In this Issue

Table of Contents

Into Cleanness Leaping: Brooke, Eliot, and the Decadent Body

Martin Lockerd
pp. 1-13
DOI: https://doi.org/10.2979/jmodelite.36.3.1
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Typewriter Psyche: Henry James’s Mechanical Mind

Matthew Schilleman
pp. 14-30
DOI: https://doi.org/10.2979/jmodelite.36.3.14
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“The Lives of Others”: Motoring in Henry James’s “The Velvet Glove”

Alicia Rix
pp. 31-49
DOI: https://doi.org/10.2979/jmodelite.36.3.31
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Interruption Overload: Telephones in Ford Madox Ford’s “‘4692 Padd’,” A Call and A Man Could Stand Up —

Kate McLoughlin
pp. 50-68
DOI: https://doi.org/10.2979/jmodelite.36.3.50
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Virginia Woolf’s Emersonian Metaphors of Sight in To the Lighthouse: Visionary Oscillation

Rosemary Luttrell
pp. 69-80
DOI: https://doi.org/10.2979/jmodelite.36.3.69
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Beckett, Painting and the Question of “the human”

Kevin Brazil
pp. 81-99
DOI: https://doi.org/10.2979/jmodelite.36.3.81
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Dogging the Subject: Samuel Beckett, Emmanuel Levinas, and Posthumanist Ethics

Karalyn Kendall-Morwick
pp. 100-119
DOI: https://doi.org/10.2979/jmodelite.36.3.100
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“There will be a new embodiment, in a new way”: Alternative Posthumanisms in Women in Love

Deanna Wendel
pp. 120-137
DOI: https://doi.org/10.2979/jmodelite.36.3.120
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“She was born a thing”: Disability, the Cyborg and the Posthuman in Anne McCaffrey’s The Ship Who Sang

Ria Cheyne
pp. 138-156
DOI: https://doi.org/10.2979/jmodelite.36.3.138
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“More than Anything Else, I Like My Closets”: Willa Cather’s Melancholic Erotics in The Professor’s House

Madoka Kishi
pp. 157-173
DOI: https://doi.org/10.2979/jmodelite.36.3.157
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Fallen Love: Eros and Ta’wīl in the Poetry of Robert Duncan

Ross Hair
pp. 174-193
DOI: https://doi.org/10.2979/jmodelite.36.3.174
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Speaking the Unnamable: A Phenomenology of Sense in T.S. Eliot’s Four Quartets

Jūratė Levina
pp. 194-211
DOI: https://doi.org/10.2979/jmodelite.36.3.194
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Editor’s Introduction: Organisms and Machines

Robert L. Caserio
pp. v-vi
DOI: https://doi.org/10.2979/jml.2009.32.1.v
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Notes on Contributors

pp. 212-214
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