In this Issue

Table of Contents

Contextualising and Contesting José Antonio Maravall’s Theories of Baroque Culture from the Perspective of Modern-Day Performance

Duncan Wheeler
pp. 15-43
DOI: https://doi.org/10.1353/boc.2013.0015
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The Maravall Problem: A Historical Inquiry

Ruth MacKay
pp. 45-56
DOI: https://doi.org/10.1353/boc.2013.0000
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Con-textos de José Antonio Maravall y su Estructura Histórica del Barroco

Luis Gonzalo Portugal
pp. 57-74
DOI: https://doi.org/10.1353/boc.2013.0003
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Nuevos espectáculos para el medro cortesano: contrautopías vs. pensamientos únicos

Vicente Pérez de León
pp. 75-105
DOI: https://doi.org/10.1353/boc.2013.0006
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Criminality and Control in the Comedia after Maravall

Ted L. L. Bergman
pp. 107-130
DOI: https://doi.org/10.1353/boc.2013.0009
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An Apology for the Actorly: Maravall, Sor Juana, and the Economics of Jongleuresque Performance

Bruce R. Burningham
pp. 131-154
DOI: https://doi.org/10.1353/boc.2013.0011
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Maravall and the Self in the Comedia Nueva

Jonathan Thacker
pp. 155-173
DOI: https://doi.org/10.1353/boc.2013.0014
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El horizonte crítico del 27: ensayos rescatados (1927-1932). Ed. David González Ramírez and Rafael Malpartida Tirado (review)

Peter Cocozzella
pp. 175-177
DOI: https://doi.org/10.1353/boc.2013.0017
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Gendering the Crown in the Spanish Baroque Comedia. by Quintero, María Cristina (review)

Elizabeth Teresa Howe
pp. 178-180
DOI: https://doi.org/10.1353/boc.2013.0002
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Baroque, Allegory, Comedia: The Transfiguration of Tragedy in Seventeenth-Century spain. by Kluge, Sofie (review)

Margaret M. Olsen
pp. 181-182
DOI: https://doi.org/10.1353/boc.2013.0005
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La Estrella de Sevilla. Ed. John C. Parrack (review)

Maryrica Ortiz Lottman
pp. 183-184
DOI: https://doi.org/10.1353/boc.2013.0008
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El Burlador de Sevilla y Convidado de Piedra. Ed. William F. Hunter. (review)

James A. Parr
pp. 185-186
DOI: https://doi.org/10.1353/boc.2013.0010
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Alegorías del Poder: Crisis Imperial y Comedia Nueva (1598-1659). by Carreño-Rodríguez, Antonio (review)

Elena García-Martín
pp. 188-190
DOI: https://doi.org/10.1353/boc.2013.0013
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A History of Theatre in Spain ed. by Maria M. Delgado and David T. Gies (review)

Julia Watson
p. 191
DOI: https://doi.org/10.1353/boc.2013.0016
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Monstruos de apariencias llenos: Espacios de representación y espacios representados en el teatro áureo español ed. by Francisco Sáez Raposo (review)

Julia Watson
p. 191
DOI: https://doi.org/10.1353/boc.2013.0001
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Primera parte de comedias, III. by Moreto, Agustín (review)

Julia watson
p. 192
DOI: https://doi.org/10.1353/boc.2013.0004
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Vega, Lope de. Comedias. Parte XI. 2 tomos. Laura Fernández y Gonzalo Pontón (review)

Julia watson
pp. 192-193
DOI: https://doi.org/10.1353/boc.2013.0007
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Editor’s Note

Edward H. Friedman
p. v
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Introduction: “The Comedia and Cultural Control: The Legacy of José Antonio Maravall”

Laura R. Bass
pp. 1-13
DOI: https://doi.org/10.1353/boc.2013.0012
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