardner, (review)
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View Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement by Reiland Rabaka, and: From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity by Miles White (review)
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View Erotic Revolutionaries: Black Women, Sexuality and Popular Culture by Shayne Lee, and: Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance by James F Wilson (review)
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View Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)
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View Living With Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 by Koritha Mitchell (review)
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View In Search of Brightest Africa: Reimagining the Dark Continent in American Culture, 1884–1936 by Jeannette Eileen Jones (review)
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View Prove It On Me: New Negroes, Sex, and Popular Culture in the 1920s by Erin D Chapman (review)
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ISSN | 1080-6512 |
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Print ISSN | 0161-2492 |
Launched on MUSE | 2013-07-30 |
Open Access | No |
Copyright
Copyright © Charles H. Rowell.