In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
published by
The MIT Pressviewing issue
Volume 36, Number 4, August 2003Table of Contents
- Color Plates
- pp. 307-308
- Materials Received
- p. 336
- Leonardo Network News
- pp. 337-338
- Erratum
- p. 320
Editorial
Abstracts
The Leonardo Gallery
- Complexity
- pp. 259-260
- Untitled
- p. 262
- Eight-Bit Ant Farm
- p. 263
- Condensation Cube
- p. 265
Special Section
Global Crossings: The Cultural Roots of Globalization The Spirit and Power of Water Project
- Liquid Light: Working with Water
- pp. 281-282
- Music, Colors and Movements of Water
- pp. 282-283
- Wave Rings
- pp. 283-284
- Memory of Water
- p. 284
Artist's Article
General Article
Historical Perspective on the Arts, Sciences and Technology
Statements
- The Orbital Poetry Engine
- pp. 303-304
Special Section
Intersenses and New Technologies
- Sense and Intersensoriality
- pp. 313-316
- Motor-Mimetic Music Cognition
- pp. 317-319
Leonardo Reviews
Review Article
Books
- Hans Danuser: Frost (review)
- pp. 332-333
Conference
Audio Compact Disc
- North America (review)
- pp. 335-336
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Copyright © 2003 the International Society for the Arts, Sciences and Technology (ISAST), the owner of Leonardo.